All entries for August 2006
August 30, 2006
I listened to this first, as some of you will know from my previous blog post, on my way back from London at the weekend. Driving as I was at the time, I was paying quite a bit more attention to the road than to the CD I had on, by the time the last track had finished, despite thoroughly enjoying the final two tracks – at the time, seemingly joined together into a seamless and fucking awesome 10-odd minute jam – I had labelled this as a grower: there were some good songs, but nothing really stood out for me.
Having had it on at work today, I just want to get back to Leam so that I can play this loudly on my speaker set-up and get the full range of noise on the album. It’s a seriously good album. Every single track had me tapping along in the way that only Muse and a couple of other bands can, wanting to play air guitar, bass and vocals around my office in the most enthusiastic display of appreciation I can muster. Yes, it was a grower, but it’s a really fast one!
In short, this is a fantastic album; I can’t go through each song because I don’t have the time, but it is well worth your money; even the over-the-odds £13.95 I paid for it in HMV is well within my upper limit of £15 for an album. Yes, it bugs me that high street stores will still charge that amount of money for a chart album when they are being grossly undercut by their online rivals, but I picked up a couple of good deals (two Portishead albums for a total of £14, and Barenboim’s recordings of Bruckner’s 9 Symphonies for £25) in the same purchase. Either way, you don’t seem to get anything special for buying the special edition other than a nicer sleeve than the standard plastic, and it seems to cost the same as the standard edition.
The album sees Muse depart from their usual style of writing; there is much less piano-based artistry than on previous albums, but this seems to be the album of Bellamy’s guitar. As has been demonstrated previously (Plugin Baby immediately springs to mind, although it may not be the best example), he is an equally accomplished guitarist as he is pianist. None of this is to say that the synths and piano are missing; they are just used much more sparingly within the context of the album, and this is to their credit. The lyrics are typical Muse, as is hinted at by the title of the album.
If you have heard Supermassive Black Hole already, you will not be disappointed by the rest of the album. I was initially very surprised to hear how far they have strayed from their usual style with this song, and there are so many new influences (Mexican and Cuban are the two most notable) that this could quite easily have become a mish-mash with no real identity. This is not the case; the album just gels in a wonderful display of cohesion between musically diverse styles.
You may well be asking yourself why I’ve only given it 4 stars if I think it is so good. The answer is this: it’s no Absolution. Muse’s last album was just perfect for me; it completely and flawlessly encompassed their musical style, with every song a lesson in good writing. Whilst I do not dislike their new sound and am happily embracing it (see comment about air guitaring), it will take a little getting used to if you are a fan of the likes of New Born et al.
August 10, 2006
Writing about web page http://eureferendum.blogspot.com/2006/08/qana-directors-cut.html
The posting of this link may stir up some controversy, but what the hell.
I offer little analysis of the blog entry to which I have linked, and instead post it simply as interesting article to read on the state of the media today, and the way in which it is played — often without us realising.
Interestingly enough, I came across the article via the BBC's Editors' blogs following the sacking of a Reuter's photographer for doctoring his photographs.
Writing about web page http://news.bbc.co.uk/2/hi/uk_news/4778615.stm
Well, it seems the anti–terrorist police have done a fantastic job in preventing the plan to explode several plans mid–flight. All respect to them.
I find it slightly odd, however (and this may just be me being cynical) that the terror alert level has been raised to critical after the plans have been foiled. Let us quickly examine what the "Critical" status means:
an attack is expected imminently and indicates an extremely high level of threat to the UK
So, was the plot foiled or not? What attack is expected imminently, if this plot has been stopped? And with this plastered all over the news, you'd have to be a very stupid terrorist indeed to try anything today.
I only wonder how long the alert will stay raised. One thing's for sure, though; anyone travelling through a British airport in the next few days is going to have to leave bags of extra time in order to make it through security. They're hand–searching everyone, for fuck's sake, and God knows how much of a hold it causes when one person has to be hand–searched!
Ho hum, the joys of living in a "free" society…
August 07, 2006
My mouse wheel seems to be on the blink. Instead of scrolling up when I, erm, scroll the wheel up, it will do something entirely random, depending on the program I am using at the time.
In Firefox (2.0b), it scrolls the tabs I have open. In Visual Studio, it used to scroll the tabs I have open; now it randomly opens a tab I closed about 30 minutes ago. In Internet Exploder, a piece of toast comes out of the floppy drive, and canaries tweet as they take flight from the ejected DVD tray.
On the plus side, Smail now seems to be working at an acceptable speed. I wonder what the problem (that wasn't there, apparently) was.
It's actually good to be back at work. The benefit of having a job you enjoy, I guess.