All entries for Saturday 28 November 2009

November 28, 2009

D.H. Lawrence on poetry and chaos

Follow-up to Radically distinct and inter–dependent modes of thinking–acting from Inspires Learning - Robert O'Toole

In What is Philosophy? Deleuze and Guattari refer to a description of poetry as an encounter with chaos. It is from D.H. Lawrence's introduction to Harry Crosby's Chariots of the Sun (Crosby, the publisher who founded the Black Sun Press).

The essential quality of poetry is that it makes a new effort of attention, and ‘discovers' a new world within the known world. Man, and the animals, and the flower, all live within a strange and forever surging chaos. The chaos which we have got used to, we call a cosmos. The unspeakable inner chaos of which we are composed we call consciousness, and mind, and even civilization. But it is, ultimately, chaos, lit up by visions. Just as the rainbow may or may not light up the storm. And, like the rainbow, the vision perisheth.
But man cannot live in chaos. The animals can. To the animal, all is chaos, only there are a few recurring motions and aspects within the surge. And the animal is content. But man is not. Man must wrap himself in a vision, make a house of apparent form and stability, fixity. In his terror of chaos, he begins by putting up an umbrella between himself and the everlasting chaos. Then he paints the underside of his umbrella like a firmament. Then he parades around, lives, and dies under his umbrella. Bequeathed to his descendants, the umbrella becomes a dome, a vault, and men at last begin to feel that something is wrong.
The suffused fragments are the best, those that are only comprehensible with the senses, with vision passing into touch and to sound, then again touch, and the bursting of the bubble of an image. There is always sun, but there is also water, most palpably water. Even some of the suns are wetly so, wet pools that wet us with their touch. Then loose suns like lions, soft gold lions and white lions half-visible. Then again the elusive gleam of the sun of livingness, soft as gold and strange as the lion's eyes, the livingness that never ceases and never will cease. In this there is faith, soft intangible suffused faith that is the breath of all poetry, part of the breathing of the myriad sun in chaos. Such sun breathes its way into words, and the words become poetry, by suffusion. On the part of the poet it is an act of faith, pure attention and purified receptiveness. And without such faith there is no poetry. There is even no life. The poetry of sunless chaos is already a bore, the poetry of a regulated cosmos is nothing but a wire birdcage. Because in all living poetry the living chaos stirs, sun-suffused and sun-impulsive, and most subtly chaotic. All true poetry is most subtly and sensitively chaotic, outlawed. But it is the impulse of the sun in chaos, not conceit.

The full text is available here.