All entries for Wednesday 09 May 2018
May 09, 2018
Writing about web page https://warwick.ac.uk/research/priorities/internationaldevelopment/
‘Poverty, Inequality and International Development: an exhibition of Photography from the 2018 GRP International Development Annual Photography Competition. City Arcadia Gallery, Coventry 1-4 May 2018. Curated by Dr Jonathan Vickery.
The GRP International Development Annual Photography Competition this year attracted many high quality submissions, with photographs from around the world. The breadth of places and subjects represented testify to the global reach of Warwick students as well as its diverse international student community. Countries represented include Nepal, Myanmar, Cuba and Vietnam. Each year a selection of submissions are exhibited in Millburn House on the Warwick campus. This year the GRP-International Development have funded a public exhibition in Coventry city centre – at the City Arcadia Gallery.
The City Arcadia Gallery is run by a city artists association, Artspace Partnership, and is an old converted shop in the 1960s shopping centre, the City Arcade. The location (near the pioneering Shop Front Theatre, and Coventry University’s Fab Lab) means that the Gallery is visited by many passers-by (from shoppers to students to homeless people) that otherwise wouldn’t visit. This year’s GRP International Development research theme is ‘Poverty, Inequality and International Development’, and the context was apposite to this neglected part of the city. Last year’s theme – Gender and Development – attracted some excellent submissions, but this year two new genres of photo appeared – urban landscapes and social realism.
When people think of International Development, they often think of poor people in dysfunctional places, or more accurately, think in terms of global media representations of poor people in dysfunctional places. We all think about, and understand, the world out there with the aid of images and the cultural archive of images to which we maintain access through media and also retain in memory. And yet, so-called ‘developing countries’ are often culturally productive and creatively colourful places, and poverty is not simply a “lack” of economic resource, or a visually apparent set of social conditions.
This year’s Annual Photography Competition opened with a challenge – How can images of development (of people, of places and spaces, of activities or organisations) teach us about the nature of global poverty, and how it is being resolved or can be solved in the present or future? How is poverty entangled with colonialism and its legacies? How do gender and other vectors of inequality cut across our approaches to poverty? What are the limits of global governance to poverty – and how can we use visual media to stimulate the need for alternative paths to sustainable development?
The questions raised by this exhibition can be phrased as follows: How do we define and represent poverty – without voyerurism or visual exploitation? And how is poverty concealed or invisible when presented photographically? How are images and narratives of poverty represented both by and to media audiences, and how can these be countered by more “engaged” forms of visual research?