All 59 entries tagged Article In Collection

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October 16, 2006

1984

Zitner, Sheldon, ‘The Spanish Tragedy and the Language of Performance’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990), 75-94

National Theatre, London – Lyttelton, 1984


October 09, 2006

1990

Zitner, Sheldon, ‘The Spanish Tragedy and the Language of Performance’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990), 75-94

Location

Beyond Warwick Library


1969

Wyler, Siegfried, ‘“Death” in Thomas Kyd’s Spanish Tragedy: A Study of a Semantic Field’, in Festschrift Rudolf Stamm zu seinem sechzigsten Geburtstag, eds. Eduard Kolb and Jörg Hasler, (Bern and München: Francke, 1969), 163-87

Location

Beyond Warwick Library


1976

Wineke, Donald, ‘Hieronimo’s Garden and ‘the fall of Babylon’: Culture and Anarchy in The Spanish Tragedy’ in Fricke, Donna G., and Douglas C. Fricke, Aeolian Harps: Essays in Literature in Honor of Maurice Browning Cramer (Bowling Green: Bowling Green UP, 1976), 65-79

Location

Warwick Library PN 36 C7


1970

Wiatt, William K., ‘The Dramatic Function of the Alexandro-Villuppo Episode in The Spanish Tragedy’, in Bluestone, Max, and Norman Rabkin, eds., Shakespeare’s Contemporaries: Modern Studies in English Renaissance Drama (New Jersey: Prentice-Hall, 2nd ed. 1970), 57-60

Also in Notes and Queries, 5 (Aug. 1958), 327-8

Link via University of Warwick Library (Oxford Journals Online Archives)

Warwick Library PR 653 B5


1984

Werstine, Paul, ‘The Editorial Usefulness of Printing House and Compositor Studies’, in Shand, G. B., and Raymond Shady, eds., Play-texts in Old Spelling: Papers from the Glendon Conference, (New York: AMS, 1984), 35-64

[Printed earlier in Analytical and Enumerative Bibliography, 2 (1978), 153-65]

Keywords

study example Shakespeare, William – Love’s Labour’s Lost (1593) compared to Kyd, Thomas – The Spanish Tragedy, comedy, printer’s copy, for Quarto 1 – (date) 1598, textual criticism, history of printing, compositor study bibliographical, relationship to printer’s copy

Location

Warwick Library PR 658 T4


1990, 2003

Watson, Robert N., ‘Ch.9. Tragedy’, in The Cambridge Companion to English Renaissance Drama, eds. A. R. Braunmuller and Michael Hattaway, (Cambridge: CUP, 1990, 2003), 320-24

Location

Warwick Library PR 651 C2


1991

Voros, Sharon Dahlgren, ‘Thomas Kyd and Pedro Calderón: Toward a Semiotics of Revenge Drama’, in Fothergill-Payne, Louise and Peter, eds., Parallel Lives: Spanish and English National Drama 1580-1680, (Bucknell: Bucknell UP, 1991), 108-124

Keywords

Kyd, Thomas – The Spanish Tragedy , drama, treatment of revenge, compared to Calderón de la Barca, Pedro – De un castigo, tres venganzas, semiotic approach

Location

Warwick Library PR 675 P2


1974

Ure, Peter, ‘On Some Differences between Senecan and Elizabethan Tragedy’, in Elizabethan and Jacobean Drama, ed. J. C. Maxwell, (Liverpool: Liverpool UP; New York: Barnes & Noble, 1974), 63-74

Location

Warwick Library PR 653 U7


1996

Stockholder, Kay, ‘The Aristocratic Woman Scapegoat: Romantic Love and Class Antagonism in The Spanish Tragedy, The Duchess of Malfi and The Changeling’, in Magnusson, A. L. and McGee, C. E., eds., The Elizabethan Theatre XIV (Toronto: P.D. Meany, 1996), 127-151

Keywords

Kyd, Thomas – The Spanish Tragedy (ca. 1589), drama, treatment of women aristocrats, as scapegoat, relationship to social class, romantic love, compared to Middleton and Rowley – The Changeling(1653), Webster, John – The Duchess of Malfi (1623)

Location

Beyond Warwick Library


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