Open Studies in European Cinema. Genre: Bibliography
Introduction
This bibliography comes from my short book Repetition or Revelation: Film, Genre and Society – A Critical Introduction. The book’s target audience is A2 Media Studies and Film Studies, Open Studies students and first year undergraduates. Several sections of the book are being edited for this blog.
Bibliography
Adorno, Theodor. 1994. The Stars Down to Earth. London: Routledge
Altman, Rick. 1997 ‘Cinema and Genre’. In Nowell – Smith, Geoffrey. Ed : Oxford History of World Cinema. Oxford : Oxford University Press
Ang, Ien. 1991. Desperately Seeking The Audience. London: Routledge
Austen, Guy. 1996. Contemporary French Cinema. Manchester: Manchester University Press
Bordwell, David. Staiger, Janet and Thompson, Kristin. (1985 ) The Classical Hollywood Cinema. London: Routledge
Branston, Gill. 2000. Cinema and Cultural Modernity. Milton Keynes : Open University Press
Brown, Geoff. 2000. ‘Something for Everyone: British film Culture in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI
Bukatman, Scott. 1994. Terminal Identity. Durham North Carolina: Duke University Press
Cowie, Elizabeth. 1993 . ‘Film Noir and Women’. In Copjec Joan Ed : 1993 : Shades of Noir . London: Verso
Cook, Pam Ed. 1985 (First edition). The Cinema Book . London: British Film Institute
Corrigan, Timothy.1991. A Cinema Without Walls: Movies and Culture after Vietnam. New Brunswick NJ: Rutgers University Press
Christie, Ian. 2003. Interview with Martin Scorsese. Sight and Sound. January. p22
Elsaesser, Thomas. 1997. ‘Germany the Weimar Years’ in Nowell-Smith, Geoffrey. Ed: Oxford History of World Cinema. Oxford : Oxford University Press
Felski, Rita. 1999-2000. ‘ The Invention of Everyday Life’. New Formations, No 39, pp. 15-31
Hake , Sabine. 2002. German National Cinema. London : Routledge
Hanson, Stuart. 2000. ‘ Spoilt for Choice? Multiplexes in the1990s. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI
Higson, Andrew and Maltby, Richard. 1999. ‘Film Europe’ and ‘Film America’ : An Introduction’. In Higson, Andrew and Maltby Richard.‘Film Europe’ and ‘Film America’. Exeter: Exeter University Press
Hofman, Katja. 2002. Does my gun look big in this? Sight and Sound March
Katz, Ephraim. 2001 4th Ed . Macmillan International Film Encyclopedia. Basingstoke : Macmillan
Mark Le Fanu. 2003. The dream life of architects. Sight and Sound March
Luckett, Moya. 2000. ‘Image and Nation in 1990s British Cinema’. In Murphy, Robert. British Cinema in the 90s. London: British Film Institute
McNab, Geoffrey. 2002. Review of Charlotte Gray. Sight and Sound . March. p 41.
Moretti, Franco. 2001. Planet Hollywood. New Left Review, Volume 2 No 9 May / June. pp 90-101
Neale, Steve. 2000. Genre and Hollywood. London: Routledge
Neale, Steve and Krutnik Frank : 1990 : Popular Film and Television Comedy: Routledge : London
Nichols, Bill . 1976. ‘Introduction’. In Nichols Bill Ed: Movies and Methods . California University Press : Berkley
Nichols, Bill. 1985. ‘Introduction’. In Nichols Bill Ed : Movies and Methods: Volume Two . California University Press : Berkley
Nowell – Smith, Geoffrey. Ed: 1997 : Oxford History of World Cinema. Oxford : Oxford University Press
Pendakur, Manjunath and Subramanyam, Radha. 2002. ‘Indian Cinema Beyond National Borders’. In Jordan, Tim and Pile, Steve eds. 2002. Social Change. Oxford: Blackwell
Prawer, S.S. 2002. The Blue Angel. London: BFI
Silverstone, R. 1994. Television and Everyday Life. London: Routledge
Smith, Murray. 2002. Trainspotting. London. British Film Institute.
Sobchack, Vivian. 1997. ‘The Fantastic’. In Nowell – Smith, Geoffrey. Ed : Oxford History of World Cinema. Oxford : Oxford University Press
Street, Sarah. 1997. British National Cinema. London : Routledge
Sturken, Marita. 2000. Thelma and Louise. London: British Film Institute
Tasker, Yvonne. ‘Authorship and contemporary film culture’. Tasker, Yvonne. Fifty Contemporary Filmmakers . Routledge : London
Todd, Peter. 2000. ‘The British Film Industry in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI
Tudor, Andrew. 1976. ‘Genre and Critical Methodology’. Nichols Bill Ed: Movies and Methods . California University Press : Berkley
Williams, Alan. 1992. Republic of Images: A History of French Film-making. Cambridge Mass: Harvard
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