2011's been a complicated year so far. I moved house at the start of January, and since then have been taking some time off the thesis proper in order to focus on some admin bits and small pieces. However, I've not been idle! Here are a few of the highlights:
* A performance history of The Two Gentlemen of Verona contributed for the forthcoming RSC single edition.
* A review of the MokitaGrit production of Double Falsehood for Gary Taylor and David Carnegie's forthcoming collection The Quest for Shakespeare's Cardenio (OUP, 2012).
* A publishing proposal for a monograph based on my thesis. This is only a first draft for now, but a very useful exercise in contextualising my PhD work within what I would like to achieve with it in the long term.
* My paper for the SAA meeting in Seattle. Entitled "Apocrypha and Canonical Expansion in the Marketplace; Or, My Shakespeare's Bigger Than Yours", it's due to be circulated on Friday.
* Two job applications for teaching positions. I've had one rejection, and hoping to hear from the other shortly.
* A major AHRC grant application for a project stemming from the apocrypha edition. This is going to be submitted to the AHRC at the start of March, and I'm really hopeful that we get the funding - I'll post more about it if we do, but it'll be a hugely exciting series of events!
* I peer-reviewed my first journal article. Still waiting to hear back on one I've got under review though.
* Designed a module for an open-learning course in Shakespeare.
* Some research assistance for Carol Rutter for a forthcoming paper on early modern ambassadors.
* And several theatre reviews!
Now though, it's back to the thesis. I spent yesterday trying to work out how to begin the redraft of my introduction, and today the plan is to blitz it. It's nice to be back into the meat of what I do!