All 2 entries tagged Media
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December 06, 2006
Right. So it’s got nothing to do with maths. And it’s not under my real name. But something I wrote got published in yesterday’s Guardian. Hurrah!
A few weeks ago, the Guardian invited readers to join in on its new Arts blog to discuss the world’s must see works of art. In between all the pretentious comments on the elitist/racist (read Western art biased) nature of the original list, there was room for constructive discussion.
So I thought of which works of art have made an impact on me, and then I remembered the piece that makes discussions about composition fun: Rubens’ Descent from the Cross. I wrote about the original (see below ):
Possibly not his best, but still magnificent and in its original setting. The weight of the task at hand fills the entire picture.
This actually made Jason laugh, as I made it sound the painting was a bit rubbish. What I didn’t write was the fun you can have playing with this picture. If you can find diagonals in a composition, they’re probably there for a good reason! See what happens when you flip the image:
You’ve just created Ascent of the Cross!
1 Original picture taken from exittoart
November 29, 2006
Now, before I do some work, let me bring you the last bit of disturbing news coming from the Netherlands. Trust me, it’s a big one. Well, at least in the Netherlands people believe so.
Two reporters held hostage by justice department
Basically, the two men reported about leaks within the AIVD – General National Security Service, the Dutch SIS – and that top secret documents were obtained by criminal organisations. At the moment, there’s a case against an former AIVD employee, accused of leaking such documents, and the reporters have been asked to reveal their source.
In general, in the EU, reporters are allowed to keep their sources secret, but may be asked to reveal them in court cases. This all depends on the judge’s discretion, and is the nasty shady area in anything legal. In this case, the source “could possibly” help the defendant, and no one wants to imprison an innocent man. But is this slight possibility of freedom more important than the journalists’ (and the source’s) rights and credibility?
Today, reports come from the former Dutch colony of Indonesia, where journalists are shocked of this turn of events. It wasn’t until recently that the Indonesian secret service had so much power that the local journalists were afraid to report anything but the weather. And now the Netherlands, beacon of democracy, are resorting to measures not dissimilar to those well known to the Indonesians.
Freedom, democracy, national security, credibility. Take your pick.