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March 12, 2021
Today and tomorrow, Exchanges is co-hosting the Lonely Nerds workshop. You can find out more about the programme via this link to an earlier entry. Here though, for more information about who will be presenting their work during the event are the speaker biographies.
|Benjamin Schaper||Conquering the Meatspace: The Reception of David Fincher’s The Social Network (2010) in Baran bo Odar’s Who am I (2014)||Session 1, Friday 12th||
Benjamin Schaper is a Stipendiary Lecturer in German at the University of Oxford. He previously taught at the Universities of Munich and Durham and was a Sylvia Naish Visiting Fellow at the Institute of Modern Languages Research in London. His postdoc project analyses loneliness and human-machine interaction in Romanticism, Modernism, and the Digital Age. He is further editing a volume on German cultural history in transnational film and television and has an interest in literary networks.
|Filippo Cervelli||Saved by the Nerd: Otaku and the Space of Family in Summer Wars||Session 2, Friday 12th||
Dr Filippo Cervelli is a Senior Teaching Fellow in Modern and Contemporary Japanese Literature at SOAS, University of London. His research is broadly concerned with representations of individual and social crises in contemporary Japanese literature and popular culture. He completed his PhD in Oriental Studies at the University of Oxford in 2018, with a thesis exploring immediacy and the emphasis on the present in contemporary Japanese novels, manga and anime.
|Kwasu D. Tembo||The Jackal and the Genius: Jake Gyllenhall's Representation of the Pathology of the Occidental Nerd in Nightcrawler and Donnie Darko||Session 2, Friday 12th||
Kwasu David Tembo is a PhD graduate from the University of Edinburgh’s Language, Literatures, and Cultures department. His research interests include – but are not limited to – comics studies, literary theory and criticism, philosophy, particularly the so-called “prophets of extremity” – Nietzsche, Heidegger, Foucault, and Derrida. He has published on Christopher Nolan's The Prestige, in The Cinema of Christopher Nolan: Imagining the Impossible, ed. Jacqueline Furby and Stuart Joy (Columbia UP, 2015), and on Superman, in Postscriptum: An Interdisciplinary Journal of Literary Studies (2017).
|Carolin Fleischer-Heininger||Lonely Heisei Japan: On Murakami Ryū's In za miso sūpu||Session 2, Friday 12th||
M.A. (Magister Artium) in theatre studies (major), German literature, Japanese studies. Doctoral candidate and research associate at LMU Munich. Dissertation deals with: Terayama Shûji (1935–1983); writer, theatre and film maker; key figure of the counter culture in postwar Japan
|Natalia Rumak||Sherlock And Sha:rokku: Detectives With ASD. Will East And West Ever Meet?||Session 3, Saturday 13th||
PhD in linguistics (2007). Graduated the Institute of African and Asian studies, Lomonosov Moscow State University in 2000, majored in Japanese language and International Economic Relations. Defended PhD thesis on the problem of translating Japanese onomatopoetic words into Russian, field of scientific research – translation, semantics, teaching methods of Japanese language. Author of the Japanese-Russian dictionary of onomatopoetic words, a teach-yourself guide on Japanese language and guidebooks on Japanese onomatopoetic words and numerals. Also published several articles on translation and semantic problems of Japanese onomatopoeia and a number of articles on problems of Japanese language education (in Russian).
|Rebecca Lewis||The Fear of Belonging: The Simultaneity of Loneliness and Popularity in Dear Evan Hansen||Session 3, Saturday 13th||
Rebecca Lewis is a doctoral researcher at the University of Westminster in London. Her thesis focuses on cultural policy, globalisation and representation in the South Korean television industry. Her further research interests are in audience studies and cultural production, particularly in relation to young adults and teenagers.
|Daniele Durante||From Misfit to Leader: Towards a Revisionist Representation of Otaku and Hikikomori in Japanese Video Game Persona 5||Session 3, Saturday 13th||
Born and raised in Rome, Italy, I have studied Japanese language and literature at "Sapienza" University. Currently, I'm enrolled in the PhD program of the same institution for a research on the representation of male same-sex love in Japanese court literature. So far I have been to Japan to take part in two study and research programs. My area of interest includes the history of sexuality, Japanese classical literature, and Japanese contemporary popular culture.
|Janée N. Burkhalter||‘Gus, don’t be the comma in Earth, Wind & Fire’: Understanding Psych’s (sometimes) lonely blerd Burton Guster||Session 4, Saturday 13th||
Janée N. Burkhalter, Ph.D. is an Associate Professor of Marketing and the Associate Dean of Undergraduate Programs in the Erivan K. Haub School of Business at Saint Joseph’s University, USA. Dr. Burkhalter teaches and researches at the intersection of entertainment, marketing strategy and social media. She is a marketing scholar, educator and strategist with practical experience in marketing communications, career services, entrepreneurship, diversity & inclusion
|Sharon Coleclough||So Many Ways to be an Outsider – “Nerdism” and Ethnicity as Signifiers of Otherness||Session 4, Saturday 13th||
Dr. Sharon Coleclough completed her PhD in Cinematic Performance at the University of Salford in 2014. A Senior Lecturer in Film Production and Sound Design at Staffordshire University, her work combines the theory and practice of moving image production; focussing upon the ways in which meaning is created through the technical application of craft. Recent publications consider the relationship of BAME actors to lighting and camera for Viewfinder Magazine with an inspiring lecture series submission requested by Learning on Screen on the same subject. Sharon works internationally on a collaborative digital project, “The Laptop Tour” which considers the ways performance can be realised through the use of technology.
|Alena Cicholewski||A place where everybody is a legendary hero… and a total dork” – Representing the American Nerd Community as an Antidote to Loneliness in G. Willow Wilson’s Ms. Marvel Comics (2014-2019)||Session 4, Saturday 13th||
Alena teaches at the Institute for English and American Studies at the University of Oldenburg (Germany), where she completed her PhD in English literature in 2020. Her research interests include, but are not limited to, Afrofuturism and postcolonial science fiction and graphic novels.
|Marta Fanasca||Communicating isolation and sexual negotiation: Nagata Kabi’s My Lesbian Experience with loneliness||Session 5, Saturday 13th||
Marta Fanasca obtained her PhD in Japanese Studies at The University of Manchester and she is currently a Postdoctoral Research Fellow at The Higher School of Economics, Saint Petersburg. Her work investigates gender performativity, Female to male (dansō) crossdressing and the commodification of intimacy in contemporary Japan. She has published several articles focused on the dansō phenomenon in Japan. Her research interests involve and put together Japanese contemporary culture and pop-culture, queer theory, gender and media studies.
|Christopher Smith||Consumable Bodies, Consumable Self: The Queer Potential of Otaku Subjectivity in Kio Shimoku’s Genshiken||Session 5, Saturday 13th||
Christopher Smith received a PhD in Japanese literature from the University of Hawai’i at Mānoa and is currently an Assistant Professor of Modern Japanese Literature at the University of Florida, where he teaches courses on modern Japanese literature, manga, and anime. His research focuses on postwar Japanese literature, particularly contemporary literature (Heisei-Reiwa), as well as Japanese pop culture, including manga and anime. He is especially interested in examining how literature and culture represents, manipulates, and ultimately plays with Japanese history, examined through the lenses of nationalism, national identity, the historical legitimation of power, and postmodernism. He recently published a translation of Tanaka Yasuo’s Somehow, Crystal (Kurodahan Press).
Get in touch if you'd like to attend, and haven't already registered - there's no charge!
February 09, 2021
Writing about web page https://exchanges.warwick.ac.uk/index.php/exchanges/issue/view/38
The labours of 18 months came to an end last week as we launched our second special issue, developed as a result of 2019’s 20th International Conference of the Utopian Studies Society hosted in a sunny Prato, Italy. The irony of the issue launch coming in the middle of ‘Beast from the East 2’, and thick driving snow outside my window isn’t lost on me! I’ve been delighted throughout the production of this issue to continue working with a number of our associate editors, drawn from the PGR community, an experience we celebrated and reflected upon in our most recent podcast.
While, size-wise, the issue doesn’t quite reach the dizzying heights of last year’s Cannibalism issue - which actually made it easier to pull together from a lead editor perspective – the issue remains a very rich and interesting one. Here’s the rundown of the contents:
Johnson, G.J., 2021. A Change in the Wind: Editorial, Volume 8, Part 2. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. i-xii. https://doi.org/10.31273/eirj.v8i2.784
Farnell, I., 2021. Things Are Heating Up: Reflections on Utopia, Dystopia and Climate Change, the 20th International Conference of the Utopian Studies Society, Europe. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 1-7. https://doi.org/10.31273/eirj.v8i2.531
Alberro, H., 2021. In the Shadow of Death: Loss, hope and radical environmental activism in the Anthropocene. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 8-27. https://doi.org/10.31273/eirj.v8i2.510
Novello, C., 2021. Ecological Destruction and Consumerism: A critique of modern society through the works of the contemporary German author Ilija Trojanow. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 28-46. https://doi.org/10.31273/eirj.v8i2.581
Rey Segovia, A., 2021. Climate Fiction and its Narratives: (Non) Secularists imaginaries for the environmental collapse. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 47-68. https://doi.org/10.31273/eirj.v8i2.539
Tait, A., 2021. Environmental Crisis, Cli-fi, and the Fate of Humankind in Richard Jefferies’ After London and Robert Harris’ The Second Sleep. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 69-83. https://doi.org/10.31273/eirj.v8i2.554
Horsfield, R., 2021. Do Androids Dream of Electric Sheep?: Borders in the Anthropocene. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 84-98. https://doi.org/10.31273/eirj.v8i2.584
Xausa, C., 2021. Climate Fiction and the Crisis of Imagination: Alexis Wright’s Carpentaria and The Swan Book. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 99-119. https://doi.org/10.31273/eirj.v8i2.555
Holding, S., 2021. What on Earth Can Atlantis Teach Us? Cli-fi and the inconvenient truth behind our pre-history. Exchanges: The Interdisciplinary Research Journal, 8(2), pp. 120-131. https://doi.org/10.31273/eirj.v8i2.582
The DOI for the issue as a whole is: https://doi.org/10.31273/eirj.v8i2
Naturally, all articles are fully open access and available to read freely to all. Please do share this with anyone you think would be interested in this lovely articles, or perhaps would like to consider writing for us to contribute to a future issue. We always welcome new, and returning, authors alike. My thanks as always to all our authors, reviewers and editors who contributed to making this issue an undoubted success. Now, to start preparations for volume 8(3) due out in late spring…
January 14, 2021
As we move into 2021, we return with new episodes of The Exchanges Discourse podcast. In our first episode this year I'm joined by two guests, in a session recorded just before Christmas. Please do listen and let me know what you think.
'In this episode recorded at the end of 2020 we are joined by Dr Schaper and Dr Cervelli two scholars who’ve been working for the journal for the past year on a special issue. Reflecting on their experiences of involvement with Exchanges, the pair also discuss the background and motivations for the issue. Finally, they also share some advice for first-time academic authors. The related event and issue will be appearing, later in 2021.'
Suggestions for future guests or episode themes, more than welcome.
August 06, 2020
Writing about web page https://exchanges.warwick.ac.uk/
I thought it would be worth discussing, publicly, where we are with Exchanges, in terms of future journal issues. Those of you who read my editorial in the most recent, and slightly delayed, issue will be aware the pandemic has had some unavoidable impacts on our planned timescales. Hence, I thought rather than leaving this information on a spreadsheet on my machine, it’d be a healthy and productive to share with the wider community.
Oct/Nov 2020 (Issue 8.1): The next issue of Exchanges would normally be published in October. I would dearly like us to continue this tradition, especially following the delayed spring 2020 volume. Naturally, a lot depends on how many articles we have ready by this date. I am hopeful that as scholars have become more acclimatised globally to working under these current difficult conditions, our contributors and editors alike will be more able to deliver in a timely manner. It is notable we’ve already one article ready for publication, and I believe a second one will be ready in the next week or so. This is a significant improvement on where we were at a similar stage for the Spring 2020 issue and suggests we may be able to hit the deadline this time. Naturally, things may yet slow down again with the summer ‘break’ and new academic year affecting academic available writing time, alongside the ongoing pandemic conditions. Nevertheless, I would hope we would see a new issue produced by the end of November at the very latest with how things are progressing currently.
Jan 2021 (Special Issue 8.2: Climate Fiction): If there was one future issue whose production has the been most impacted by lockdown: it is our forthcoming CliFi issue. My associate and full editors have been working diligently behind the scenes, but we’ve hit a number of reviewer and author snags due to the global situation. We had initially targeted September 2020 for this volume to see publication, While there are a handful of papers ready, or close to it, there is as of yet an insufficient corpus of them to call an issue or indeed to make a 100% confident prediction on that issue’s publication date. I have to admit we have lost a couple of manuscripts under consideration for this issue, due to the authors’ personal circumstances requiring them to withdraw their participation. I cannot begin to describe how sympathetic we are to these authors, and wish them every future success, and perhaps a resubmission with us down the line. Nevertheless, for the editorial team members who’ve laboured over these papers, this has been a somewhat disheartening experience. Consequently, after talking it over with the special issue lead, we’ve agreed, with considerable regret, to push this issue’s anticipated publication date back to a likely January 2021 date. Hopefully, this means we will be able to bring together a great issue in the vein  of the cannibalism issue at that point.
April 2021 (Issue 8.3): Assuming we keep getting manuscript submissions arriving and passing through review at close to the same rate as normal , I would anticipate a regular issue of Exchanges should appear around this time. Naturally, with the pandemic and its devastating disruptive impacts, nothing is certain. All the same, this is the goal line towards which the whole editorial team is working towards.
May 2021 (Special Issue 8.4: Then & Now): This is point at which my prognosticative powers begin to fail. We have commissioned a special issue, in collaboration with Warwick’s Faculty of Art to appear in the first half of 2021 we hope. If the Fates smile upon ourselves and the contributing authors, this might even be an issue which appear sooner than expected. That is, if all the papers are submitted in the timely fashion myself and the special issue leads are hoping. Additionally, given our assumption many of the papers for this issue will need to undergo editorial rather than peer review, this could speed publication processes up considerably. At this stage though, we are still at the stage where we’re talking with potential authors about their submissions, and while I’ve seen a few outlines, I’ve yet to see a single paper even close to a first draft yet. Hence, I can’t make too many exact predictions for now. I am however, acutely aware that I personally need around a month between each new issue coming out to ensure I have sufficient time to deliver on my own editorial due diligence on each new volume’s content. Hence, there may need to be some gentle massaging of the timeline to ensure this and the proceeding expected volume don’t collide.
June/July 2021 (Special Issue 8.5: Lonely Nerds): Like the Then & Now volume, this is at a very early stage, although unlike that volume we went with an open call for abstract contributions. After this closed, the special issue leads selected the best submissions, and hence we’ve commissioned the authors who will be writing for this issue already. Excitingly we had TOO MANY potential submissions to include in this volume, which is a unique position for Exchanges. Unlike the preceding volume, the articles for this issue are largely expected to all be peer reviewed pieces, which means there’s going to be a longer editorial process before they’re publication ready. Although, hopes are high after examining the quality of the submitted abstracts, that we’ll be overseeing the editing of some very exciting, well written and impactful contributions to this special issue. Naturally, once I have the actual draft submitted manuscripts to hand towards the end of 2020, I’ll be ready with a keener idea on the likely issue publication date.
October 2021 (Issue 9.1): Right now, next October might only be 14 months away(!), but it feels like the far, far future, after everything 2020’s thrown at everyone . Hopefully, we will all still be here to welcome in the 9th volume of Exchanges with this regularly scheduled issue. Currently, there aren’t any special issues planned beyond this point, so things might get a little quieter for a while as we return to our ‘regular’ schedule. But after two years of special issues…I’m not quite sure what that’ll look like.
There you have it - a potted guide to the next year and a half of planned publication for Exchanges, as things stand here from the ramparts of mid-summer 2020. Given the speed with which society has changed this year, and the uncertain impacts from that and other events on the higher education sector , nothing here is written in stone. Now though, at least you might be able to appreciate where our publication ambitions are leaning towards in the medium term.
 No pun intended. #SorryNotSorry.
 An assumption which might be foolish to make under the current circumstances but then there’s no other data I have to draw on. August is normally the quietest month for us in terms of new papers, as people take well-deserved summer breaks, so I’ll have a clearer idea in about 8 weeks on this.
 So far. There are still 5 months to go of this year, and so many known (and likely many unknown) global and national events which could throw a digital-sabot in the electronic printing press.
 Student numbers, ‘the B word’ and university finances alone being a major bump in the road ahead.
July 01, 2020
Writing about web page https://anchor.fm/exchangesias/episodes/Art-Students-Then--Now-eg62eq
We've just rolled out our next episode of the podcast, and I'm really excited because it is the first time we've hosted a guest on the series. I'm joined in conversation with Pierre Botcherby from History, talking about the student-led Then & Now Project, which is collaborating with Exchanges towards a special issue we're looking to publish in 2021.
Listen online at: https://anchor.fm/exchangesias/episodes/Art-Students-Then--Now-eg62eq
I'm lining up a few more guests for future episodes, so the series will hopefully continue to not always be solely my voice to which you're listening.
March 03, 2020
Writing about web page https://exchanges.warwick.ac.uk/announcement/view/20
Hopefully by now you’ll have seen the announcement from Exchanges about our latest call for papers. This time we’re teaming up with SOAS and the University of Oxford to produce an issue with papers which ‘explore fictional representations of nerds and loneliness across various media and culture’. Naturally, those of you who know me in real life, know this is a topic very close to my heart and lived-experience. Unlike earlier calls, we’re only seeking abstracts in the first instance (300 words by 6th April), so hopefully this’ll net us a rich range of potential contributors.
If you’ve been keeping track, this represents the third of our special issues we’ve formally launched preparations towards: with the recently published Cannibalism issue being the first and the pending CliFi issue the second. Interestingly, with each of these issues we’ve followed a slightly different pattern for submissions. For Cannibalism, we had a preselected number of authors who had already contributed to a conference, who were directly invited to submit. For CliFi, while we were associated with last year’s European Utopian Society’s conference in Prado, the call for contributions was very much open to any scholar globally. This time we’re almost blending these prior approaches, by starting with a call for abstracts, which will be followed by a workshop event (in early 2021), and then expecting contributors to the workshop to contribute a paper to Exchanges’ special issue.
In many respects, I think this last model may be my favourite, as it embeds Exchanges in the workshop processes and discourse from the outset. It’s not to say it’ll be the only model we’ll use in the future. I’d be lying if I suggested that. Certainly though, given a free hand with future collaborative special issues, I’d hope we can emulate as many elements as possible of this approach, as I believe it’ll serve to offer dividends in thematic coherency and editorial efficacy alike.
I should note at this point, my big thanks to Dr Filippo Cervelli (SOAS) and Dr Benjamin Schaper (Oxford) who came to me with this proposal a few months ago, and following some enthusiastic discussions on both sides, have helped guide us to this point. I’m very much looking forward to seeing what sort of material this call elicits, and working with Filippo and Ben over the months to come.
February 04, 2020
Writing about web page https://doi.org/10.31273/eirj.v7i2
I’m delighted to announce that we have published our first special issue, after a year of preparatory work behind the scenes. I couldn’t be happier with the way the issue has turned out, not least of which the fact that this is the BIGGEST ever issue we’ve published. By my calculations this issue contains 63% more peer-reviewed articles than its nearest comparator (v5.1 fact fans), and fully 38% more total pages than our previous longest issue (way back to v2.1). It’s also, incidentally, the fifth issue to come our under my stewardship, one more than any previous lead editor’s stewardship, so I’ll be basking in that minor glory for a few days at least.
If you haven’t yet had the opportunity to read the special issue, I’d strongly encourage you to do so. This is a really fascinating issue, on a topic I confess I’ve given very little thought to personally, before working on the collection. Nevertheless, there are some corking pieces in there and as you’ll see in the editorial, I’ve a few favourites among them. That’s not to denigrate the other pieces, which have all passed successfully through our rigorous quality filter and are filled with fascinating insight, but rather purely personal taste.
Maybe I shouldn’t mention taste in an issue on cannibalistic issues?
Nevertheless, the next week or so will see the usual post-publication activities of promoting the issue and each article as widely as possible. For ease of viewing, here’s a table of contents (TOC) for the issue.
Shorland, A., 'Bites here and there': Literal and Metaphorical Cannibalism Across Disciplines Conference Review. https://doi.org/10.31273/eirj.v7i2.550
Ramos-Velasquez, V.M., Anthropophagic Re-Manifesto for the Digital Age: 10th Anniversary Rendition. https://doi.org/10.31273/eirj.v7i2.465
Frost, D., ‘Provisions being scarce and pale death drawing nigh, / They'd try to cast lots to see who should die’: The Justification of Shipwreck Cannibalism in Popular Balladry https://doi.org/10.31273/eirj.v7i2.459
D’Antonio, C.S., Consuming and Being Consumed: Cannibalism in the Consumerist Society of Margaret Atwood’s ‘The Edible Woman’ https://doi.org/10.31273/eirj.v7i2.446
Henderson, L., Anthropophagy of the Werewolf. An Eco-Feminist Analysis of Justine Larbalestier's Liar (2009). https://doi.org/10.31273/eirj.v7i2.402
Moran, T.F., The Camera Devoured: Cinematic Cannibalism in Pedro Costa’s Casa De Lava (1994). https://doi.org/10.31273/eirj.v7i2.461
Shames, D., Consumption from the Avant-Garde to the Silver Screen: Cannibalism, Fetish, and Profanation. https://doi.org/10.31273/eirj.v7i2.466
Wheatley, M., For Fame and Fashion: The Cannibalism of Creatives in Chuck Palahniuk’s Haunted (2005) and Nicolas Winding Refn’s The Neon Demon (2016). https://doi.org/10.31273/eirj.v7i2.458
Jackson, K., Dejects and Cannibals: Postmodern Abjection in Ana Lily Amirpour's The Bad Batch. https://doi.org/10.31273/eirj.v7i2.476
Alsop, J.S., ‘Funeral Baked Meats’: Cannibalism and Corpse Medicine in Hamlet. https://doi.org/10.31273/eirj.v7i2.460.
Leta, M., Cannibal Basques: Magic, Cannibalism and Ethnography in the Works of Pierre de Lancre. https://doi.org/10.31273/eirj.v7i2.408
Green, W.D., 'Such Violent Hands'. The Theme of Cannibalism and the Implications of Authorship in the 1623 Text of Titus Andronicus. https://doi.org/10.31273/eirj.v7i2.462
Davis, H., ‘Monkey Meat’ and Metaphor in Shohei Ooka’s Fires on the Plain. https://doi.org/10.31273/eirj.v7i2.457
De Leeuw, U., 'A kiss is the beginning of cannibalism': Julia Ducournau’s Raw and Bataillean Horror. https://doi.org/10.31273/eirj.v7i2.463
Das, R., Haun-Maun-Khaun: A Postcolonial Reading of the Cannibals in Some Fairy Tales from Colonial Bengal. https://doi.org/10.31273/eirj.v7i2.454
Johnson, G.J., 'But He Looked Suspiciously Well Fed': Editorial, Volume 7, Part 2. https://doi.org/10.31273/eirj.v7i2.561
Phew. That really is quite the collection of work. And now if you’ll excuse me, I must return to catch up with the outstanding submissions for this issue, and the submissions for the next few issues of Exchanges. Safe to say, 2020 is off to a cracking start for the journal, and long may it continue.
November 28, 2019
Behind the scenes at Exchanges right now we’re working hard on preparing for the launch of our first ever special issue, scheduled for very early in 2021. We’re also on the cusp of closing the call for contributions to our second special issue, but it’s not too late (yet) to submit! Meanwhile, I had the pleasure this week to travel down to meet with a couple of friendly academics from SOAS and the University of Oxford (hello Ben, hello Filippo), who wanted to propose a third special issue of Exchanges. This is rather exciting as while we’ve been thoroughly enjoying working with the Warwick and Monash scholars in preparation for the first two special issues, this time the approach has come from outside of Warwick and the IAS’ direct collaborating institutions.
We’re still in the process of finalising the exact theme, although I can reveal that broadly it will fall into the area of ‘interdisciplinary representations and evolutions of narratives of loneliness and nerds’. As a somewhat geeky nerd at heart , this rather appealed to me on a personal level. Moreover, the underlying plans to tie this proposed issue into a mid-2020 symposium and ongoing research work from an intrinsically diverse research community forms an especially welcome prospect. Diversity, in terms of geographical origin, research domain and seniority are also another core component of the proposed issue, which should add a wonderful diversity of voice, insight and opinion to the issue.
Incidentally, for Exchanges, working with these scholars absolutely resonates with our desire to continue to evolve away from our early Warwick-centric roots, and become a more integral part of the national and international early-career researcher publishing culture .
There’s also the additional bonus, that we will likely be able to engage with external post-graduate researcher communities to join us as associate editors for this issue. Hence, this very much matches our second core mission, to enable developmental experience within scholar-led publishing practice for emerging scholars. It also answers our third, and oft unnoticed, mission – to experiment and explore new publishing models and patterns that are attractive to our contributor community. Someone should really remind me in the new year to get round to formally publishing more about our experiences in this domain.
For Exchanges, this development chimes agreeably with our shift in 2019 towards publishing special issues. We have, in the past, published themed sections, but I strongly believe through offering these focussed individual issues, we’re witnessing the slow evolution of the journal into its second phase of existence. As our esteemed Institute Director, Prof Peter Scott said this new development is very much ‘Taking things to another level again’. It’ll also keep me surprisingly and gainfully busy alongside the day to day running of the title, I can assure you.
That said, it is currently early days for this third special issue. Indeed Ben and Filippo’s anticipated timescales are such that we’re likely looking towards a 2021 publication date, something which seems a vast time away right now, but doubtless will be upon us all before we know it. I’ll continue to update our readership and contributor community of developments as we move in to 2020.
 Something painfully obvious I’m sure to anyone who’s met me in the flesh, or listened to one of my (near) countless science fiction podcasts and videos!
 I include those scholars I’ve worked with on the other two special issues as well, it’s been a wonderful experience for myself as well as (I hope) for them.
November 05, 2019
Writing about web page https://doi.org/10.31273/eirj.v7i1
If you’re a registered reader of Exchanges, or follow our twitter feed, you’ll have already spotted the great news that last week we rolled out the 13th issue of the journal. For those keeping score, this makes it the 4th issue under my own august editorship, equalling the previous best run of my predecessor. This issue’s varied table of contents is as follows:
Johnson, G.J., 2019. Effective Contributor Communication and Editorial Process Efficacy: Editorial, Volume 7, Part 1. https://doi.org/10.31273/eirj.v7i1.538
Tan, I., 2019. The Artist in and of the Work: Joyce’s Artistic Self-Fashioning. https://doi.org/10.31273/eirj.v7i1.400.
Eze, V.C., & Ejiofor, S.O., 2019. Problems of Reading Comprehension In Learning Chinese As A Second Language Among Undergraduates of Chinese Studies in Nnamdi Azikiwe University, Awka, Nigeria. https://doi.org/10.31273/eirj.v7i1.451.
Tho, N.H., et al. 2019. Multi-objective Production Planning for a Flexible Manufacturing System based on NSBBO Method. https://doi.org/10.31273/eirj.v7i1.288.
Pisaturo, M., & Senatore, A., 2019. Electric Motor and Dry Clutch Control in Launch Manoeuvres of Mild-Hybrid Vehicles Based on AMT/DCT Transmissions. https://doi.org/10.31273/eirj.v7i1.319.
Heyerick, I., 2019., Is there an I in Impact? Considering the two-way process of public engagement. https://doi.org/10.31273/eirj.v7i1.520.
Vince, R., & Teichler, Hanna., 2019. Challenging Binaries and Unfencing Fields: An Interview with Bryan Cheyette. https://doi.org/10.31273/eirj.v7i1.517.
It’s been great once more to bring together such a wide-ranging set of articles and authors; with notably two of our first published authors from Africa. This just leaves South America and Antarctica as the continental regions from which we’ve yet to publish work: if you’re a scholar based in these regions looking for a friendly, early career focussed, quality assured title to publish in, we’d love to hear from you.
Meanwhile, as I go back to deal with all the various promotional and post-publication tasks for Vol 7(1), I’m also scaling work in preparation for our anticipated January publication of the Cannibalism special issue, not to mention dealing with submissions for consideration for future volumes. Naturally though, as an editor, my appetite for manuscripts remains unsated, so hopefully there’ll be plenty more potential submissions coming to us over the last couple of months of this decade. Do get in touch if you’d like to talk through an outline article, or just take the plunge and submit – we look forward to hearing from you!
August 15, 2019
Writing about web page https://exchanges.warwick.ac.uk/announcement/view/17
Following the Utopia, Dystopia and Climate ChangeUtopian Studies Society conference, attended by myself in an editorial capacity, we are delighted to announce a call for contributions to a special issue entitled ‘Climate Fiction, Friction & Fact’. The special issue, which is scheduled for publication in late 2020, explore interdisciplinary issues and perspectives relating, but not limited to, the conference themes (helpfully summarised in the call).
Excitingly, while we hope that many of the early career and PhD researchers attending the conference will consider submitting a manuscript, the call is open to all. So, if you were unable to attend the conference but would still love to write something for us - you can!
You can read the formal call for papers here or download the full details directly. Authors looking to contribute have a deadline of the end of November 2019 to submit a manuscript for consideration for this issue. I'm really looking forward to seeing the variety of submissions for this as it couldn't be a more timely and pressing topic.
Meanwhile, for those of you interested in our other special issue already in progress, I'm pleased to report that most of the manuscripts are either in the middle of peer review or undergoing author revisions at the moment. My thanks to all the authors, reviewers and editors working on these over the summer - your efforts are much appreciated. My especially thank to Giulia and Zac for their advice and support in pulling this call together.
Of course we still have two other open calls for papers for our in-between spaces themedcall, and our general open call for papers. So, even if cli-fi isn't really your thing, but you wanted a great journal to work with to publish - then Exchanges should really be your destination!