Jhan Hochman: Green cultural studies
Green cultural studies: An introductory critique of an emerging discipline
Jhan Hochman. Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Mar 1997.Vol. 30, Iss. 1; pg. 81, 16 pgs
‘A satellite topography of the English literary tradition since the Industrial Revolution might show nature as a spiritual-imaginative object in the Romantic climes, as a religious or scientific object in the Victorian domain, and as a symbolic/formal object in the Modern realm’, begins Jhan Hochman’s essay. But what of the current movement, postmodernism? Hochman believes that for postmodernity, nature becomes ‘a politico-cultural object, one which is no longer restricted to literature, “fine” art, and formalist cinema and video, but also has starring roles in commercials, photos, and movies, and is at the centre of heated public debates about “ecocide,” “ecoterrorism,” “ecopornography,” “greenwashing” and “animal rights” ’. Hochman notes that as a result new academic disciplines have developed: ecopsychology, ecological economics ecofeminism, ecosophy, environmetal law, environmental science, environmental history and environmental law. Above all there is ecocriticism, which Hochman describes as ‘a literature-based approach within a still loosely federated but emerging field generally designated as “green cultural studies” ’.
Hochman believes that ecocriticism has ‘affinities’ with cultural studies, because the latter discipline’s ‘prevalent concern has been the impact that texts and social practices have upon ethnicity/color, gender, sexuality, economic class, and age (particularly youth subcultures)’. Ecocriticism, for Hochman, is similar except that it studies ‘worldnature’ or the ‘fifth world’. Hochman notes that this was first recognized by Donna Haraway in her essay, ‘Teddy Bear Patriarchy’. He also admits a debt to Andrew Ross and his idea of green cultural criticism or studies, which ‘ties green concerns to the politico-ethical core of cultural studies’.
Within this context, therefore, the project of green cultural studies is the examination of nature through words, image, and model for the purpose of foregrounding potential effects representation might have on cultural attitudes and social practices which, in turn, affect nature itself. What this also means, however, is that green cultural studies must be equally cautious of the impact that it -like other forms of representation-can have on nature.
Hochman suggests that there is a need for ‘a much more precise mapping of the emergence of this new discipline’ and he intends to trace the inheritance of green cultural studies through Marxism and the Naturalist traditions of Zola, Norris, and Steinbeck. He also wants to criticise ideas of nature presented by Haraway and Ross and make suggestions for the future.
Hochman begins by turning to Marxism, noting Stuart Hall’s suggestion that the Frankfurt School offered impetus for cultural studies. Max Horkheimer and Theodor Adorno recognized man’s alienation from nature due to ‘Baconian “blind domination” ’. Hochman writes: ‘They thought that if the Enlightenment could be turned against itself, or if culture’s grounding in nature could be recalled, the “truth” of culture might emerge’. For Hochman their assertions are crucial to cultural studies because:
• in their view, ‘culture can be inferred to grow out of, without being determined by, nature’ so it is ‘neither self-generating nor wholly self-perpetuating but is embedded in and dependent upon nature’;
• ‘ “remembrance” of nature propels one toward grounding and critiquing culture and-especially pertinent for cultural studies-toward theorizing ways out of avoidable dominations’;
• and in their argument, ‘the seeds of a poststructuralist blurring of nature and culture are sown’.
Above all there is the recognition that ‘culture has replaced Nature as the realm of the Given and Determining’ and that ‘culture gets confused with nature and make this problem central to their cultural critique’.
Hochman now turns to Jennifer Daryl Slack and Laurie Anne who argue that cultural studies has a dual aspiration, to critique capitalism but also to unknit oppressive cultural formations in a more general manner. Hochman notes that capitalism has a huge and detrimental effect on nature and that ‘the capitalist/communist flattening of worldnature informs and has been informed by artifactual depictions of nature, which flatten it into a two-dimensional backdrop for the human drama’.
In thinking about some of the first cultural studies theorists, Raymond Williams, Richard Hoggart, and E. P. Thompson, Hocman notes that ‘they conceive of workers as the locus of instrumentalism and deculturation, not only by Althusserian Repressive (e.g., police) and Ideological (e.g., schools) State Apparatuses, but additionally by the spread of popular or mass culture’. Hochman traces the study of workers back to Marx and he notices that ‘nature was for him the foundation of culture, of labor-a necessary factor for cultural theorization’. For Marx, natureis dead but it is the foundation for work and study.
Oppressed subjects in the working class were the first objects of study, before race, gender and age were used as categories of a multiplicity of oppressions. The pattern was that of a small group commodifying and exploiting a larger one, who according to Hochman were associated ‘with adjectives of “brute-ishness,” “brute-ality,” “coarseness,” “wildness,” “innocence,” “ignorance,” or verbs of “massing,” “spreading,” and “swarming,” words indicating a need for surveillance, control, and checking’. Yet Hochman suggests that cultural studies misses the fact that the characterization of the ‘subaltern’ is similar to the way in which nature is represented. In fact, Hochman suggests that oppressed groups are associated with nature: ‘living “close to nature” as abject poverty; nature as punishing mother goddess or innocent child; youth as wild or nature as the past or immaturity of culture’.
Hochman quotes Hannah Arendt who writes on the ‘negative uses of nature’ and ‘white racist psychology’. Arendt suggests that whites were so disquieted by Africans because they lived as a part of nature and nature was a kind of master. Hochman goies further and suggests that ‘any entity associated with nature stands to lose rights to ethical culture’. Oppressed groups are only allowed into culture because they are a resource. Hochman is adamant that nature should be included in cultural studies as it and pother oppressed groups are forced into abjection in a similar manner. Hochman writes that ‘green cultural studies has the potential to rediscover a nature that is still essentialized as mere matter-a continuum from dead to not fully “present”-and reconfigure it as essential, a fifth world that matters’.
There are obstacles however: the Left’s suspicion of environmentalism’s whiteness and the disappearance in some postmodernisms (i.e., cultural studies) of nature as conceptual and linguistic referent. Just as identity is eliminated for repressed groups like African-Americans, postmodernism shows ‘the tendency suddenly to conjure up a utopian oneness or singular nature and culture’. We cannot reconcile ourselves with nature’s otherness so easily.
Leftist critics dislike the green movement ‘on the basis of its whiteness and its “privileging” of nonhuman victims’. Yet Hochman sees worse dangers in the use of ‘nature in cultural studies because:
• ‘the terms “natural,” “naturalness,” and “naturalized” tend to be synonyms for “reified” and “essentialized,” ’ ;
• and ‘worldnature […] becomes the kind of nature opposed to a culture over-optimistically referred to as “nurture” ’.
Hochman thinks that this emerges from Zola’s Naturalism and that of Steinbeck and Norris. For Hochman, the protagonist of such novels ‘is reduced to both laboratory animal and abject beast’ while ‘only culture is posited as the cure’.
Andrew Ross apparently feels that ‘environmentalism, like Nature, is a politics of restriction’ and he criticizes the green movement for its negativity. Hochman rebuts this point by suggesting that a similar statement could be made about identity politics, but that this would seem ridiculous. Ross suggests ‘a democratization of cultural affluence’ that does not reconcile human beings ‘with an ever-exterminated worldnature’.
The blurring of culture/nature in postmodernism is detrimental to ideas of nature: ‘a worldnature conceived as culturally constructed is a lookingglass nature, a nature that is sensorially abstract, but cognitively or significantly concrete’. Hochman wants to promote ‘an ontological world nature’, not as a ‘knowable referent’. A cultural construction of nature must be a fashioning not a bringing into existence. ‘Environment’ should not only refer to ‘human health or livelihood’.
Hochman dislikes the blurring of nature and technology by writers like Haraway who he sees as a ‘problematic advocate of nature’. Hochman criticises her argument that everything is part of nature, including technology. For Hochman such a statement is ripe for exploitation by ‘developers, scientists, and technophiles who argue that they and their products are part of nature’
Alexander Wilson, however, is a critic admired by Hochman, because while Wilson breaks down borders, he does not find nature and culture to be one and the same thing. However, he dislikes Wilson’s ‘notion that humans can “restore” nature to “health” ’comparing it to ‘ideologies of ethnic “purity,” “health,” and “cleanliness” applied to the “improvement” of human populations’. Hochman believes that nature restoration is ‘highly problematic’ and that we would be better served by retreating so that ‘plants, animals and land can restore themselves and benefit from more observation and protection than manipulation’.
Hochman now begins to consider the debate surrounding the silenced voice of nature. He notes Haraway’s annoyance at such debates which remind her of pro-life demands for the silent voice of the foetus to be heard. Hochman states: ‘Environmentalists and animal-rights advocates might be better characterized as representing jaguars or speaking, as Ross says, in the name of jaguars; for this, as I see it, means speaking for the survival and the continued well-being of the jaguar, which, with or without a jaguar’s sanction, is less problematic than not representing them at all’. But what about the people who live along side the jaguar in the same environment? Yet the argument that ‘preservation of nature usually involves callousness toward people’ is not so dissimilar to conservative arguments ‘that attention to the rights of women, people of color, gays and lesbians will turn white heterosexual men into the Other’.
The problem, then, is this: how can plants, animals, and elements, even disparaged people, gain decent, equal treatment, within and outside cultural studies? The recourse to the argument that “we’re all connected, people to people and people to nature,” is of too limited appeal for the following reason: mother and fetus [sic] can be disconnected; people’s bodies are increasingly disconnected from each other; animals (even those with emotions and intelligence) are routinely sacrificed; plants (even those with value when alive) are cut down without a second thought.
Hochman turns to Deleuze and Guattari and their notion of “becoming-in-the-world”.
Deleuze and Guattari’s sense of movement is their strength: first, their advocacy of “becoming-other” along a “plane of consistency” (an improvement over “imitation” or “identification”); and second, their move from the plane of consistency-where no impervious boundaries exist between nature and culture, animal and human, that plane of temporary and strategic becomings-to a “plane of organization,” that realm of subjects and individuals, of temporary and strategic fixities.
If green cultural studies is to be an effective politico-cultural tool in the service of nature and culture, it will need to study not only how to “become” nature, how to attempt a merging with the real or imagined subjectivity of a plant, animal, or mineral, of air, water, earth and fire; it will also need to pull back and grant these beings and entities unromanticized difference, an autonomy apart from humans, a kind of privacy and regard heretofore granted almost exclusively only to those considered human. Nature and culture cannot be willed together by glibly naturalizing culture, by culture simplistically proclaiming itself part of nature, or by stupidly making worldnature into an appendage of culture, worldnature into a culturally constructed product. Any substantial (reciprocal) merging of nature and culture will take generations of internal cultural struggle. Green cultural studies and human culture would do well to ensure that plants and animals are granted separateness, independence, and liberation (an apartness distinct from excusing and advocating separation because of superiority) before mucking about too much with forced fusions and coalescences. Otherwise it is nature who/that will suffer most by this shotgun marriage with culture(s) made monstrous by thousands of years of naturalized atrocities against plants, animals, and elements.