February 23, 2009

An Oscar Review from the last 10 years, by Unesco Nobel

Only seen Milk and Slumdog, but Milk is 10 times the film Slumdog is.

All four other films are worthier winners than the empty and vapid blandity of No Country For Old Men. Seen it three times, first time I fell asleep, other times I wish I had.

Have not seen Iwo Jima. The Queen and Babel are only solid films, but still better than the festering pile of shite that is The Departed. A 5 year old could have written that film. Little Miss Sunshine is the stand out piece of genius from that list.

Fell asleep during Capote, and have not seen Good Night and Good Luck. That said Munich is a good movie with one of the most amazing and powerful pieces of cinematography I have ever seen (the sex/kidnap juxtaposition scene), and Brokeback mountain is an excellent film. Both tower above Crash, which suffers from the Pulp Fiction "we don't really need a story, just chuck in a load of (not at all) interesting characters and people will care" syndrome.

It literally hurts my soul that Million Dollar Baby won an Oscar. This was the start of the malaise, the current bad streak, and what a start. I wish I had fallen asleep - oh, for the comforts of the land of nod that Capote and No Country For Old Men provided, rather than the stale and fetid turd of canned manipulative emotion and shitty, unengaging dialogue and action that characterise this film. Ray was passable, though still not Oscar worthy, and I can't claim to have seen The Aviator, Finding Neverland or Sideways, but I find it hard to believe that none of those three is better than Million Dollar Baby...

2000-2003 marked a good streak for the Academy.

American Beauty is a very good film. In most years, I would not have contested its place as an Oscar winner. But the Green Mile is a work of absolute cinematic majesty, and all those involved can feel justifiedly robbed, even if by such a staunch contender as American Beauty.

However much love I harbour for Shakespeare, Saving Private Ryan is one of the finest war movies ever made. Shakespeare in Love is an above average rom-com. The difference in comparison to the rest of their respective genres alone should make Saving Private Ryan the clear choice, let alone the direct comparison between the films. I haven't seen La Vita E Bella all the way through, but, by reputation alone, it may well also be a challenger.

From 1998-2007, the Oscars are 4 from 10. We can only hope for better form this time round...


- One comment Not publicly viewable

  1. I hate being right >.<

    There’s not a single category where Slumdog actually deserved to win:

    Best Picture – Milk is just better.

    Best Director – van Sant did a better job than Danny Boyle (Trainspotting = another massively overrated film).

    Best Adapted Screenplay – Haven’t seen any of the others, but I highly doubt that none of them is better…

    Cinematography – I’m sorry, what? You’ve actually got to be kidding me to say the cinematography in Slumdog is better than the Dark Knight.

    Sound mixing – see cinematography

    Film editing – see sound mixing

    Best Original Score – how the hell was Dark Knight not nominated for this anyway? I found the Slumdog score poorly chosen, grating, overbearing and cynical. Wall-E’s score is simply superior, perfectly evoking senses of wonder, amusement, danger, sadness, isolation or anything whenever it wanted to.

    Best Original Song – no Mamma Mia track nominated? The Wall-E song isn’t great, but it’s better than anything in the Slumdog soundtrack.

    23 Feb 2009, 12:14


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