The Vanishing Act of Esme Lennox
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We are all, Esme decides, just vessels through which identities pass: we are lent feature, gestures, habits, then we hand them on. Nothing is our own. We begin in the world as anagrams of our antecedents. (134)
Like O’Farrell’s previous novels, After You’d Gone, My Lover’s Lover, and The Distance between us, The Vanishing Act of Esme Lennox is gripping and full of emotional and psychological twists. As the fragility of various relationships is untangled and interrogated and various time periods are seamlessly woven together, the drama of the narrative becomes increasingly compelling and, at times, disturbing. Placed in a psychiatric hospital as a rebellious teenager and confined there for the next sixty years, Esme invariably lives through memories of her childhood- one that was shared with her sister Kitty who now suffers from dementia. When the hospital is due for closure, Iris, her only living relative, previously unaware of Esme’s existence, is summoned to help. The relationship between these two women serves as the central focus for the novel right up to the powerful cliff-hanger of the conclusion. This novel is worth reading, however, not just for the high drama of the narrative but also to learn about the horrifying treatment and diagnosis of real or imagined mental disorders that many suffered under in mental asylums in the early twentieth century.