July 07, 2009

Challenging Traditional Assumptions and Rethinking Learning Spaces – Nancy Chism

In the opening chapter of the Educause e-book on Learning Spaces1, Nancy Chism efficiently marshalls the key arguments that underpin the various trends in new learning space design. Evidence from environmental psychology and cognitive theory is only briefly mentioned:

Environments that provide experience, stimulate the senses, encourage the exchange of information, and offer opportunities for rehearsal, feedback, application, and transfer are most likely to support learning. s.2.4

Content-transmission oriented learning spaces (usually those with a rigidly defined single point of focus) are identified as being contrary to and blocking the ambitions of social constructivist pedagogy.

However, Chism is more concerned to demonstrate a conflict between the constraints offered by traditional learning spaces and our new kinds of learners:

The entry of large numbers of previously underrepresented students—students from ethnic cultures that stress social interaction, older students, students blending work and learning—also calls for environments in which social interchange and experiential learning are valued. s.2.5

There is then an impact upon efforts to widen participation. And worse still, more common varieties of student (young, wealthy, gadget loaded) are equally alienated:

The argument doesn’t include just nontraditional students, however. Characterizations of Net Generation students extend similar considerations to current traditional students in reinforcing the need for social space and technology access.

Chism goes on to describe the kinds of learning space in which the Net Gen might feel at home (sounds just like Warwick's Learning Grid), followed by an exploration of the key characteristics if spaces that could be designed to meet these needs: flexibility, comfort, sensory stimulation, technology support, decenteredness, the studio classroom, information-commons/collaboratory, living-learning spaces, corridor niches. "Technology support" refers to the need for a continuum of technology across space and time. "Decenteredness" is a concept deserving of much more attention: do we really mean decentered spaces, or rather spaces in which concentratory spaces can be constituted and dissipated as required? This lends itself to a more sophisticated understanding of space and cognition (cue Deleuze and Guattari).

The closing sections of the chapter consider practical and strategic concerns: given the massive investment in existing learning infrastructure, how might change be possible?

The cultural change required in thinking of space in a new way should not be underestimated. s.2.9

Chism gives some good basic advice. The trick is to start exploiting whatever small opportunities present themselves. The current refurbishments of Humanities Building seminar rooms are a good example of this opportunism.

However, to achieve more significant progress requires a deeper and more fundamental shift, which may only be achieved with much sound reasoning and evidence. Chism stresses the need for research (begging the rhetorical question: "you're already making big claims, but you say that real research is needed?"):

...we need more research on the impact of existing and experimental spaces on learning. We need basic research on the influence of the physical environment on creativity, attention, and critical thinking. We need applied research on
the effect of different kinds of lighting and furniture on comfort, satisfaction, and interaction. s.2.10

Taking this as a starting point, I will argue that we need much more than that: the research needs to be founded upon a comprehensive, joined-up, robust theoretical and methodological basis for the representation, design, implementation, observation, testing and comparative evaluation of learning spaces.

________

1Oblinger, D. Learning Spaces, Educause e-book, 2006 (available for download at http://www.educause.edu/learningspaces)


July 01, 2009

Slides from a presentation on the 3 types of learning/design space

Follow-up to Design Thinking – Tim Brown from Inspires Learning - Robert O'Toole

Here are some slides from a presentation that I gave today on learning space design, using Tim Brown's model of design spaces. I've taken out the copyrighted material from Brown's HBR article, as well as slides that apply this approach to an analysis of Warwick blogs. My core message was: design and use different learning spaces for different purposes - be clear, is a space inspirational, ideational, implementational? In which if these ways should students behave at a specific time?

Title

Blogs slide 1

Blogs slide 2

I then presented the design spaces diagram and some quotes from Brown's article (not shown here for copyright reasons).

3 types of design/learning space 1

3 types of design/learning space 3

3 types of design/learning space 5

3 types of design/learning space 7

3 types of design/learning space 9

3 types of design/learning space 11

3 types of design/learning space 13

3 types of design/learning space 15

I then went on to consider how Warwick Blogs can used as an inspirational space and as an ideational space. This dual-purpose can be confusing, and a barrier to the use of blogs for teaching and learning.



June 29, 2009

Using the Teaching Grid for 'hub–and–spoke' style teaching

This is an entry that I wrote in October 2008, reviewing a session that I had taught in the Teaching Grid. I'm porting it over to my new research blog for future reference.

In the first week of term I used the Teaching Grid experimental teaching space to teach the first session of a design and communications skills module. Having found a traditional IT training room to be inappropriate for such a session, I was keen to explore alternatives.

The International Design and Communication Management MA is a relatively new course, based in the Centre for Cultural Policy Studies and convened by Dr. Jonathan Vickery. It is professionally oriented, but with a strong emphasis upon the application of academic skills and theory. In the Autumn term, I teach a 'multimedia communication' skills module, consisting of eight two hour sessions. The core task of the module is for each students to design, create and use a personal e-portfolio. These web pages should then be maintained by each student, so as to represent their own academic and professional experience and capabilities. The e-portfolio will contribute to assessment of the student's work, as well as performing a vital role in the process of arranging and undertaking the professional placement in the summer term. They may also be used after the course has been completed, as part of the student's career development.

In the past, all of these sessions have been taught in conventional IT training rooms (rows of PCs facing a screen with a data projector). However, there is a significant 'theoretical' element to the task: a set of analytical, investigative, conceptual tools and behaviours that must be mastered in order to create an effective design within the given constraints: the students must learn to think and act as design and communication professionals, with the addition of a reflective academic perspective. The traditional IT room is unsuited to these more challenging aims. To effectively acquire and practice these skills, the students should be able to:

  • frequently present their designs to each other for feedback, engage in creative processes, such as drawing on whiteboards, conducting interviews, acting out scenarios;
  • seek mutual confirmation of understanding, especially when undertaking complex tasks and using abstract concepts;
  • exhibit the products of the design process for peer (simulated client) review (in the last session).

The environment in which this happens must enable the students to behave as:

  • design and communication professionals;
  • investigative, reflective academics.

The high proportion of students with English as a foreign language also makes such collaborative working valuable. However, with many of the students coming from the tradition of didactic content transmission, establishing the required practices and attitudes is problematic. I actively resist being drawn back into a traditional lecture mode, and am therefore keen to use an environment that strongly supports active, investigative, collaborative learning. However, given the steep multi-dimensional learning curve that is required, I must also be sensitive to the need to continually provide clear models of the many new and challenging behaviours that I demand from the students. There is therefore a tension between encouraging student beahviour of the kind described above, and the need to continually provide clear exemplars. To address this conflict, I use online tools and a 'hub-and-spoke' classroom working arrangement.

The online tools are constructed from a combination of resources that can be used independently at any time, and a session plan (on a single web page) putting some of these resources into context and setting challenges to the students, the solutions to which may use the resources. The session plan web page was used throughout the session, both by me at the central 'hub' location, and by the students in small groups as they dispersed into the 'spokes'. In the first session, the resources included a 7 minute video of a discussion between myself and Jonathan Vickery (explaining the purpose of the sessions), as well as an extensive glossary of key design and communication terms, relevant to the many issues that the students must consider.

The 'hub and spoke' physical organisation aims to provide a central location at which new ideas and practices can be introduced and modelled (hub), and a series of student team workareas (spokes) at which small groups of students can work indepedently to experiment and apply what they have seen. For this to work effectively, it should be easy to bring the focus of the session back from the spokes to the hub. It should also be possible to invite students to bring their work from the spokes to the hub and demonstrate it back to the rest of the class. A further possibility is for students from one spoke to visit students in another spoke.

In searching for a more appropriate learning space in which this could take place, I based the first session in the Teaching Grid experimental teaching space. The final session, in which the students will exhibit their e-portfolios, will return to the Teaching Grid, with the intervening sessions taking place in a traditional IT training room. It would have been preferable to hold the first two sessions in the Teaching Grid, allowing the more challenging activities to be undertaken in a longer time, however, the room was not available.

The space available to us in the Teaching Grid does not completely support the 'hub-and-spoke' learning design when used with 25 students. Using glass and curtain partitions, it can be divided into four small spaces each capable of accomodating six students with a laptop and large screen (two spaces with LCD smart boards, two with data projectors). It also proved possible to merge two of these spaces at one end into one, so as to accomodate all 25 students. However, there is no separate 'hub' location that can be viewed by all four groups in situ. To reconvene all 25 students in one place required their work to be disrupted and two of the spaces to be reconfigured. I attempted to compensate for this by putting some of the hub activities into the session plan web page as text, to be used independently by the students in the spoke locations. This is obviously a much less effective, less personal, less flexible, less controlled approach than demonstrating from the hub position: seriously detrimental to the effectiveness of the session.

The session was divided into three segments, intended to last around 40 minutes each. In the first segment, with the students gathered into a double work space and facing a large screen, I introduced the module web site, the glossary, and the session plan page. I then played the introductory video. This worked well, being a relatively conventional activity. We then spent a short time diviiding into groups using a voluntary method. It would have been better to have had the groups pre-assigned, and better still to have had the students already seated in their groups at the spoke locations all viewing the central hub.

The second segment was much more challenging, with each group being given the task of working through sequences of glossary terms, and then applying those terms to their own e-portfolio design process. The new Sitebuilder glossary system worked wonderfully, allowing me to quickly build a resource to which we we return constantly during the module. Modelling from the central hub would have made a significant difference to this series of difficult tasks. I was able to easily walk between groups to offer additional support, but found myself to be repeating explanations for each group.

Finally, each group was tasked with designing an e-portfolio for a client (me). They were able to get paper and pens, and had access to the computers for researching the client. Some students tried to use the electronic whiteboard but struggled. Other students used to video cameras that I provided (Sanyo Xacti HD) to interview the client. The final presentations were caried out in one of the spaces, with students able to watch from the space outside. This was entirely paper based. Given more time, it would have been better for the students to create a digital presentation combining video, audio, text and images. Stretching the activiites over two weeks would have enabled this.