All entries for Monday 19 November 2007
November 19, 2007
Another Brief Essay on Madness
Have you never wanted to soak a novel in your blood.
A thick red wet cube,
written across the top in black.
If you kissed it your lips would be red.
When it dries it will crinkle and smell
old like the oldness of your veins,
and be more of a relic to you than the Byron open on your desk
or the poems you write that no-one understands.
With faith and feelings naked as her form,She stood and stands a rainbow in the storm…
A thick red wet cube.
The library shakes in the storm.
The library has more books than a man has blood, and that
is why man must go insane.
Observe that girl, she was a painter once,
but now she bites her nails and is too weary of life to read.
Books frighten her fingers into scrawling over their
pages.
Why do they ask her to read?
Why do they ask her to write?
A Brief Essay on Madness
The man who called himself Death waits for her as she scrunches through the shingle at the bottom of her cave towards him. Sometimes she steadies herself against the damp walls, and sometimes she steps over small streams that have dripped down from the high dark ceiling and its stalactite teeth. He, Cassius, waits for her without much of a face. He is tall and well built and dressed in black. He is clean headed and handsome. The girl stands before him in the noisy cave and amongst the splashes and rattles of water and wind she hears his voice. The voice does not echo as it is not spoken anywhere except inside the top of her head.
‘Why do you come here?’ it says. It is the question of the teacher who already knows the answer.
‘Because I love you’ She replies with an urgent twinge of sentimentality
He places his hands on her shoulders.
‘And when I am not here?’
Speaking back in her mind she is eloquent.
‘Because I am enamoured with my suffering but cannot live through it’
He kisses the side of her neck.
‘Come outside’
‘I do not want to’
He is gone with her words even though she lets herself believe through necessity that he is always there if the darkness frightens her or the demons come, and that he loves her despite her own ridiculousness. She looks around her cave and crouches to a stream to play with pebbles for a while. She likes to watch the colour rushing into them as the are wetted, and it dry from their skins till they are dull again. She returns to her bathroom and the mirror she stares in. Her hands have gone cold from resting heavily on the sides of the porcelain basin. In the mirror her eyes look back at her bloodshot and reproachful, wet and burning. For a moment paralysis means she can only scream in her head. Behind her a figure that is not Death capers, something out of a movie she recently saw, but less bloodsmeared and smaller and greyer. It is everywhere about her today: when she opens cupboards it looks at her from them, when she opens doors it hides behind them, when she looks out windows its face is pressed against them. With a pink the bathroom light goes out. She returns to the bed where she lies staring at a vaguely discernable ceiling with shifting faces in. The creature approaches the bedside slowly and stands over her.
‘Why have you been hiding from me’ She speaks voicelessly to the space above her head.
‘Why have you been hiding from yourself’ These are quite possibly her own words replying to her. The blackness of her bedroom shivers. She closes her eyes and sees herself with Cassius at the top of a high cliff that plunges into the abyss below: the abyss where her cave is and her world is. Up here there is sunlight and he has angel wings. God is above them and they are kneeling clutching each other in the radiance of the sky and the quick air. You do not have to be in the abyss. She is on a hill above the sea marrying him. She is in a bed again but it is not her own and she is being held by her guardian in red sheets and dappled sunlight like she wrote about once for a character who was not her.
‘Stay with me forever and it should be this’
‘What if you are temptation’
It occurs to her that as much as she has needed her ghost she has never trusted him to be the way of goodness. This does not mean she loves him any less. Her world has brought her up in a culture of mistrust, particularly of happiness, beauty and good fortune. It is not in her blood to be happy without fearing some consequence. Cassius makes love to her and she is in her own bed oncemore, the tiger Ragnarok pacing the room in the dying throbs of her gratification. Figures surround her and she sleeps.
Saturday
When I was a child, Saturday mornings had the one true joy of rising early from a stout sleep to realise a whole day lay ahead free from school. It was a day free, indeed, from any obligation. There were many things that could be done, but nothing that must be done. I woke today, and opened my curtains to a windy blue weekend. I had no reason to immediately leave my bed and so recalled this feeling. However, today, I must write an essay, phone a garage, go to the gym, feed myself, speak to people, exist. I cannot spend the hours given to me playing on my bedroom floor with wax crayons, scissors and glue, a rat, a book I do not have to read, a language I do not have to know. I elect myself an hour of me time in which I feel impelled to buy a telegraph and some breakfast with all its strings attachedA poem from a while ago
I Cider masquerading as cider and the Yeah Yeah Yeahs sliding over a wasteland into the night light laptop dark. The rhythmic ticking of his watch like the sound in the evenings of my father's heart. Today someone bandied the philosophy of aesthetics and I fell in love with a rose on the way to my bed. That other day I wept coyly and shyly right into my belly right into your face at the way your mouth moved. Instead. Floated sestinas. Death cab driving me to nowhere on the thin edge of a taste of alcohol. I prise six words with my mouth: Vomit them out. II Friendly phone calls light and carefree as bubble bath popping on diaphanous thighs and slow long arms that will never be shaped like tradition. III Writers write. Retch reflex. Reflected mascara gobbed down my red face. Why have you been crying? Because I have been eating and when my heads upside down the rain falls out. Why have you been Because I don’t move like them and I wont feel like them in His arms. I think sometimes he forgets. And I cannot and I cannot and I cannot. Dowdy clouds make the rain fall out- Swollen up thunder without syllables. Shower curtains. Plucking my eyebrows. Cutting a pose. Cutting my fringe. Bath. Morose moustache. Shit floats. Bloat. Boat. There could be a eulogy in all of this If only there wasn’t a poem. Some people are better; Some people are not as tall. Nanny kissed my rows of infant toes. They fuck themselves up in the virgin cunts of shoes who wont hurt like me in the morning. Heels. Tesco leather having its chest Rubbed in club dirt. Oh don’t you oh don’t you ever feel freaky? Ever feel a freak? Oh don’t you dare decide to feel what failure’s like. IV Wee Loo, Eheu Taste the varnish of a polo cane. Soil dehydrating, dust. Henceforth I shall be wary and let you be my downfall only on days destined regardless to end like this. Mug bruised by paint with chrysanthemums, quaffing acrylic water. Mauve. It hurts and they shall die: I guess that has always been it. Have you ever wanted something so much you forgot about it? Don’t you dare be my paragon for I shall never be mine. Paradisiacal. Paroxysm. Paramour. Paralytic. Ephemeral words masking taped to a magnolia bower nothing but that weight of eyelids on lower eyelids. She hid in the beauty of a thin child who enthuses like no one sees. Who can be the red wood Windsor chair on its side? White corridor, yellow autumn leaves that curl up when someone pins them to a notice board with assignations, four by six shiny relics of drinking prowess, Sir Percy, car tax. Back in the space of current days and I realise that this was just another love poem to you softened by exhaustion and the emollient of raw ridiculousness. Raw fish pink as foreskin. V Concision. I incise shit from shit and sit and sit and recline constant as streetlamps and friends saying ‘lol’, Snakebite, Hell, he’ll never look at you that way they say and so does Joni Mitchell and so does and so does and does The point is today is just two bodies that might have our faces making love on Kestor in the rain. Put one pebble on top of one stone. Purple. An amorous engagement to a rose curling and passing past all comprehension. Petals. A something. A small Importance.Home–grown poetry
Late summer,
though the summer was not much.
There is a squirrel in the shaded garden.
At the top edge of the land
neighbouring horses
crunch in the copse arms.
The white tan dog bounds
over the disordered grass
that is swallowing up the rabbits
and the gates.
Here she stamps,
following behind with a novel in her hand
and the slow steps of a town bred farmer
with stock to check.
Clobby droppings of the brock,
those illadvised blackberries
seeding his latrines.
The smell of bog and bracken,
foxes and ferns.
In the scrub quiet it beats fast
of a low hart
and her terrified blood.
Pigeons shiver into a warm sky.
Streamflies fat in the estate pats.
Grass like rivers,
too thick to solve,
pours over everything.
I am but what I am none cares nor knows
the trees sigh and repeat those woes
all those rows of roots
and disintegrating leaves.
The terrier finds out the
cows
in their shaded bunker of dust.
In the skinny bushes
they blink at insects:
boulders of folded knees and
chewing cheeks.
She picks the thorns out of her legs
while she is stooped
to look in every sleepy brown eye
for the white harbingers of blindness.
The novel swells through touch;
The brambles surge.