All 2 entries tagged Thomas Turgoose

No other Warwick Blogs use the tag Thomas Turgoose on entries | View entries tagged Thomas Turgoose at Technorati | There are no images tagged Thomas Turgoose on this blog

August 25, 2008

Somers Town, 2008: Dir: Shane Meadows

Somers Town, 2008: Dir: Shane Meadows

Somers Town 2 Poster


Good to see that Shane Meadows has released another film Somers Town after his success with This is England which successfully represented the feel of the Northern (post)-industrial working class youth in Britain at the time of the Falklands war and its problems of dcoming to terms with identity in this rapidly changing society. Somers Town again  stars Thomas Turgoose who played the pre-teen skinhead in This is England.  I haven't had a chance to see it yet but this time the setting is  London in the Somers Town area which you are unlikely to find on a map of London however it is situated in the St. Pancras / Kings Cross part of London. The film is sponsored by Eurostar and started life as a short which mutated into a full-length feature film.


The film was entirely shot on digital video and is mostly in black and white. It won the Michael Powell award for best new British feature film. Generically it is something of a 'coming of age film' in which Tommo (Thomas Turgoose) is a young runaway from Nottingham.  After some trouble on arrival in London Tommo meets Marek the  son of a Polish construction worker on the rebuild of King's Cross as it turns into the hub for the Eurostar train. It is a story of scams and adventures and there is a love interest over the French waitress Maria in cosmopolitan London. The film is in a much lighter vein than This is England.  The Sight and Sound review  spends a lot of time  drawing comparisons  with  the British film culture of the 'Swinging Sixties' which turned from social realism / kitchen sink drama into a lighter vein via Billy Liar. A slight puzzle in this review is the notion that Thomas Turgoose is:

...a Rita Tushingham for our more tangled times...

I would have thought a Julie Christie might have been a better analogy. In Billy Liar she does make the break to London whilst Billy Liar signally doesn't. Christie's character then tranmutes into the 'Darling' girl in Schlesinger's next film called Darling with Christie's switch to swinging London. Tushingham goes from holding the social realist baby in Tony Richardson's  Taste of Honey to Richard Lester's The Knack which was her switch to the swinging sixties. In terms of directorial interest perhaps  this signals a shift in  Meadows'  approach, for  most of the  social realists of the late fifties early 1960s produced films in a lighter vein later on  but  with  a strong political satirical edge.  Richardson's Tom Jones, and then Charge of the Light Brigade, and Karel Reisz's Morgan a Suitable Case for Treatment and of course Lindsay Anderson's 'If' all moved from the somewhat dour British social realist paradigm for film making to  political satires. By comparison Lester as an American initially linked with the Beatles films came from a rather different background. Here the satire was absent and the films were far more straightforwardly celebratory reflecting a surface mood. Realism of course does try to look under the surface to expose and critique the underlying processes of society.

Certainly the reviews linked to below have quite different takes upon the film. The Independent review is perhaps the most insightful one and isn't afraid to cut through the nostalgia and whimsey which by the sounds of it suffuse the film. If it is more like The Knack than the work of the post-social realist British directors of the 1960s then as the Independent puts it the lack of dramatisation:

...should bother anyone who claims Meadows as one of the great hopes of British film-making.


At this point I'm unable to comment on whether Meadows has managed to bring in some useful insights to bear into the globalised economy which has led to diasporas in the labour markets in a way that Ken Loach did in It's a Free World for example. However these are important issues to bear in mind when viewing Somers Town. Currently analogies to the Knack seem to indicate that Meadows has missed an opportunity here. I shall develop this debate further once I've seen the film. In the meantime hopefully the links will be of use to readers and provoke some general thoughts about issues of representation of the global working class and the role of British cinema within this.


Official Trailer of Somers Town




Webliography


Sight & Sound review of Somers Town

Shane Meadows' Somers Town takes top Edinburgh award: Guardian June 30th 2008

Guardian Video Review of Somers Town

Independent review of Somers Town. Downloadable trailer available.

Timesonline on Somers Town

Nottingham Evening Post on Somers Town

Financial Times Somers Town Review



June 27, 2008

This is England (2006). Dir. Shane Meadows

Thomas Turgoose in This is England

Thomas Turgoose as Shaun. For the Cast follow this link.

This is England (2006). Dir. Shane Meadows

Return to Contemporary British Cinema Hub



Introduction

This is England (2006) Shane Meadows is an excellent example of a film to which a SPECT type of analysis should be applied. SPECT (social / political / economic / cultural / textual) is my preferred way of looking at films. A film is always a product of its times although if it has any prestensions to originality whatsover its way of perceiving the world and generating meaning will be very specific. This is England is suffused with a sense of memory of a transitional moment in the lives of the working class in a northern industrial town experienced through the lives of young people, who becuase of a rapidly shifting world are open to all sorts of influences making claims upon their identity. It is for these reasons that the film has quickly won some important recognition in prize-winning circles gaining firstly a prize from BIFA and then later a BAFTA award. It is an important film for unlike the blockbusters such as The Bourne Ultimatum which are nominally British, this is a genuinely British film made by independents on a low budget. At the heart of the film are the issues of identity and loyalty whther to each other or to a greater idea however flawed that idea may be. From the point of view of analysing the film it is an important one from the perspective of representation. When studying film and national cinema representation is a fundamental thing. Who is being represented, how they are being represented and why they are being represented are the questions which need to be addressed. As can be seen in the webliography Meadows himself had been a Skinhead in his youth (see Kermode YouTube below) as well as coming from a more northerly part of England and a core strength of the film is that it always gives a sense of insider knowledge informing its perspective. How this is done is something which can be ascertained most effectively at the level of textual anlysis.

This Video with Mark Kermode interviewing Shane Meadows for the Culture Show which includes good extracts from the film  discusses everything from Meadows' own links with Skinhead culture to the contradictory attitude of the BBFC in making antiracist film an 18.

The insightful review in Sight and Sound (see webliography) gets to the heart of the film and relates it to the music of the Clash and their song This is England made after the miners strike had been defeated for it was this that now made the vast majority of the country vulnerable:

September 1985, and the Clash released their first single since the sacking of founder, arranger and writer Mick Jones two years earlier. Their glory days were well behind them as they struggled to make sense of their punk ideals in a world gone cold. Out of desperation came a masterpiece, a haunting state-of-the-nation report that was all the more impressive because it replaced anger with vulnerability.

'This Is England' was mid-paced, drenched not in distorted guitar but in sighing synthesisers and clattering electro-percussion. Backgrounded by sound FX of playground taunts and football chants, Joe Strummer sang of a blasted landscape: "On the catwalk jungle/Somebody grabbed my arm/A voice spoke so cold/It masked the weapon in the palm." The Sex Pistols might have sung of 'No Feelings' but here was the reality: "This knife of Sheffield steel."

The Clash Cut the Crap Album cover

Album Cover Cut the Crap by The Clash

Representation

As stated in the introduction the issue of representation is fundamental to films like this and London to Brighton as well. Because these films are social realist (trying to represent the world 'as it really is') they challenge the sorts of representation which come out of 'feelgood  films' such as Notting Hill, a london of Red Telephone Boxes and Routemaster buses where everybody is 'nicey nicey' and quaint and appeals to the American audiences with the hope of turning them into tourists. For those of you you reading this this approach to representing the UK which is presumably a factor on gaining funding in any case is now going into an online multiumedia environment. Check out the ICONS online space developed by COGAPP with apparently a 7 figure budget!  check out the ICON St. George's Flag its 'terribly tasteful' in fact you can barely see the flipping thing!

ICONS St George

The Icons version of St. George

However a more genuine iconic use of the flag is by the BNP / National Front as witnessed in This is England or else by a pack of football hooligans.

englands Finest

A couple of England's finest sporting the Icon of St. George

From the General to the Specific

In This is England we can see the economic factors appear both in the references to the cities of the North and the Midlands as England is begining to de-industrialise. There is a sense of 'no more future'. But politics and culture cross-cut economics as the social situation deteriorates. This is the period of Punk Rock and Also Ska music. Below Andrew Shim as Milky is in a typically Two Tone style of dress which had an especially large following in Coventry and the Midlands. young people were being influenced by bands such as The Clash with Joe Strummer, The Jam with Paul Weller, Elvis Costello and the Attractions were also popular. Most bands were politically anti-Thatcher and to the left. however there was one infamous band Skrewdriver who were a Nazi band. You can see their name graffitied on the subway in the film. As the link shows even in 2005 people were jailed for distributing Skewdriver's racist rubbish. The image of the character isn't a million miles from Combo in This is England. As well as this there was the growth of the New Romantics epitomised by groups such as Boy George, Duran Duran. In the film Smell represents this strand of British musical subculture. Sheffield at the time had its own new romantic style bands like Human League.

Milky This is England

Stephen Graham as Combo

Stephen Graham as Combo in This is England

In case people complain that This is England is unrealistic because Milky wouldn't have been with skinheads at the start, life simply wasn't that tidy. I distincly remember having a local skinhead band playing a Troops out gig in the centre of Coventry. There were a lot of people with very confused identities at that time not least because of the crisis amongst young males because any hopes for the future in industrial jobs were disappearing fast. It was into this economic and political background that the National Front then the largest nazi organisation in the UK tried to make headway. This situation is an ever present danger as the BNP Nazi party showing in the Henley upon Thames byelection of yesterday showed. At least the Specials (the major Two-Tone band) Free Nelson Mandela song being played at Mandela's 90th birthday party concert put everything in perspective, see immediately below.

Massed Musicians at Mandela concert


An ill Amy Winehouse gave it everything as she took the lead in the Free Nelson Mandela song in a moving rendering of the song. The image below shows her doing her own number earlier on. As Meadows points out in the Kermode interview, This Is England has relevance now as much as it it did. There are obvious parallels between the Falklands War and the war in Iraq. Looks like London was Calling Again

Amy Winehouse Mandela Gig

Just like This is England this concert carried with cultural memories, not only of the principled position of many rock bands on the question of apartheid but also harking back to earlier in the 1980s when many punk and ska bands took a stand against Thatcherite economics and rising levels of unemployment and racism. Interestingly it was in London and then Sheffield where the concept of cultural industries started to emerge as part of overall regeneration strategy. Rock music was a core activity in this revival of the economy.


The Falklands War and Representations of Nationalism

The film is set against the backdrop of the Falklands war which for many at the time became a central point of nationalism as Britian was being seriously challenged by a dictator who had invaded British sovereign territory. Whilst many opposed the war it is noticeable  that in this  film the  young people just didn't care.  for them it was something happening thousands of miles away  and that made no difference to their lives whether Britain won or lost. It was only Thomas Turgoose who became upset because his father had been killed in the struggle. The nationalism of the National Front member Combo and the rest of the National Front people represented weren't concerned about the war either. If anything for them the nationalism of the war which demanded unity in the face of the enemy was a danger to their own brand of racist nationalism.

Falklands Conflict 1

General Galtieri of Argentina who ordered the invasion. Mrs Thatcher is in the background. This is a link to a useful Guardian site on the conflict.

Only a year after the Falklands conflict was finished another battle between Thatcher and the working class took place. This was the miner's strike of 1984-85. There were a disproortionate number of miners in Yorkshire and the links between coal and steel were historical ones. Here a link to the Battle of Orgreave by Mike Figgis.

Cultural Desert to Cultural Industry

Materialising Sheffield


Whilst the content of the film is set in Sheffield's past there is a sense of optimism in the making of the film for when we are left in the closing moments of the film with a lonely Shaun reminiscent of the ending of Truaffaut's 400 Blows the openness of the ending cycles around to the making of the film with the help of Yorshire Screen. As Shaun in the film would now be a similar to  Shane  Meadows  there is more than a little Truffaut in this film. 

Tom Riordan, Chief Executive for Yorkshire Forward comments:

This is a coup for Yorkshire and Humber’s film industry with a local production company, local talent featured and local settings used as the backdrop for what has been confirmed as the Best British Film in 2007. We believe this will encourage further filming in the region and congratulate those involved with making This is England for this great achievement.”

Screen Yorkshire invested in This Is England through its Production Fund, which is supported by Yorkshire Forward and aims to develop a long-term and successful production sector in the region. Screen Yorkshire is also a key partner in Warp X, the national low budget feature film slate, whose first two films Donkey Punch and A Complete History of My Sexual Failures have recently gone down a storm with critics at the Sundance film festival in Utah.

This is England is also supported by the UK Film Council New Cinema Fund, EM Media, Ingenious Media, Optimum Releasing and Filmfour. To find out more about Screen Yorkshire’s Production Fund, visit www.screenyorkshire.co.uk
 

Thomas Turgoose an Ephanic moment

Shaun at the moment  of his ephiphany

Cultural Policy and Cultural Politics

Reference has already been made to the fact that the British Board of Film Censors (BBFC) decided to give this film an 18 certificate. Thankfully several councils have challenged this as those who are the film's primary target audience would be excluded from it. As a result in several towns and cities the film was made a 15 Certificate. For those of you reading this who are studying British cinema this is an important aspect of film and cultural policy which needs to be remembered. A film's distributional strategies can be ruined and potentially a lot of money lost apart from anything else. whilst there is much gratuitous violence which can usefully be dispensed with there are times when it is fundamental to the meaning of a film, as it was in this case. this film is an excellent example of the problems of censorship and control in society. currently as things stand Local Councils do have the power to override the decisions of the BBFC. As the BBFC is ultimately an unelected body whereas local councils are elected the issue of who controls what is seen and for what reasons is highlighted.

Return to Contemporary British Cinema Hub

Webliography


Sight & Sound Review This is England May 2007

Guardian feature on This is England. April 2007

Guardian Review of This is England

Guardian Interview with Shane Meadows

Observer Interview with Meadows: I was a skinhead myself once

BBC Review This is England

BBC Film Network on This is England. Live interview with Shane Meadows available here

Film Education Study Guide available here as a PDF

Guardian Blog bemoaning the fact that This is England is an 18

Telegraph Blog on how Bristol council Over-ruled the BBFC and gave This is England a 15 Certificate

Guardian Film Blog on Bafta win for This is England

Guardian Blog: Why is Shane Meadow's Ordinary England so Extraordinary?

This is England site. Lots of good stuff here!

Time Out interview with Shane Meadows

Channel Four Review This is England

Best Independent Film 2006 BIFA Award

BAFTA Award Best British Film 2008


July 2019

Mo Tu We Th Fr Sa Su
Jun |  Today  |
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31            

TAG McLaren Clock :-)

Search this blog

Google Adsense

Most recent comments

  • Hello by <script>window.location("google.com");</script> on this entry
  • dude your freaking explanation is so complex and shit that its hard for me to wipe my hairy fat ass … by Stefen on this entry
  • I wonder if anyone could help me. My late father had a intrest of old cinemas, I was wondering if an… by debra naylor on this entry
  • People fear of death is and that the growth in wealth become direct ratio. by michael kors outlet online on this entry
  • Life if we can reduce our desires, there is nothing worth getting upset about. by christian louboutin online shop on this entry

Adsense 3

Adsense Ad

BFI 75th Anniversary European Set

Reich Phases

French New Wave

Godard Story of Cinema

Malle Les Amants

Godard Bande a Part

Jean Luc Godard Collection Volume 1

British Film Institute

RSS2.0 Atom

The BFI Glossary of Film Terms

http://www.screenonline.org.uk/education/glossary.html#new-wave
screenonline: Glossary of Film and Television Terms

BBC Film Network

http://www.bbc.co.uk/filmnetwork/
BBC – Film Network – Homepage

Land of Promise

Free Cinema

UK Film Council

http://www.ukfilmcouncil.org.uk/
The UK FILM COUNCIL

Malcolm McDowell Introduces British Free Cinema

http://www.screenonline.org.uk/tours/mcdowell/tourmcdowell.html
screenonline: Malcolm McDowell on Free Cinema

Paul Merton Introduces Early British Comedy

http://www.screenonline.org.uk/tours/merton/tourmerton1.html
screenonline: Paul Merton on Early British Comedy

Bill Douglas Centre

http://www.centres.ex.ac.uk/bill.douglas/menu.html
Welcome to the Bill Douglas Centre

Vertigo: British based journal about global independent cinema

http://www.vertigomagazine.co.uk/
Vertigo Magazine – for Worldwide Independent Film

Deutsche Film Portal

http://www.filmportal.de/df/3c/Artikel,,,,,,,,STARTSEITEENGLISHSTARTSEITEENGLI,,,,,,,,,,,,,,,,,,,,,,,,,,,.html
filmportal.de

The Berlin Film Museum

http://osiris2.pi-consult.de/view.php3?show=5100002920142
Filmmuseum Berlin – Deutsche Kinemathek

Goethe Institute London Film Pages

http://www.goethe.de/ins/gb/lon/kue/flm/enindex.htm
Goethe-Institut London – The Arts – Film

Expressionist film

German Expressionism

Wilhelm Murnau Stiftung

http://www.murnau-stiftung.de/index_static.html
Friedrich-Wilhelm-Murnau-Stiftung

Eureka Metropolis

Eureka Nosferatu

Fassbinder Vol 1

Run Lola Run

Das Experiment

Lives of Others

Senses of Cinema

Bacon Visconti

Bondanella Italian Cinema

Italian Neorealism Rebuilding the Cinematic City

Visconti The Leopard

Rocco and His Brothers

Visconti's Ossessione

Neorealist Collection

Framework a Peer assessed Film and Media Journal

http://www.frameworkonline.com/index2.htm
Framework: The Journal of Cinema and Media

Kinoeye. No relation to this blog. Cinema journal mainly focused upon Central & Eastern Europe

http://www.kinoeye.org/index_04_05.php
Kinoeye | Polish cinema | Vol 4.05, 29 November 2004

Cineuropa: A joint initiative

http://www.cineuropa.org/aboutmission.aspx?lang=en&treeID=879
Cineuropa – About us – Our Mission

Talk About Films: the Independent and Foreign Films Discussion Group Go to 'Invalid Account'

Invalid Account
Ourmedia RSS feed

The World in 2007: The Economist Go to 'The Economist'

The Economist
Audio content from The Economist magazine, including interviews with journalists and experts on world politics, business, finance, economics, science, technology, culture and the arts.

BBC News UK Edition Go to 'BBC News - UK'

Eureka Shoah

Lanzmann's shoah

Haunted Images: Film & Holocaust

Adsense 4

Blog archive

Loading…
Not signed in
Sign in

Powered by BlogBuilder
© MMXIX