All entries for Tuesday 26 September 2006
September 26, 2006
As a result of a generous grant from Indiana State University, Snow*Vigate Press will be publishing a printed anthology of the best on-line writing which has appeared over the past ten years. Hopefully the anthology will be released in August 2007.
The book will include poetry broken into lines, prose poetry, flash fiction, creative non-fiction, and 10 minute plays. If you would like to nominate your own on-line work or work from others, please follow these guidelines:
Paste the URLs of 3-7 pieces of each writer in the body of an email. You may nominate up to 3 writers. In the subject line of your email, please type “Submission to Snow*Vigate Anthology.” Send all submissions to email@example.com.
Work from any on-line site is acceptable, as long as it has not been published in printed form.
Editors of on-line journals are strongly encouraged to submit work from their sites. The submission period will end on October 15, 2006.
If you have any questions, please contact me.
From Clemente Padin
This invitation is directed not only to the great community of visual poets of the whole world but and above all to specialists and lovers of poetry. At the end of this year, 2006, we will celebrate 50 years of the birth of one of the most important tendencies of visual poetry of the world: we refer to Concrete Poetry.
In December, 1956, the historic Art Concrete expositions began in Brazil giving birth to one of the most important artistic movements in the world in the second half of the XX century. The participant poets in those expositions were: Decio Pignatari, Augusto and Haroldo de Campos, Ronaldo Azeredo, Ferreira Gullar and Wlademir Dias-Pino. The first exposition took place in San Pablo, from 4 to 18 December, in the Art Modern Museum (MAM) and the next one was inaugurated in Rio de Janeiro, in February 7, 1957, in the vestibule of the Ministry of Education and Culture of Brazil.
Concrete Poetry arose, simultaneously, in Europe and in Latin American: in 1952 Noigandres group was founded in Sao Paulo; in 1953 the manifesto “For Concrete Poetry” of Oyvind Falström appeared in Sweden and in 1953 “Constelaciones” of Eugen Gomringer, the Swiss-Bolivian poet, secretary of the Superior School of the Form of Ulm, Switzerland, heiress of the German Bahaus, appears in Switzerland. Gomringer and Pignatari were the one who coined the term Concrete Poetry in 1955.
In homage to these outstanding events we invite you to send us notes, commentary, bibliography, photos, poems or documents that remember those historic moments to form a body of knowledge and works in relation to one of the last poetic movements we have known. Send material to Clemente Padin´s email (firstname.lastname@example.org).
Subsequently, around November 2006, the selected material will be added to BOEK861, the website of Cesar Reglero, at the time of the Colloquium on the 50 anniversary of concrete poetry that will be carried out in the University of Stuttgart, Germany, from 23 to 26 November, 2006.
The pictures and poems should be no larger than 300 KB in JPEG files of high resolution and, the texts on DIN A4, or letter-sized pages in Word files. Deadline for
receipt: 10 November 2006.