Follow-up to Professor Rosi Braidotti Talk Thursday 25th May from Philosophy
A short note about a seminar given by Rosi Braidotti, and an explanation of my interesting example of an ethically sustainable addictive behaviour.
Yesterday I attended yet another excellent seminar as part of the What is Philosophy? graduate research project. Professor Rosi Braidotti set out to defend Deleuzian research from charges of ethical relativism and providing more efficient control mechanisms for the use of gobal capitalism. This was done with remarkable energy and wit. The result, I believe, was to establish convincingly that Deleuzianism can have a consistent and pragmatic ethical approach to a wide range of situations. However, this requires a rethinking of the role of addiction, [inter]dependency, risk and identities, with an emphasis on positive modes of growth and intensity – an emphasis quite contrary to the prevailing culture of compensation and the valorization of suffering.
Transpositions: On Nomadic Ethics by Rosi Braidotti
That is very much a partial and inadequate summary. If you want to know more, I would suggest joining the What Is Philosophy? project, so that you can listen to the full podcast audio recordings of the lecture and following discussion.
As a taster, and as a record of my own contribution to the discussion, I have clipped a short section in which I respond to the claim that addictive behaviour is necessarily narcissistic. Rosi had presented the concept of addiction on two slightly contradictory ways. On the one hand, there was a discussion of Deleuze's alcoholism (dealt with in the Logic of Sense). This behaviour was a distinctly self-absorbed testing of 'what a body is capable of' (Deleuze's favourite Spinozism). Deleuze was concerned with how the alooholic repeatedly approached the limit of their addiction, the point at which it approaches incapacity or even death, and then swiftly pulls back from the edge. Such a rehearsal/repetition is only ever a reinforcement of limits. Going beyond the limit passes across a threshold (Deleuze differentiates thresholds and limits) such that the addiction is no longer possible. Such a model is, as you can imagine, not what our critics may happily accept as the basis of an ethical system!
We could, as I think Rosi attempted, redress this by arguing that life itself is about addictions, and that there are some addictions that are positive and sustainable, and others that are destructive and lead into 'black holes' (Deleuze and Guattari's term). The obvious problem with this argument is that an economic system like capitalism is quite capable of creating addictions that are both locally safe in this way (for the individual) and at the same time globally destructive, or oppresive to other classes, races, nations or species. Individuals can quite obviously be manipulated, sustained or destroyed where necessary, through the production and manipulation of their addictions. Even when such behaviours seem to introduce constant novelty (fashion), that novelty is carefully controlled and limited. Consequently, the notion of safe and sustainable personal addiction fails to save us from the charge that Deleuze and Guattari simply provide more efficient mechanisms to the hands of global capitalism.
At this point I got quite excited. I have been looking at a range of addictive behaviours that are neither narcissistic nor exclusive of significant and uncontrolled creativity. These patterns of behaviour are entirely dependent upon an engagement with contsantly differing contexts (people and places). I offered the following example:
There is a man who has a powerful addiction to a series of behaviours. These behaviours are repeated/rehearsed according to a carefully controlled programme. Each time the programme of behaviours is repeated, it is done so in a new context. This variation may be subtle or dramatic, and often means the man travelling to new countries around the world. Why does he do this? Each repetition gives him a new perspective on himself, on his stable set of behaviours. In some cases he is exploring subtle fine detail. In others he is searching for dramatic contrasts. But this is not just about the man himself. He isn't just using the world as a mirror. Rather, the repetition of behaviour each time gives him a register for understanding a new part of the world, its environment and its people. This is where the example gets really interesting. What really motivates this adventurer is that he finds that the people he meets in these locations also benefit from the relationship that is established between their world and his. They learn, and even break out of their stereotypical lives. The man and his addiction acts a bit like a virus. Often he is able to establish new relationships that endure and grow into something big and worthwile. And so, when nomadized in this manner, addictions can be positive and creative rather than entropic and narcissistic.
- To hear my example, and the following discussion, click on the play button below.
- See if you can work out what his addiction is. If you want to know the answer, CLICK HERE.
He is a writer, a travel writer. He goes to a new location, and repeats a distinctive but not particularly controversial set of behaviours. He could easily also be a painter, Cezanne for example, applying the same artistic programme to many different locations.
21 Jun 2006 11:10
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