Weirdly enough, it’s not even a matter of “the actors are good, but the photography is not, or the writing”. No. Every role there is in movie-production is uneven in this movie.
- Let’s start with the story – the movie opens on a concert, sort of the début of the Dreamgirls, a trio of singing girls; and it moves on following them to their final concert (how original!). In the middle of this comes the ransom of glory, and the evolution of relationships within the diva-becoming trio and with the manager (a flirtatious man…). Without giving away more of the “plot” – at one point the movie splits between two storylines, one concerning Effie, one concerning the other Dreamgirls. The latter is, well, poorly done – hackneyed if you wish. If you want to watch a movie about the consequences of power and business-music, watch Ray. If you want to see flirt between artists, and the consequences of drugs, watch Walk the line – both of which are excellent films. The only original aspect of this storyline is that it tackles the influence on music itself of business-led music.
The Effie storyline, however, is far more touching – and well done. And at least you can follow the change in her personality. Mind you, it is quite a simple storyline, but it is also original as it focuses on the What happens after?
- Cast. Every performance was uneven, generally getting better towards the end of the movie. Beyonce was particularly appalling in her moments, but also very good at times. She was, in my opinion, a controversial casting choice, considering her own history within Destiny’s Child – which echoes a bit in the film. There is an exception to those uneven performances:
Dreamgirls won the Oscar for “Best Performance by an Actress in a Supporting Role”, for Jennifer Hudson as Effie. And it was deserved – her acting was simply fabulous all the way through, and she has a great voice. Only for her, it is a movie worth watching.
- Photography and directing. Well. Again, uneven. There are some bits which are overdone, some that feel just fine. What they got approximately right, though, is the changing of times. Well. Approximately: you can feel a scene is in the nineties/eighties/seventies/sixties but at times they chose a scene that was reminding of the wrong period… The editing cut, however, was wrong for the middle one hour of the film. I’ll come back to it in my conclusion.
- Music. Now when I watched it – in the beginning of the movie, I thought “what a fantastic music!” And it is true for most of the movie. Some songs are poor, though – but nothing quite as wrong as Beauty school drop-out from Grease. So yeah, if you can’t watch the film tomorrow, at least get by any (legal) means of your choosing, the soundtrack.
The main problem of this film, is that it doesn’t belong in the drama category but still tries. It is as though the director was undecided whether he wanted to make a documentary, a TV soap, a musical, or a movie. It feels like a documentary most of the time – but just lacks the narration. It feels like a soap at times, but this never lasts. And this is not just down to the director – the acting goes on accordingly, and so does the music (!)
Conclusion? Dreamgirls is a nice movie, worth watching – at least for the music and for Jennifer Hudson’s performance; but not a masterpiece. It helped me spend a not-too-bad evening last night (see previous entry) but not enough to keep me off drinking a bit afterwards.Upcoming movies at WSC:
- Apocalypto on thursday
- The Last King of Scotland on friday 6.30 and 9.30
- Rocky Balboa on sunday and tuesday
- Epic Movie on thursday
- The Perfume on friday 6.30 and 9.30