Leeds 2006 – Saturday
Saturday 26th August 2006
10.12 Is it time to get up?
10.45 The Guardian stand are selling Guardians with free cameras. How nice is that?
11.15 Why are the people in the next tent screaming so much?
11.38 To the arena… slowly.
FIELDS (NME Tent) Delayed by half an hour for no apparent reason but despite being armed with the folkiest instruments on show (12 string guitars) they were loud for a folk band. Pretty good stuff. The keyboardist also struggled on bravely despite having a cold after the band tourbus left her behind at a service station for an hour in her pajamas. Aaaaaaaaaaaaah. They also handed out free CDs which was very nice of them.
13.31 Someone’s got a stick with pictures of Monty Panesar and Fieldmarshall Monty on it.
THE LONG BLONDES (NME Tent) A big crowd for this band and the deserved it. They were stylish, witty and inspired more than a few crowd surfers. How the music industry took so long to sign them is a sign of either cloth eared ignorance or blatant sexism.
SCISSORS FOR LEFTY (Carling Tent) Missed some of their set due to the NME tent being totally out of sync with the listed times but SFL were a bit erratic. They had one truly great sounding song, one which was, frankly, arse, and the rest were a little uncertain. Energetic but hard to say if they’ll amount to anything.
FIELD MUSIC (Carling Tent) Oh, the joys of instrument malfunctions. Unfortunately Field Music just couldn’t overcome them and the set was stilted altough there were flashes to suggest that they might be capable of better. They also complained that their completed new album isn’t out until January. It’s just not going their way at the moment, really.
15.29 There’s a banner over there saying, “Don’t worry, mummy’s here”. No she isn’t, she’s watching this on TV at home.
GOGAL BORDELLO (NME Tent) Talking of my mum, she told me I have to come and see these guys. Cheers mum. Gogol Bordello were ace. There must be somethin innate about this sort of self proclaimed “gypsy punk” as the audience, even those who clearly had never heard them before, were well up for it. Thanks to the mad people next to me who included myself (and as many other audience members as they could grab) in a massive Russian dance to most songs. The madness was only eclipsed by the masness onstage.
16.10 Why do all those branded beach balls keep landing on me?
16.11 Oh, I’m stood next to a man with an Irish flag, that’s why.
16.12 Mmm, beer shower. Clearly anything raised above head height is a fair target. Why anyone would sit on someone else’s shoulders is beyond me unless they are yet to have this epiphany.
16.13 Funnily anough the man with the Irish flag is really Irish. And he’s off to the bar. Hurrah.
PEACHES (NME Tent) In which a 30-something Canadian stomps around stage talking about her sexual prowess whilst removing her clothes yet not appearing to be wearing any less than she started with. The power of layers. Peaches is inexplicably good though, her band are pretty damn good, and not even the inflatable penis seems crass. For the second time this weekend, I am more impressed than I thought I would be.
THE SUNSHINE UNDERGROUND (Claring Tent) Another big-ish crowd in the small tent for these dancey indie types. And again that New Rave tag is bollocks, this lot are simply The Music but a bit more focused and with less OTT songs. This is a good thing. Cowbells a go go.
18.13 I set off for food and decide to give in the to smell of the noodles and try them.
18.18 Damn my unreliable nose, these are clearly inferior to the crepes. No wonder the crepe queue was bigger than the noodle queue.
*BELLE AND SEBASTIAN (Main Stage)*Missed a bit of their set and it’s my bad. The indiest of the indie, turns out B&S are one of those bands (like Super Furry Animals or Ash) who you’d never think of as being the soundtrack of your life but you’ll be gobsmacked by how many of their songs you know. In any case they’ve been together long enough to know how to put on a good show and the girl pulled out of the crowd for ‘Jonathan David’ looked like all her dreams had come true.
18.43 Futher to the big hair comment of yesterday I want all people wearing tweed banned from blocking my view as well.
19.06 The people next to me seem to be arguing in Welsh. I think it’s Welsh. It’s phlegmy and they’re using English words for any concept or invention which is less than 150 years old. That’s Welsh right?
YEAH YEAH YEAHS (Main Stage) Ok, first things first. Karen O is dressed as one of my mum’s cushions. And she’s molesting a bemused and slightly scared looking cameraman. And my god, these are tunes of immense size and power. How the hell they came up with ‘Date With The Night’ I’ll never know but it sounds as huge and I always hoped it would. Rather curely her hairband gets stuck in her hair during ‘Phenomenon’ and she giggles her way through somehow.
Photo from NME.com
19.37 They’re playing The Killers’ ‘All These Things I’ve Done’ from the massive, loud stage speakers. Despite this the audience is singing it badly out of time with both the record and each other. Pay attention choir!
19.48 The people next to me have drawn everyone’s attention to the fact that the Carling papr cups they’ve been served beer in have the Download logo on them. The organisers are useless.
19.50 Colin Murray introduces Chris Moyles who introduces Peter Kaye who introduces…
KAISER CHIEFS (Main Stage) They came dangerously close to overegging their performance with gimmicks and sometimes forced audience interaction, but with a hometown crowd they were never going to lose. Funnily enough, where the album loses steam, live the songs work so much better despite not sounding too dissimilar. It’s hard to say why.
21.07 Festival Highlights footage plays on the big screen. The crowd watch halfheartedly until a girl on screen says “I love the Reading Festival”. Cue mass booing.
21.08 Biggest singalong so far… for the Match Of The Day theme tune.
21.09 Even bigger singalong for ‘Bohemian Rhapsody’. Includes mass moshing. Best song ever clearly.
FRANZ FERDINAND Again, there’s a slight hint of drawing things out to fill the time slot but they carry it off. Borderline preening and strutting are welcome when the songs are good. The massed ranks of drummers at the end was a nice touch as we played “which band are they from?”. All told, a good headlining set.
0.38 Fall asleep to the sound of the people in next tent shouting names at random.Photo from BBC
Quote Of The Day
My brother Drunk “George Alagiah looks like a Welshman.”