All 16 entries tagged Creative
View all 93 entries tagged Creative on Warwick Blogs | View entries tagged Creative at Technorati | There are no images tagged Creative on this blog
December 30, 2008
Some late night poem drafts.
COMISSION
My soldiers, my men:
Now that I have your shoulders in my hands,
listen.
Soon you shall have marched away from me,
laughing and joking
into the blood land.
We will build pots of clay
to post you our tears,
and duck egg envelopes
of perfume.
My soldiers, my men
growing and browning
into our fathers' shoes.
GOODBYE
This Fluox haze parts us from our parting.
I cannot believe
the threat of you.
You will be forever this flesh,
these naked limbs
around my skin.
No bombs will conquer us,
no bullets will prick this white warmth.
Uniforms won't mask the scent
of sexing
or the kisses that I placed so sleepily
here.
Kisses are not armour
but you shall not leave me here.
You shall not be snatched,
invisible,
from the creavace of my lungs.
Not on the news,
family informed,
but sleeping here.
October 01, 2008
A couple of poems from early summer
Essays on absence
Writers without lichen, or footsteps
Or clay
Pause on their way up the steps
To the vista of the great grey ponds
In the palace gardens.
Rain sweeps down the hill below
And on the tower stairs
A girl weeps sodden
In a polkadot dress
Her sweet breath hovered laced with champagne
Writers kneel on the wet flags
And comfort her
Or stare at her
Or lick the raindrops and the eyedrops
From her milky cleavage skin
To weep also
Or to stub out cigarettes
Between her shoulderblades.
Without lichen, stones in the garden walks grow black
And her ankles grow cold
Without the soldier’s kiss.
..............................................................
Fire Eaters
In bed with a king
Fresh faced and kissing me down the bone
Of my breast
Over navel and down to the
Hot hard shelves
Of our loving library.
I inhale you, man.
I enclose you, man.
I roll with you, through my sighs
Grow old
In the fallow lands
Of our bone fats
And the great red coils
Of our hair.
We are red
duskier by our thighs
But still red like fire.
Wet fire shifting against wet fire,
Crimson, sticky, devoured.
March 28, 2008
To The Queen
To the queen.I give you every first and final toast:
When my upper lip flinches over wine
at wholesome parties
or at quiet meals over the steam of gravy
or tongue sucking flat beer in the garden
or the burn nip of sloe gin on the field,
or on lounge carpets
or the bar cackled binge,
gambling truths for sick-sweet boozes with my friends.
*
I give you the tips of my money nubbing thumbs,
the insides of my purses, pockets, dash trays, boxes
for your commerce and your metal jowls.
I exchange you, and let you sneak
into the rubber foot-mats of my car.
*
I give you the journey of my letters and my tongue:
Your head presiding over billings paid,
or regal reverences or thanks
or notes and hopes in secret code
or the tawdry jokes in lemon ink.
*
I give you my pillow thoughts
as both of us rest our curls.
*
I give you my lover’s body
piece by piece
on the chopping block of war.
*
(His heart was always yours)
*
He and I:
though that we live to warm each other,
wait, in crumpled covers,
in theatres or in homes,
in churchyards or gardens
or the back rows of cinemas
or the cabbage scented kitchen
or the dim corners of restaurants
to know you better and to serve you well.
*
I give you my future.
*
I arch by night and always
our duty seeds
in all these honourable actions we make:
The investiture of kisses, half tipped
like shallow bowls of blood
to your supreme governance.
*
It is in our wine and inheritance,
this identifying wish to bend our knees.
*
I give you my body so to sow,
inside imperfect furrows, England.
I give you the envy of its future daughters
and the fervour of its future sons.
*
I give you a dream that was a queen, and pavilions
and coloured rice, and apple crumble
and hairslides
and wonder
varnished tight onto the hull
of our figurative order.
And esteem, such as any woman can esteem another.
*
I give you the tiniest curled strands at the nape of my neck.
Playing with Rhythm
Another play with rhythm, with an obviously rhythmic subject.
..........
Rise in me
and fall in me
pressing me
and following.
Breath full throat
and gasps on skin
sweating out
for gulping in.
Rise in me
and fall in me
racing heartbeats
for their peaks
squeezing down
into the sheets
pupils fat
with body things
limbing round
and stammering.
Sings in the throes, and he noses her hollow throat bones so long in the echoes of collapse.
Draft playing with rhythm
I run and the song is overtaken
by the drifting mind
of the loving one,
the girl whose legs buck up
head down
sweat tucked
to the Easter air
and whose feet crunch for fun
on the mud park trail
but the mind trails
and the eyes trail
back to the known of the man.
I run flatfoot
undone and breathing
foolish breaths that
do not fall
onto his skin.
The march grass packs wet under
press and progress
But joyous
smiling
bouncing
pink and panting hard
heart fast
the song pugnacious
spring, meandering
My love, when will you be with me again?
Poem from direct observation
Another workshop draft based on direct observation.
............................
Bullrushes lean around the ornamental pond,
above the green-brown water:
balding bear fingers
antlers half rubbed
on the sticks of the trees.
Thick, chocolate handfuls,
crispy and moulded-
Half finished candyfloss in
the burnt out backstage
of a rubbish strewn fair.
A duck moults also
rubbery chest emerging
conker-like
from a soft pale casing
of dirty down.
Static.
Dry pea eyes squeezed
into nothing
in its green head,
beak wedged and sulky
in oily shoulderings.
A coot picks
its grasshopper thighs
through ripples,
over and under the
green-point reed shoots
nodding
and the crumple skeletons
of the white rush stems.
Another, shrugging
red tipped
between the fox stunk
firs and decorative bamboo,
tatty,
shattered by recent rain.
In the weeds above the water
a sign states no fishing
for the fish that have not risen
to French kiss the surface
and give myths
more than moorhens
to the suburban glass.
For the first time
For the first time.I decided to require your hands on me
that afternoon that time began,
encouraged,
to remove my clothes.
The first time.
You premiered my bare bones,
my small breasts
and the hot scraggle
between my lumber thighs.
Now I need the feelings
of your gratitude palms
cupping the globe buttock,
the back of my shoulders
then the waist:
Retouching the parts that writhed for you,
and the parts that opened.
Time once-more:
Requiring but alone shift
the unfulfilled and heavier fleshes
of my chill selves against my chill selves:
My love, when shall you be warming them again?Birdsong
This is the first draft of my workshop poem from the other day. We looked at David Morley's poetry on birds and then went out onto campus to write from life. I couldn't actually see any birds so I wrote about the songs coming from the trees instead.
-------------------------------------------------
Empty trees pierce netted.
Lancing, pipping squeaks between the bark,
Stark mouse-screams whetting peace in the shrill fall
between horizons, escalations.
Dew tremors
Creep tones,
crenillations,
cheeped
lemon sugar speaking not shouting
sharpening talking
tossing marbles of sounds
of warbles and seeds,
bright,
wobbling light
between shiverings
sliced
slow over the tips of the wood.
Draft, March 2008
She dreams of the moment
when a uniformed man
comes with his brittle bag of bones
to her little suburban door.
The man is gone
he will tell her
they blew his arms and legs
and now his head
is popped open
on some other cultures dust.
She dreams of how she falls
leg weak to the kitchen stones.
Her love is just red bones
and all his pride
is left to her to bear.
She must be so inordinately proud,
silent sobbing in the pews
where all the men who knew her man
are screwing up their eyes
Some pity her pale face
and most admire
her quiet pride
accepting grace
and sad propriety.
They do not see her secret acts:
walking naked through the home
alone and rubbing ash and oils
into the places he could touch
or when she tears newspapers up
to chew on when her tongue is gone
or turning his clothes inside out
to find the arm hairs he has left.
They send the medals with salutes
they send the cheques by men in suits
they send reporters too polite
to note that she has tired eyes
Another uniformed man comes
to enquire why
she starves
and lies among the smelt out clothes,
terminal, from some weakness,
or disease, in-between her neck
and diaphragm.
Another Draft
The women bounce
on their smooth wet hocks
on the salubrious counters
of the place of ill repute.
Businessmen bid
for these moments of poise
gulping and baying
packed and packing memories
into their pockets,
where the notes have been
in the spaces in their liver cells
in their repertoires of banter
in their trousers
where the fabric tightens at the seams.
In amongst the crowd
a soldier glancing sideways
young
and duties tied down
beneath his suit.
He sends off texts to keep his eyelids cool
and his wallet closed.
The waiting girlfriend
dozing
reads his guilty grumbles
in the paucity of night,
shifting her imperfect limbs.
One dancer knows the soldier’s frowning eyes
comes, enticing, to the lip of her parapet
swaying always
and oiled like a gun.
It is the moment that
his warrior eyes are
resting dubious on the perfect thighs
the coiling elbows, haunch and wrists,
the pouch of her crotch.
And did his trousers tighten too?
And did the little lady know
at home?
Striking poses in stockings
young and desirous
awkward in the straps of lingerie
and pale.
Nervously eager to be naked for her love.
The noise cools
and every dawn
in the still neon pavement light
the dancers poke fags
into their mouths
and with sweat heavy vodka
and fistfuls of fivers
they clean off of their skins
the crusted eyeballs of the men.
And did she cry
that not her flanks
nor her breasts
nor her back
nor her calves
were like the ladies
that he saw?
She curls her legs
into her little chest
that lives for his custom.