July 13, 2014
Arrivals
I've just arrived in Iceland and had a short exploration of the centre of Reykjavík, managing to find the University of Iceland, which is tucked a way on the outskirts of the town centre. It's the evening but still quite light and everyone's watching football. The conference begins in a few days and in the mean time I have a few potential interviews to organise and some gathering to attend, including a student evening organised for the NCS conference; maybe I can get some students opinions about the congress and the effect it will have on by their studies.July 10, 2014
The sagas and national identity
In an article on 'Interpreting the Nordic Past: Icelandic Medieval Manuscripts and the Construction of a Modern Nation' , Guðmundur Hálfdanarson, professor of History at the University of Iceland, explores how the debate of 'ownership' of the saga manuscripts created in Iceland during the Middle Ages has fed into and developed ideas of national identity in both Iceland and Denmark. Interestingly, the Congress of the new Chaucer Society is also organising exhibitions of medieval manuscripts in collaboration with the Árni Magnusson Institute. It remains to be seen what manuscripts will be on display, and this could be a good starting point for exploring how Icelandic identity is still being crafted in academe today. More to follow on this...June 19, 2014
Exploring Icelandic identity… from afar
At that the pastor rose and came over to me and patted me on the cheek and said, "That's just the thing, me dear: we believe in the land which God has given us; in the district where our people have lived for a thousand years; we believe in the function of country districts in the national life of Iceland, we believe in the green hillside where Life lives.' - Halldór Laxness, The Atom Station (1948)
This first post starts a blog where I am going to collate me thoughts for the project Chaucer in Iceland: A Study of the Impact of Scandinavian Identity on Contemporary Medieval Studies. This project will culminate in my visit to Iceland (July 2014) to attend the Biennial International Congress of the New Chaucer Society, to be held at the University of Iceland.
One of the most significant aspects of Icelandic identity, which Halldór Laxness explores in The Atom Station, is the connection to an ever-changing, 'living' landscape. This is an issue that is at the heart of much contemporary Icelandic fiction, but which also significantly affects the political sphere in Iceland (the Althing). Recently, Lucy Siegle wrote an article in The Observer in which she interviewed the musician Björk on her efforts to save the Iceandic countryside from urbanisation and industrialisation through foreign investment, to protect 'one of Europe's last remaining pristine wildernesses.'
Liam Lewis
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