Belated Non–Cliched Events
And another belated update - this time the exercise was to take the events from one genre and the style from another and mash them up. Events from Weird Fiction, style from Crime Fiction. Oh, and the key events in weird fiction? Making contact with the Other is the only real condition. But following Lovecraft I've also included an occulted researcher meeting a grizzly fate, and a powerful entity reaching into dreams.
Inspector Meier shuffled the blanket off the young man's body, delicately. The corpse's face was askew, as if all the flesh had teemed to one side in a rapid, brutal migration. The body was naked, arms pressed against the chest. He had been clutching the blanket when he died.
"Another one?" Asked Gugenheim. His partner lounged in the door frame, picking at his teeth indolently.
"You want me to give you the list?"
"I'll trust you." Gugenheim grinned, but Meier overcut him.
"Because discolouration, check, locked room, check, no fucking witness, check."
"I said I trust you."
Meier just grunted and looked back down. The marks were the same as the other Inkwell murders; dark blue bruising running down the neck and sternum, terminating in a pool of matte black that wallowed in the bowl of the solar plexus.
Another immaculate crime-scene. Inkwell was a near perfect killer. The whole investigation was a rotten house, two breaths from falling over, rancid with air-borne poison - two lead investigators had already quit in disgust. Inkwell took a CSI as a victim. The tabloids were drinking it up like mosquitos.
And that was before the fucking Sanderson Diary came out and the rotten walls of the case finally gave out.
"Well." Gugenheim purred, scratching his stubble. "Well well well."
The pair had been on their way to a domestic when the woman ran screaming from the tenement, out into the road. The breaks were slow on the antique cop car and they halfway hit her, knocking her to the floor and taking the skin off her right shoulder, but she didn't slow down, just scrambled back up like a rat and careened off. They had to run her to ground, Meier pouncing on her and pinning her despite his age, and all the time she was screaming:
"Opals! They were opals!"
Gugenheim had stayed with her long enough for the rest of the precinct to arrive and sedate her, peel her off into an ambulance. When he caught up he found Meier in her apartment, doing a cat-pad round and round the tiny room, glowering at the walls and floor and daring them to give up their secrets.
"Where are your opals, Mrs. Palmer?" Gugenheim murmured absent mindedly, thinking of the screaming woman he'd parcelled into the police meat wagon.
"In her head. In the Sanderson diary. Not here."
"Least it makes them easy to spot. Got in on this one pretty fast. Still warm."
Meier picked at the skin of his cracked lips, angry. "What I'm worried about, Frank, is that Inkwell's gonna get the same idea as Sanderson, and start with the fucking opals."
"I'm just saying, they're easier to spot."
The Sanderson Diary had fallen into the sweaty little hands of Rupert Downey, a minor sultan of the local media circuit. The diary was left by one of Inkwell's later victims, Patricia Sanderson, a small-time artist whose work had gone from abhorred to adored in the month since her death. Inkwell had been haunting her dreams. At first he was a tall, African man, with hair made of rope and eyes of black beetles. He fed her opals, he made advances at her. Before long she was painting him. He permeated her art. Soon she was seeing him in shop windows, the smoky corners of old terraced houses, the ring of rope tying a boat up at it's moorings. And then she died.
You could write it off as media hysteria; bored singleton fantasises about man of mystery murderer and ends up on his list. Downey had gone the other way. He'd set his little gargoyles loose, uncovering every scrap that could tie Inkwell into his victim's dreams and blanket them with opals.
What worried Meier was how easy he'd found it. Normally the papers had to make up about half their "facts" on a big murder case, but Meier had looked it through with the bureau. All legit. Somnambulists, insomniacs, astral projectors, narcoleptics, CFS-victims. Inkwell's victims were weird sleepers to a body. Some of them kept diaries too, though none of them as explicit as Sanderson's. One young poet wrote an "Opal series". A teen boy changed his fantasies from his math teacher to "the dark adonis of dreams". The only hole was the CSI. Nothing unusual about her; she was one of the most straight-forward girls on the force. Then her husband came forwards and revealed she was a "sexsomniac". A sleep fucker.
But it was all drek compared with the real opal Downey had found. Victim number one, Randalf Carter. The police's press release had him pinned as a psychologist, which was almost true. He was a sleep researcher - and more than that, he was also a covert para-psychologist. His expertise - his obsession - was the transcendance of the human rational state through the gateway of dreams. And his birth stone?
"Opals." Said Gugenheim, pressing Meier back into consciousness. He still couldn't decide what was worse; the supernatural media creature Downey had created, or the real Inkwell.
"What?" Asked Meier, but Gugenheim just pointed down at the body, and said:
The black inkpool in the victim's torso was pulsing, moving up and down as if some bulging thing was seeking egress through the skin. There was a moment of resistance, and then a breach. Showing through the split was the round head of pearlescent, shining stone; and then it receeded, the flesh seeming to repel the object with elastic force. The throbbing of the flesh continued, and this time the strange dance was joined by another bulge, mid-way along the sternum. For three seconds the flesh rippled with the pressure, and then the bodies breached again, two gem spheres peering through the veil of flesh like the eyes of some demon statue. This time they probed further, almost half an orb pushing through before being repelled back under by the resistance of the flesh. Meier had the horrible sensation that somehow, wherever the globes were being pushed back to, it was not inside the body.
"I think we should go." He said to Gugenheim, but the man had already gone. Meier split from the room as quickly as he could, seeing Gugenheim's retreating back as he vanished down the stairs, and as he rushed to join him, he could hear from the room the noise of a heavy clink clink whirr, a sound of opals dropping and rolling across the floor.