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July 07, 2006
Oneliners in North by Northwest (1959)
Forties and some fifties films have the best dialogue that one can find, so I have a little project here on my blog to collect great passages of dialogue from mainly forties films with the desire to learn in my own writing.
Roger: What I mean is, the moment I meet an attractive woman, I have to start pretending I have no desire to make love to her.
Eve: What makes you think you have to conceal it?
Roger: She might find the idea objectionable.
Eve: Then again, she might not.
Roger: Think how lucky I am to have been seated here.
Eve: (ironically) Well, luck had nothing to do with it.
Roger: Fate?
Eve: I tipped the steward five dollars to seat you here if you should come in.
Roger: Is that a proposition?
Eve: I never discuss love on an empty stomach. [She actually says, “I never make love on an empty stomach,” but the line was dubbed over.]
Roger: You’ve already eaten.
Eve: But you haven’t.
Eve: I’m Eve Kendall. I’m twenty-six and unmarried. Now you know everything.
Roger: Tell me. What do you do besides lure men to their doom on the Twentieth Century Limited?
Eve: I’m an industrial designer.
Roger: Jack Phillips. Western sales manager for Kingby Electronics.
Eve: No, you’re not. You’re Roger Thornhill of Madison Avenue, and you’re wanted for murder on every front page in America, and don’t be so modest. Oh, don’t worry, I won’t say a word.
Roger: How come?
Eve: I told you. It’s a nice face.
Roger: Is that the only reason?
Eve: It’s going to be a long night.
Roger: True.
Eve: And I don’t particularly like the book I’ve started.You know what I mean?
Roger: Let me think. (Pause) Yes, I know exactly what you mean…
Eve: Incidentally, I wouldn’t order any dessert if I were you.
Roger: (eagerly) I get the message.
Eve: That isn’t exactly what I meant. This train seems to be making an unscheduled stop, and I just saw two men get out of a police car as we pulled into the station. They weren’t smiling.
~
Roger: Now where were we?
Eve: Here. (They kiss again passionately.)
Roger: Yes. Nice of you to have opened the bed.
Eve: Yes.
Roger: Only one bed.
Eve: Yes.
Roger: That’s a good omen, don’t you think?
Eve: Wonderful.
Roger: You know what that means?
Eve: Hmmm.
Roger: What? Tell me.
Eve: It means you’re going to sleep on the floor.
Oneliners in The Maltese Falcon (1941)
Forties and some fifties films have the best dialogue that one can find, so I have a little project here on my blog to collect great passages of dialogue from mainly forties films with the desire to learn in my own writing.
Spade: You, er – you aren’t exactly the sort of a person you pretend to be, are you?
Brigid: I’m not sure I know exactly what you mean.
Spade: The schoolgirl manner, you know, blushing, stammering, and all that.
Brigid: I haven’t lived a good life – I’ve been bad, worse than you could know.
Spade: That’s good, because if you actually were as innocent as you pretend to be, we’d never get anywhere.
Brigid: I won’t be innocent.
Spade: Good.
~
Spade: (smiling) You are a liar.
Brigid: I am. I’ve always been a liar.
Spade: Don’t brag about it. Was there any truth at all in that yarn?
Brigid: Some…not very much…Oh, I’m – I’m so tired, so tired of lying and making up lies, not knowing what is a lie and what’s the truth. I wish… (Striking a sensual, languishing pose, she reclines back on the couch)
Oneliners in Double Indemnity (1944)
Forties and some fifties films have the best dialogue that one can find, so I have a little project here on my blog to collect great passages of dialogue from mainly forties films with the desire to learn in my own writing.
Double Indemnity
Neff: I wish you'd tell me what's engraved on that anklet.
Phyllis: Just my name.
Neff: As for instance?
Phyllis: Phyllis.
Neff: Phyllis, huh. I think I like that.
Phyllis: But you're not sure.
Neff: I'd have to drive it around the block a couple of times.
Phyllis: Mr. Neff, why don't you drop by tomorrow evening about eight–thirty. He'll be in then.
Walter Neff: Who?
Phyllis: My husband. You were anxious to talk to him weren't you?
Walter Neff: Sure, only I'm getting over it a little. If you know what I mean.
Phyllis: There's a speed limit in this state, Mr. Neff. Forty–five miles an hour.
Walter Neff: How fast was I going, officer?
Phyllis: I'd say about ninety.
Walter Neff: Suppose you get down off your motorcycle and give me a ticket.
Phyllis: Suppose I let you off with a warning this time.
Walter Neff: Suppose it doesn't take.
Phyllis: Suppose I have to whack you over the knuckles.
Walter Neff: Suppose I bust out crying and put my head on your shoulder.
Phyllis: Suppose you try putting it on my husband's shoulder.
Walter Neff: That tears it.
June 13, 2006
Films That I Recommend
I will add more to this list as I think of them.
Westerns
Dances with Wolves
Nevada
Once Upon a Time in the West
The Big Country
The Missing
West of the Pecos
Feature Films
Amelie
Before Sunrise
Before Sunset
Clash of the Titans
Crash
Dogville
Hedd Wyn
Now Voyager
Spellbound
The Dancer Upstairs
Thrillers
Double Indemnity
Foreign Correspondent
In the Heat of the Night
Pepe le Moko
Salvador
The French Connection
Comedies
Anchorman
Drunken Master
Duck Soup
Groundhog Day
Manhatten Murder Mystery
My Father the Hero
The Apartment
The Big Lebowski
Roman Holiday