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September 27, 2006

Nosferatu

Nosferatu is going to be the first ‘real’ film to be screened on the course. It really is a great film. It’s right at the cutting edge of technology and it tried to develop visual and cinematic conventions which just didn’t catch on. Instead of using slow motion as an important visual effect it actually speeds things up!

The narrative itself is interesting, often cutting between two parallel apsects of the action. Of course the acting and the performance by Max Schreck is excellent, setting the benchmark for Draculas to come.

Nosferatu

What tends to get missed when analysing this film is the way it seems to function as an allegory for the state of Germany at the time of its making. It is a film which is reflecting and contributing to a sense of xenophobia and also anti-semitic feeling in an interactionist way. It locks into sentiments being expressed by the far right about the ‘stab in the back theory’ of betrayal by enemies amongst ‘us’. It can also be read as critique of the French occupation of the Rhineland and a reflection of the national resistance to that occupation. This is certainly one of the elements we will be discussing.


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