All 7 entries tagged Cinema
View all 38 entries tagged Cinema on Warwick Blogs | View entries tagged Cinema at Technorati | There are no images tagged Cinema on this blog
May 16, 2010
Writing about web page http://www.robinhoodthemovie.com
- Robin Hood (2010)
I'm a fan of Ridley Scott. He's both a great and a terrible director, as much in terms of his choices of what to direct as how to direct. He's got one of the most varied careers I've seen ranging from great and interesting sci-fi (Alien) to exciting action (Gladiator) to absolutely atrocious (G I Jane). He's also a clever director. Over the last few years he's tackled some important issues, events and mythologies. To his credit, he tries to expand beyond the usual Hollywood tripe-history and cram cultural, religious and social context into a mytho-historical framework. He never really succeeds in entirety but at least he tries. And even where his films aren't great, they're usually enjoyable. Black Hawk Down was not a great movie. It was clumsy, overtly pro-American and almost racist in its disregard of the killing of hundreds (or thousands) of Somalis, while focusing on the poignant deaths of the American few. But it was a good waste of time. Kingdom of Heaven improved the formula with some great performances (and some muddled and terrible, thank you Orlando Bloom) and an attempt to at least analyse beyond the usual black and white simple expositions.
Something prevalent throughout his career is the feeling that he's made his films under an immense production burden and that he often takes compromises. cf Kindom of Heaven with Kingdom of Heaven: Director's Cut (or Blade Runner et al). It really is no different here. Robin Hood belongs to nearly everyone's repertoire of favourite myths and fairy tales. It revolves around the perfect and very nearly plausible protagonist of Robin Hood; an aristocrat who is utterly selfless, who loses his wealth and is reduced to a life of subsistence. It's not the perfect story of class-warfare but it is a wonderful dream. And it's been realised as some equally-wonderful movies. Who can forget Errol Flynn's performance in The Adventures of Robin Hood. Disney's even made a version with some lovable characters.
So Ridley Scott's made a version. And he tries ever so hard. And the result sees him stumbling over the elements as he pieces them together. The result is a horrible mish-mash. Russell Crowe is completely miscast and his attempts at effecting an English accent are annoyingly distracting. The first few minutes we hear him he's leaping from a Yorkshire accent to something of a bit more Geordie flavour. A BBC Radio 4 presenter suggested it might have sounded somewhat Irish, prompting a humourless walkout by Crowe (see video/embed) Cate Blanchett as Maid Marion is something we could have almost done without. OK, we get it. You like strong female leads. We like strong female leads. Weaver is wonderful in Alien and though G I Jane is an awful movie, we appreciate the sentiment. But Marion in this film almost destroys the historical cohesion. One minute she's ploughing a field with the peasants, the next she's saving their lives with her drawn sword and then she's riding into battle with a group of children. Is he saying something about the Children's Crusade? Is he nodding to Blanchett's Elizabeth. I don't know. It's just unlikely, distracting and needlessly lengthening what is already a lengthy story. It also continually attacks any hint of plausibility.
Even the comic relief is somewhat off. Robin Hood's merry men (in this case Scarlett, Little John and A'Dayle) hail from Wales, Scotland and Ireland! A United Kingdom? Of course not. Any Welshman out there care to tell me when the Welsh felt happy serving in an English army? Not sure it would have been in the 13th Century. Friar Tuck is out on the sidelines desperate for a little bit of filmtime but relegated to some minor light-hearted bee stings.
Don't get me started on the script. 'Every Englishman's home is his castle'. Really Ridley? Really? Punning on the word 'night'? A million History and English Literature students everywhere facepalm in unison.
What about the context of the film? Like everything else it's a muddle. Saxon 'Robin Longstride' takes the role of Saxon-sympathising Robin of Loxley when he's killed returning King Richard the Beerheart's crown from France. Deep breath. He then falls in love with Maid Marion who swoons over him while 'Sir Godfrey' is busy rampaging throughout the country to turn the northern barons against the newly-crowned and duplicitous King John in preparation for a French invasion spearheaded at Dover. It's up to Robin to foment English patriotism to rally the people around not so much the King as the country in order to ensure that King John signs the Magna Carta which is more-or-less framed as being the equivalent of the constituion of the United States. It really wasn't, Ridley. I presume this is something thrown in to make sure Americans pay attention for the last half of the movie, but I could be wrong.
So why is it a wasted opportunity? Because it ticks a hell of a lot of boxes. Great cast? Check. Huge budget? Check. Amazing locations? Check. Great plot/screenplay? Ooh er.
PS - major piece of transition missing just before the end of the film. See if you can spot it!
I really wanted to like this film. I convinced my friends to come watch it with me, stupidly picking it over the acclaimed Four Lions as our weekend cinematic foray. I came out more disappointed than the other two. I can only hope that if another is made, it's with a much, much better script.
December 22, 2009
The Auteurs has decided to gift us with another French classic today, just in time for Christmas! This time it really is the last day to catch it and they're ending on a high note: Jean-Luc Godard's '2 or 3 Things I Know About Her'. This is the last film of the Stella Artois 'Recyclage de Luxe' film festival on the Auteurs. Watch it here, today, for free in the UK only: The Auteurs(18+)
December 21, 2009
Today's the last day of the Stella Artois 'Recyclage de Luxe' film festival on the Auteurs. They're today showcasing Resnais' 'Hiroshima, Mon Amour' (subtitled). It's been the end of a great week for we film-lovers and I've learned a lot. Enjoy here: http://www.theauteurs.com/stellaartois (18+, UK Only)
December 20, 2009
If you're interested in the work of 'nouvelle vague' director Chris Marker, you mustn't miss the chance to catch his classic film 'La Jetée' on The Auteurs today. You can find it here: http://bit.ly/tasrd(18+, UK Only). It was the inspiration behind Gilliam's great 'Twleve Monkeys'.
December 19, 2009
If you're interested in the work of 'nouvelle vague' director Jean-Luc Godard, you mustn't miss the chance to catch his classic film 'Vivre Sa Vie' on The Auteurs today. You can find it here: http://bit.ly/tasrd(18+, UK Only)
December 16, 2009
I'm often sceptical when it comes to classic French cinema - I tend to be more a fan of German/Weimar pre-war films and then (guilty I know!) American post-war cinema. I do, however, have respect for many of the French films I've seen (Le Petit Soldatsprings to mind).
I'd been meaning to watch more New Wave cinema for quite some time and then I had the opportunity to do it with The Auteur's Stella Artois online film festival (18+, UK Only). I didn't regret it. Its cinematography, story and performances are completely spot-on. Excellent.
If you want to watch it today (for free) then head on to: www.theauteurs.com/stellaartois
December 14, 2009
Writing about web page http://www.theauteurs.com/stellaartois
Stella Artois is bringing French classics of the '60s to The Auteurs for 7 days starting tomorrow. This is UK only and do remember to drink responsibly!
I remember studying French and German cinema back at Warwick for a while as part of my History degree. It gave me a better insite into classic films in general (and if you're doing History now I think the module was History of Germany) - we covered Weimer films and I wrote an essay on the post-war cinematic reactions of France and Germany.
These gilms are from the '60s and the roster is:
Lola - 1961
The 400 Blows - 1959
Jules and Jim - 1962
Masculin féminin: 15 faits précis -1966
Vivre sa vie - 1962
La Jetee - 1962
Hiroshima, mon amour - 1959