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October 26, 2016
As part of the Token Communities project I have been examining the Roman lead tokens housed in the British Museum. Amongst the tokens are several that show the Egyptian goddesses Isis and Anubis. One example of these type of tokens is shown below: one side of the token shows Isis with a sistrum (a type of musical instrument associated with the goddess) and what may be a situla (a type of bucket). The legend on the left reads ACICI. The other side of the token shows the dog-headed god Anubis with a branch and a rather stylised sistrum.
|Lead token with Isis on one side and Anubus on the other.|
The designs reminded me of the Isis coins of late antiquity, which are gathered together in Alföldi's 1937 book A Festival of Isis in Rome under the Christian Emperors of the IVth Century. Alföldi observed that even as late as the fourth century AD coins were being struck in Rome with the imperial portrait on one side and the Egyptian gods Isis and Sarapis on the other. Another series, which Alföldi called the 'anonymous' series, was also struck in the city. These had Isis or Sarapis on the obverse and various Egyptian motifs on the reverse: they did not name or show an emperor (an example is shown below). Alfödi suggested that this 'anonymous' series was created in the official mint after AD 378-9, the date at which coins showing the imperial portrait in association with Egyptian deities ceased. Alföldi believed that although the increasingly Christian emperors could no longer be associated with Isis or Sarapis, the (pagan) senatorial elite in Rome continued to produce coin-like objects for the festival of Isis, which could be given to their clients. Without the imperial portrait, these pieces weren't officially currency, Alföldi suggested, but instead were gifts given by select senators to their clients (and these pieces, in turn, may have later been used as playing pieces or small change).
|'Anonymous' issue with the portrait of Isis and figure of Anubis.
On the anonymous series Anubis carries a sistrum and (stylised) caduceus, and is accompanied by the legend VOTA PVBLICA. This legend is also found on the coins struck with the imperial portrait, and probably references the fact that the festival of Isis in Rome was often connected with vows for the health and safety of the emperor. There are stylistic similarities, particularly with the sistrum held by Anubis, between the coins and the tokens. This, and the unusual appearance of Anubis at all, leaves me to wonder whether the lead tokens are not also from the same time period, and connected to the same, or a similar festival for Isis. If the elite were already creating 'anonymous' coin-like objects for use in the festival, perhaps the lead tokens with Anubis were a complementary or later development. While the Anubis British Museum tokens don't have any find data associated with them, they were catalogued by Rostovtzeff in his catalogue of tokens from Rome and the suburbs (Tesserarum Urbis Romae et Suburbi Plumbearum Sylloge no. 3190), and similar tokens were mentioned by Ficorini in his 1740 work. Specimens are also held in the Museo Nazionale in the Baths of Diocletian in Rome and in the Vatican, suggesting that maybe these are tokens that come from Rome, despite their Egyptian motifs. Other lead tokens also show strikingly similar imagery to the late antique coins associated with the festival.
Until further data is found this is just an idea, but perhaps we should add these tokens into the discussions of the yearly festival of Isis in late antique Rome.
This blog was written by Clare Rowan as part of the Token Communities project.
Anonymous series coin image reproduced courtesy of Numismatica Ars Classica, Auction 92 Part 1, lot 772.