All 2 entries tagged Modest Mouse
March 09, 2007
I don’t know what it seems to be about 2007. A handful of my favourite bands from the nineties have been reinvigorated to attempt that elusive ‘return to form’ tagline that every band struggles with, after reaching any critical/commercial peak in their career. I’ve already posted new tracks from Idlewild and Ash that suggest a sort of nostalgia for a sound that the band has evolved away from but yearns to resurrect. The Manics are the next on the boat, with new single Your Love Alone Is Not Enough returning that bombast and confidence together with a pared down sound. Is it that as bands get older, their rough edges that might have endeared you to them in the first place have been worn down with sandpaper and (more likely) cleaner-cut production?
A lot of people seem to suggest that, claiming Idlewild’s A Remote Part and Warnings/Promises didn’t ‘rock’ as much so they weren’t on par with earlier releases. Is it just the tunes? the times? or that we can’t have the same emotional contact with a band’s 4th/5th album as opposed to their debut? In general I believe the latter to be the case. I could take someone like the Super Furry Animals, where every album is equally worthy of merit, yet if it came to a favourite album of theirs, I would have to side with Radiator, simply because that’s the one that first hit home. Again, Supergrass -> In It For The Money, same reason.
There’s been plenty of debate about the Modest Mouse album, how it’s trying to be a commercial retread of what they did on Lonesome Crowded West or The Moon and Antarctica. I’ve only heard a handful of songs from those two albums, and a couple off the new record, and I’d have to say that I prefer the new ones I’ve heard. Is that because my entry point was Good News For People Who Love Bad News? Is anyone else following me here?
Then again, there’s an argument that comes up to destroy any sort of discussion, saying that ‘it is as much about the person as it is about the music, so of course opinions are going to differ, noone’s right or wrong’. But that’s a cop out… and where’s the fun in that?
July 17, 2006
Given the number of great writers on this blog, I've decided to take an alternative approach to this whole thing. I'm not the best writer in the world, so I thought this would provide a bit of a different kick.
I'm simply going to take an album that I'm currently in love with and draw the lovely band in question, or if the chance comes, something else art–y that's relevant, be it photo, painting, collage, sketch whatever. I'm not saying I'm the best artist at the world either, but I'm having a good damn go at it.
So, first, if you haven't noticed, is Modest Mouse's 2004 album Good News For People Who Love Bad News. To be bluntly honest with you, I picked this up second-hand in Auckland's greatest music store, Real Groovy, and it's been on constant rotation while I drew the picture above. The album also hosts the brilliant single, Float On, but I've chosen three different cuts here that display the brilliant range of moods and styles the album crosses.
It's my first real connection with the band, an almost impulse buy, so I'm keen to hear the rest of the band's catalogue…any suggestions?
Modest Mouse – Ocean Breathes Salty MP3 Expired
Modest Mouse – The View MP3 Expired
Modest Mouse – Blame It On The Tetons MP3 Expired
Amazon.co.uk (only £4.97!)
[Buy Good News For People Who Love Bad News]