All 4 entries tagged PGCE

Reflecting – “…through a mirror darkly…” Keith Pugsley

So, term starts, and there you are in the classroom, pen in hand, notebook at the ready, senses sharpened, dutifully primed (Christmas pun intended) by the well-oiled operation of the Warwick CPE induction team (leave that one with you!) and ready for applying yourself to observation. Observing, do it all the time, have done pretty much since birth, should be good at it. Off we go. An hour later and that’s one down. Much as I thought. Kids lined up, came in, sat down, slapped down a bit for being noisy, reminded that underlining is done with a ruler and, according to my notes, did some exercises. Oh yes, I recognised a strategy or two going on: countdowns; gentle rebuke to the disengaged; reminder of expectations. There we are job-done.

A week or two passes, more notes are taken when the sneaking feeling that these notes are all much the same and, dare I say, somewhat dry and moribund. I’m even writing down the topics and annotating the exercise questions? There are now bits of scaffolding jottings in my pad where I have broken away from observing to get involved in the doing (not that there is anything wrong with that per say). But is writing about whether the ladder leaning against the wall is safe, really going to help my classroom practice (short of the classroom’s openable windows being elevated to a significantly lofty location.)? I need to re-focus, and probably even take-a-look at the session we had on ‘observation’ at uni., which, I am sure, would have almost certainly been useful. Ah yes, focus on one aspect, study all the techniques used for BfL or AFL or differentiation. Makes sense. Right, I’m ready to go. I’m focussed. A few lessons pass. A quick look at my notes. What! Is that all I’ve written? Even some of my least diligent pupils would have recorded more than that! Needs re-thinking, but for now I need to concentrate on delivering my first full lessons.

What went well? I emerged, relatively unscathed. Excellent level of heat generated, possibly accompanied by a flicker of light. What, ‘could be better’? I’m left reflecting, but the next lesson is imminent, so I’m back to a bit more ‘observing’.

The Epiphany. Ah! so that’s what’s been happening. The Teacher ensures the students are admitted in good time, they are settled quickly, they know the routine, they have stuff to do immediately. The teacher glides effortlessly and with minimum instruction to the main focus of the lesson. The students are all, according to their respective needs, and with a relaxed freedom, on task. A flicker of disengagement is smoothly quelled and students are transitioned easily through effortless orchestration from the steady to appropriate, more challenging, tasks. Students are acting as autonomous agents, doing work, at consummative ease in an environment of unspoken, yet understood, boundaries. There is peer to peer support. The teacher is almost subliminally aware of the proceedings. There is a sense of safety and mutual respect, which seems to underpin the whole operation. Assessment of learning leads to a careful transition of tasks achieved effortlessly due to prior preparation. A brief round-up and the class ends. Students are reminded firmly but respectfully of the exit procedure. Staff and students are relaxed and smiling as they depart.

Funny, for all those previous notes and years of experience of ‘observing’, I somehow seemed to have missed all that, until I’d had a go myself.

Abigail Ball : 19 Dec 2016 14:54 |  Tags: Coe Education PGCE Teacher |  Comments (0) |  Close comments |  Report a problem

Bacc–ing the Arts in Education

Bacc-ing the Arts in Education

Arts Council England stated that “Drama communicates through the language and connections of theatre. This results in all pupils… gaining access to one of the great forms of human expression.”. As a Drama trainee, I can only agree.

Since the 1980’s, we can see how Drama has grown in education as its own subject, and how it can be a method of delivery in other subjects. However, the current situation surrounding the National Curriculum suggests that history may be repeating itself; the Arts once again are at risk, and Drama in particular is being threatened as a subject that has little academic value due to the recently introduced EBacc system. Drama was the most commonly withdrawn subject as the EBacc made its way into the curriculum; in 2011, the Department for Education conducted studies amongst ten schools in preparation for the 2012/13 academic year, and found that 23% had already withdrawn Drama, with Art, Design/DT and Textiles following behind at 17%, 14% and 11% respectively.

But why is this case? Any teacher of Drama can tell you of the importance Drama can play on a child’s development; it builds both interpersonal and intrapersonal skills, boosts confidence, and can turn the shyest of children into one of the most confident within their school. Any teacher of Drama can tell you how having a creative outlet like Drama can engage even the naughtiest of pupils. And any teacher of Drama can also tell you that it is rare for students to spend lessons pretending to be trees!

Has this research into the impact of the EBacc benefitted my teaching? In a sense, yes. It has made me realise that, as Drama seems to be making its way back into the English Department in many schools, I may have to continue to ‘fight’ for my subject’s recognition. Although Drama is more focussed on social and cognitive learning, with a focus on development overall as opposed to purely academic value, it does not seem to be enough to give Drama a place within the EBacc.

With this in mind, I wonder if perhaps it is the potential lack of written work that has caused problems for the subject. From experience, KS3 rarely engage in written work in Drama, meaning that when they begin to study it at GCSE, problems can arise when it comes to written exams as students are having to learn a different method of writing alongside everything else. Perhaps written work needs to be implemented into Drama lessons considerably more than it is, and Drama will be seen as a more academically viable subject than it currently is. Perhaps then it may not suffer at the hands of the EBacc as much.

Do I still think Drama should be available within the EBacc? Certainly. Already I have mentioned the benefits it can offer socially and cognitively, but the simple fact is that students need creativity. They need an outlet that breaks away from the academic rigour of school, and for those who struggle academically, Drama can be a fantastic tool. As Ken Robinson stated, “Creativity now is as important in education as literacy, and we should treat it with the same status.”.

Abigail Byrne

Kate Mawson : 06 Dec 2016 12:29 |  Tags: Arts Baccalaureate Cpe Drama Education Enlgish Ken PGCE Research Robinson |  Comments (0) |  Close comments |  Report a problem

Staff room epistemological highlights

Sitting next to me at one of the computers in the staff room was a science teacher of no little experience and maturity. He was busy preparing a hand-out sheet when with a deep sigh, he mentioned he would need to find some Tippex (other brands are available). Surprised, I glanced at what he was doing, "I could do without all these symbols", he remarked staring at the picture image on his powerpoint presentation. Eager to offer support (and naturally bearing in mind teaching standards part two) I was happy to suggest he insert a box, do a bit of formatting and, as if by magic, the result he was looking for was achieved. Such was his joy that his mood immediately lightened and after at least two high-fives later, this newly acquired knowledge was already rippling, wave-like to his fellow colleague the other side. "Look what you can learn by talking" he exclaimed." Bingo! "All learning is social, according to Vygotsky, I proudly announced, keen to ensure good academic deference, whilst happily condensing too many journal articles into a crudely 'constructed' and grossly oversimplified sound bite (hey, I’m team maths, we like abstraction). A short discussion ensued to the point where our respective zones of development were appropriately proximal, and we returned to our respective tasks. The Plenary. So, what happened here? Well, while the radical constructivists tussle over the epistemological nature of objective truth, or otherwise, we seem to have at least some evidence that learning took place through social interaction, go Lev, and don’t forget to put it in your PDP. People were made happy through the learning experience (smiley face), and I managed to deliver, albeit of a largely procedural nature, one of my best lessons of the week!

Kate Mawson : 01 Dec 2016 23:24 |  Tags: Humour PGCE Vygotsky Zpd |  Comments (1) |  Close comments |  Report a problem

research..what's research

Research … what’s Research???

What effect conducting a research project with my students had on my practice. A trainee’s personal reflection.

Help!

What on earth could I implement in my class, in a well-established school with ‘outstanding’ teachers that would have anything but a negative impact on learning? How could I, six months into training, devise a teaching technique that would make a difference or change the way we approach our lessons? How I could I compete with the likes of Vygotsky and Piaget, when I could barely even say their names?

These are the manic thoughts of a trainee about to embark on what seemed like the most challenging assignment of the year. Why did I think like this? I guess it was because I’d never done anything like this before, it was the fear of the unknown. I’d written essays, assignments, done practicals, and presented but never had I implemented or completed a research project.

Phew!

I soon realised this wasn’t about me re-inventing the wheel, this was about having the chance to implement a technique, style or method that I hadn’t had chance to try out before, whilst being able to monitor and record its effect on my practice.

As a trainee I have done this all year round, such as experimenting with different teaching methods etc. It’s what we’re told to do. But did I read up on these techniques before? Did I understand where these methods had come from and why, and the context they worked in?

Probably not!

This light-bulb moment inspired my ideas, this realisation allowed me to start the reading into my theme (behaviour) as well as research methodologies and the theorists behind them. This literature review enhanced my previous study, giving me a greater understanding of their validity, influence and value in the classroom. [AM1]I was able to understand the context in which these theories were developed and why. What conditions these methods had been tested in, and more importantly why these factors were important in the outcomes of the interventions.

Behaviour had always been of interest to me, but for the first time since I’d started my course, the reading felt natural. It linked to my practice and enabled me to understand what variables would help/ hinder my intervention.

I found Google Scholar to be amazing for this as well as my Universities library online books and resources collection. As obvious as it sounds, searching key words e.g. ‘Behaviour, Rewards, Journals/ Research/ Theories’ pulled so much reading I struggled to keep on top of it. That’s where ‘document search’ came into play, by searching individual documents for my key words I was able to get to relevant sections straight away without wasting time.

Tip: Look up the references in books and journals so you can see their sources directly. You can then use these to influence your own reading.

No-way!

The intervention itself lasted six weeks and consisted of embedding a ‘5,4,3,2,1’ count down which results in students collecting VIVOS (rewards) for beating the teacher to ‘0.’ The aim was to reduce LLD in the Art Classroom. The countdown was utilised to stop the class for instruction, behaviour management, and demonstrations.

The points were then collected over time and linked to various rewards. Conducting my intervention was just like any other method I had tried and tested in my classroom, the hard part was getting its impact captured in data form for analysis. That’s where fellow trainees came in and in the end was no extra work at all. Helping each other out meant we were all able to get the data we needed from people who understood what we were trying to achieve.

And Now?

It actually turns out my intervention was successful in lowering low level disruption in the Art Classroom, allowing me to continue its use in the classroom.

By using an action research approach, I have captured data which validates it impact. Being able to back up my findings with data has meant that this technique has now also been rolled out across the department. This gives me an immense feeling of satisfaction and pride, not just in my work but also the fact that a shift has taken in my department away from sanctions towards positive reinforcement.

Kate Mawson : 18 Jul 2016 10:00 |  Tags: Cpe Education PGCE Research Researcher Teacher Trainee |  Comments (0) |  Close comments |  Report a problem