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July 11, 2005
Research Notes: Artaud, the theatre and its Body without Organs
As a break from Deleuze and Guattari, and as input for a proposed research network on virtuality and performance, i've been reading the collection of essays by Antonin Artaud, The Theatre and its Double. This contains some fascinating schizoanalysis of theatre and its Body without Organs, biological life. Here's some killer lines from the essay on Theatre and the Plague:
Above all we must agree that stage acting is a delirium like the plague, and is communicable. p.18
…conditions must be found to give birth to a spectacle that can fascinate the mind. It is not just art. p.18
The plague takes dormant images, latent disorder and suddenly carries them to the point of the most extereme gestures. Theatre also takes gestures and develops them to the limit. Just like the plague, it reforges the links between what does and does not exist in material nature. p.18
For theatre can only happen the moment the inconcievable really begins, where poetry taking place on stage, nourishes and superheats created symbols. p.18
Like the plague, theatre is a crisis resolved either by death or cure. The plague is a superior disease because it is an absolute crisis after which there is nothing left except death or drastic putrification. In the same way, theatre is a disease because it is the final balance that cannot be obtained without destruction. It urges the mind to delirium which intensifies its energy. p.22
January 20, 2005
Zone of indiscernibility between philosophy, art and science
Follow-up to Opinion from Transversality - Robert O'Toole
In What Is Philosophy? Deleuze and Guattari seem to argue for a strong division between philosophy, art and science. This could be a reaction to criticism of their earlier collaborations. But do they only go so far as to say that the different disciplines (machinic phyla) have different aims and different methods, whilst still maintaining that they do pass through chaosmosis together, sharing zones of indiscernibility? That would be more in keeping with their earlier work. And what is the nature of this transversality? Just opinion? Or are there more sophisticated (viral, germinal) mechanisms at work?Opinion
Follow-up to Free expression – a misconception from Transversality - Robert O'Toole
Opinion, against philosophy.
The three disciplines advance by crises or shocks in different ways, and in each case it is their sucession that makes it possible to speak of "progress." It as if the struggle against chaos does not take place without an affinity with the enemy, because another struggle develops and takes on more importance - the struggle against opinion, which claims to protect us from chaos itself. WiP p.203
Opinion: a negative term used by Deleuze and Guattari in What Is Philosophy?
Opinion does refer to a specific machinic phylum, but one that invades and parasitises those of art, science and philosophy. The three disciplines, each with their own machinic phyla (creative engine), pass through chaos (change) in their own ways. This relation to chaos defines each discipline. But opinion offers a quick and easy solution to each, a stereotypical creativity – perhaps implying a departure from the appropriate form of creativity, and more contentiously, freedom of expression (see previous entry).
Perhaps it does this by making too immediate and ill-considered a transversal move between phyla: for example, conceptual art. In philosophy it appears as transcendence. In art as the figurative or symbolic. Sophistry.
This also relates to the debate between Klee and Kandinsky concerning the relationship between forms in painting and music.
But opinion is a machinic phylum in itself – is it a phylum of the viral? Of the retrovirus? – as I said in Deleuze and Philosophy.