philosophy, science, art
Philosophy is the wording of Becoming of the 'world'. As Becoming always creates new forms, philosophy has to fabricate new concepts in order to speak about these forms. This is the history of philosophy. Deleuze's philosophy follows the evolutions of late capitalism where Subject (Body without Organs) and Object (Organ without Body) collapse as permanences in time into spatial partialities, where the emergent Self of autopoiesis has lost its organization and breaks down into a multiplicity of micro-entities seeking for a new unity.
Science, in order to transmit its knowledge into technology, has to freeze Becoming and to develop an ideology of pure Being (static permanences, 'Ideals', 'Identities'. This ideology is always provisional (that's why it is an ideology) and science must change its paradigma, its translation of Chaos into a Kosmic Order, every generation. As science is institutionalized (much more than philosophy is) science changes by long intervals, whereas philosophy follows Becoming every second.
Art presents the concepts of philosophy and the technological precepts of science as materialized 'things' framed into some kind of 'canvas' that can be visited by spectators. As put by Heidegger, art plays with the boundaries of 'langauage', inventing new languages, codes, sentences and words, even phonetic units. As art is the work of a craftsman, it is aestheticized and becomes a 'thing of beuaty': as such it generates affects and percepts.