All entries for Thursday 13 October 2011

Film Noir: Bibliography

Abbott, Megan (2002) The Street was Mine: White Masculinity in Hardboiled Fiction and Film Noir (New York: Palgrave Macmillan).

Allen, Virginia M. (1983) The Femme Fatale: Erotic Icon (New York: The Whitson Publishing Company).

Beeler, Karin (2006) Tattoos, Desire and Violence: Marks of Resistance in Literature, Film and Television (Jefferson NC: McFarland).

Biesen, Sheri Chinen (2004) ‘Manufacturing Heroines: Gothic Victims and Working Women in Clasic Noir Films’ in Film Noir Reader 4: The Crucial Films and Themes, ed. Alain Silver and James Ursini (New Jersey: Limelight): 161-173.

--. (2005) Blackout: World War Two and the Origins of Film Noir (Baltimore: John Hopkins University Press).

Boozer, Jack (1999) ‘The lethal femme fatale in the noir tradition,’ Journal of Film and Video 51.3/4: 20-35.

Bould, Mark (2005) Film Noir: From Berlin to Sin City (London and New York: Wallflower).

Cassuto, Leonard (2009) Hard-boiled Sentimentality: The Secret History of American Crime Stories (New York: Columbia University Press).

Chopra-Gant, Mike (2006) Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Film and Film Noir (London and New York: IB Tauris).

Corey, William (1999) ‘Girl Power: Female Centered Neo-Noir’ in Film Noir Reader 2, ed. Alain Silver and James Ursini (New York: Limelight): 311-327.

Diapaolo, Marc (2011) War, Politics and Superheroes: Ethics and Propaganda in Comics and Film (Jefferson NC: McFarland).

Doane, Mary Ann (1987) The Desire to Desire: The Woman’s Film of the 1940s (Bloomington and Indianapolis IN: Indiana University Press).

--. (1991)Femme Fatales: Feminism, Film Theory, Psychoanalysis(London and New York: Routledge).

Evans, Caroline (2007) Fashion at the Edge (New Haven CT: Yale University Press).

Farber, Stephen (1999) ‘Violence and the Bitch Goddess’ in Film Noir Reader 2, ed. Alain Silver and James Ursini (New York: Limelight): 45-55.

Fay, Jennifer and Justus Nieland (2010) Film Noir: Hard Boiled Modernity and the Cultures of Globalization (London and New York: Routledge).

Feasey, Rebecca (2009) ‘Neo-Noir’s Fatal Woman: Stardom, Survival and Sharon Stone’ in Neo-noir, ed. Mark Bould, Kathrina Glitre and Greg Tuck (London and New York: Wallflower).

Flory, Dan (2010) Philosophy, Black Film, Film Noir (University Park PA: Pennsylvania State University Press).

Forter, Greg (2000) Murdering Masculinities: Fantasies of Gender and Violence in the American Crime Novel (New York and London: New York University Press).

Hollinger, Karen (1996) ‘Film Noir, Voice-over, and the Femme Fatale’ in Film Noir Reader, ed. Alain Silver and James Ursini (New York: Limelight): 243-260.

Irwin, John T. (2006) Unless the Threat of Death is Behind Them: Hard-boiled Fiction and Film Noir (Baltimore MD: John Hopkins University Press).

James, Dean (1998) ‘Interview with Sara Paretsky’ in Deadly Women: The Woman Mystery Reader’s Indispensible Companion, ed. Jan Grape, Dean James and Ellen Nehr (New York: Connell and Graf Publishers): 287-290.

Kinsman, Margaret (1995) ‘A Question of Visibility: Paretsky and Chicago’ in Women Times Three: Writers, Detectives, Readers, ed. Kathleen Gregory Klein (Bowling Green OH: Bowling Green State University Popular Press): 15-28.

Maxfield, James F. (1996) The Fatal Woman: Sources of Male Anxiety in American Film Noir, 1941-1991 (Madison/Teaneck: Farleigh Dickenson University Press).

Menon, Elizabeth (2006) Evil by Design: The Creation and Marketing of the Femme Fatale (Urbana and Chicago: University of Illinois).

Orr, Stanley (2010) Darkly Perfect World: Colonial Adventure, Postmodernism, and American Noir (Columbus OH: Ohio State University Press).

Phillips, Gene D. (2000) Creatures of Darkness: Raymond Chandler, Detective Fiction and Film Noir (Lexington KT: University Press of Kentucky).

Pronzoni, Bill (1998) ‘Women in the Pulps’ in Deadly Women: The Woman Mystery Reader’s Indispensible Companion, ed. Jan Grape, Dean James and Ellen Nehr (New York: Connell and Graf Publishers): 17-19.

Reddy, Maureen T. (1988) Sisters in Crime: Feminism and the Crime Novel (New York: Continuum).

Richardson, Michael (2010) Otherness in Hollywood Cinema (New York and London: Continuum).

Spicer, Andrew (2002) Film Noir (Harlow: Longman).

Telotte, J.P. (2004) ‘Voices from the Deep: Film Noir as Psychodrama’ in Film Noir Reader 4: The Crucial Films and Themes, ed. Alain Silver and James Ursini (New Jersey: Limelight): 145-159.

Wager, Jans B. (2005) Dames in the Driver’s Seat: Rereading Film Noir (Austin TX: University of Texas Press).

Ward, Elizabeth (1999) ‘The Unintended Femme Fatale: The File on Thelma Jordan and Pushover’ in Film Noir Reader 2, ed. Alain Silver and James Ursini (New York: Limelight): 129-136.

: 13 Oct 2011 20:57 |  Tags: Film Film Noir |  Comments (0) |  Close comments |  Report a problem