February 25, 2005

Frescos - Question 1

Using Roman Wall Paintings (frescos) as 'Evidence' for Traditions of Staging in Greece.
These Roman frescos from Pompei were preserved by the eruption of Vesuvius in 79 A.D. around 500 years after the plays of Aeschyus, Euripides and Sophocles were first staged in Athens. They depict myths that were the subject of 5th-century Athenian tragedy, and that continued to be represented on the Roman stage, both in revivals of Greek plays, and in later plays written in Latin.

1. Consider the depictions of mythological scenes:

i What are the main similarities and main differences between the way in which the death of Pentheus is depicted in this fresco and in Euripides' Bakkhai? (Use an online text of the Bakkhai if you do not have your copy to hand.)
ii. Compare and contrast the way in which the death of Iphigenia is depicted in this fresco with how it is recounted in Aeschylus' Agamemnon, and/or in Euripdes' play Iphigenia at Aulis.
iii. Why do you think the similarities and differences which you have identified may exist?
iv. On reviewing your responses to the above questions, how useful do you find these Roman frescos to be as evidence for traditions of tragic performance in 5th-century Athens?


- 3 comments by 0 or more people Not publicly viewable

  1. a

    Naked and nude, Pentheus gets ripped apart, horny, love it!

    03 Mar 2005, 21:35

  2. a

    Pentheus I love the look of terror on your cute face.

    09 Sep 2005, 20:43

  3. jc

    Where is the painting of Pentheus?

    03 Nov 2006, 03:23


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