All 2 entries tagged Black Hole Concepts
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February 15, 2005
To repeat that conjecture: there is a class of special helper concepts that assist us through the pain and uncertainty of deep conceptual change, that manage our entry into and exit from chaos, being companions on the journey, modifying appropriately with the new situation, being recognizable as we emerge out of the other side, but at the same time being different. Art .
The second conjecture is that: there are some concepts that appear to help us through such change, but in fact are empty, absolutely un-changing, and hence of no effect, black-holes that merely absorb any efforts to effectuate change. Origin .
A third conjecture: this class of pseudo-helper concepts exist to offer hope and comfort in the face of deep and irreversible material change, apocolypse even. Being completely transcendent, they are the first tool that we reach for after the disaster. God .
What sort of concept is creativity ?
Schizoanalysis as a method brought together a psychotherapist (Guattari) and a philosopher (Deleuze). Guattari was concerned with the provision of philosophical concepts to patients in an attempt to give them room to manouvre, the chance of escape, freeing them up from patterns of addiction and inescapable habits. Deleuze moved in the opposite direction, from his studies in the history of philosophy, seeking to re-personalise, situate, and re-animate philosophical concepts, restoring their vitality and application, reconnecting them with their generation in a powerful philosophical imagination, with 'conceptual personae', and hence making the emergence of new concepts a real possibility for us.
The method that resulted, schizoanalysis, tends towards the production of concepts, philosophical creativity and experimentation. The elements of this being:
- the creation and pedagogy of the concept, its creation and re-creation, its journey (deterritorialization and reterritorialization) in time and space, localized in and transported between people, places, societies, texts and other abstract machines;
- the result of what could be called a 'philosophical imagination';
- an imagination that acts to 'free-up' abstract machines, not simply by offering a novel set of possible-worlds, but more radically by offering new sense to what it means to be possible and impossible, to be a world;
- an imagination capable of taking us beyond the permutations of our operational ontology;
- doing so in response to and to enable changes in the material of thought and the apparatus of reality, for example at the extremes of physics, or the social production of the human;
- freeing up and enabling new directions in science and art otherwise locked-in to the currently operational ontology;
- providing a special class of concepts that can be relied upon to help carry us through these changes, concepts such as 'art', 'science', 'imagination', 'schizoanalysis', and perhaps also 'creativity';
- whilst guarding against concepts that appear to have this power, but which in fact are empty, meaningless, black-hole concepts that merely absorb energies that drive towards such freeing-up, that act on every such desire with indifference – transcendent.