All 2 entries tagged Habit
February 01, 2005
The figure, as a site of habitual sensation, simultaneously dissipates into a chaosmic and unknowable field, whilst defining itself through its engineering agency from that field, which in this return movement stands as a material structure, habitat or frame. The field, being dense with connections, is that space in which the slightest of movements has a massive and irreversible effect. Habit or the organ has no definite sense in the field, has no role in reproduction, hence the necessity to become a 'body without organs' when passing into the field – zero intensity, zero effect, zero feedback, guaranteeing that a return from the field to the figure in repetition, but renewed from the outside.
But how does one reach zero intensity? – how to pass through chaos and back, surviving in some recognisable form? – how do you make yourself such a body without organs? On fleeing from the habitat, from the aparatus of capture, they say that it is necessary to pick-up in an itinerent fashion "weapons" with which to encounter chaos. The weapon is, in fact, that which draws the diagram: some other thing deterritorializing at the same time against which marks can be cut: the painters brush and colours. As they say, 'you never deterritorialize alone'. The friend of the painter is the canvas, brush, colour, texture. And the attendant figure? As Deleuze says of Bacon, not an observer, a counter-point, but a figurative companion standing as a diagram in the deterritorialization through chaos and back. A sensus communis even.
November 06, 2004
Habit! Of course the important concept in understanding Deleuze and Guattari's ethics (derived from Spinoza). Habit and habitat. The quote continues…
The English nomadize over the old Greek earth, broken up, fractalized, and extended to the universe…
…a concept is acquired by pitching one's tent, by inhabiting it, by contracting a habit. In the trinity Founding-Building-Inhabiting, the French build and the Germans lay foundations, but the English inhabit. For them a tent is all that is needed. They develop an extraordinary conception of habit: habits are taken on by contemplating and by contracting that which is contemplated. Habit is creative....We are all contemplations, and therefore habits. I is a habit. Wherever there are habits there are concepts, and habits are developed and given up on the plane of immanence of radical experience: they are "conventions". That is why English philosophy is a free and wild creation of concepts.
Habit, a creative nomadic dwelling with the concept.
Contemplation is the positing of a virtual field of incompossibles. Actuality is a path through that virtuality. A habit is the repetition of an actuality, a path through the virtual.