November 30, 2004

word to image

刚上完课回来,教授又是例牌拖堂,今堂课继续讲pillow book, 一如既往的,seminar开始没几耐就离题八万里,大家你一言我一语,本来应该讨论呢部电影是什么类型的translation,讲下讲下变着古代女人的化妆问题...好不容易回到正题已经过着成个钟了。由于我选的essay正是同这部电影有关,所以今堂课听得特别认真。好无奈地,教授也是一如既往的含糊其辞,好多时讲到某个问题突然想不到词表达就越讲越细声,大家都竖起耳仔听她究竟讲紧乜,通常这时他都含糊过去,然后闷场几秒,再讲下个问题,听到我地一够云甘。

讲到呢科选修,真是又爱又恨,爱是因为自从上着这科之后,增加着对电影的鉴赏能力,学识从一些比较专业的角度去诠释一部电影的改编,拍摄和制作。虽说seminar成日都离题,不过教授总算是鼓励我们讨论,讲自己的观点。吾似有d课,开学上着两堂课之后就个个星期做presentation…根本不上课..
不过其实我都有d上错贼船的感觉,开头以为有电影看应该没甘闷,点知看埋晒d艺术片,又抽象又难明,这真是应着果句‘every coin has its two sides


- 3 comments by 1 or more people Not publicly viewable

  1. 很喜欢PETER GREENAWAY的电影. 曾为了去看他的一个展览和好朋友LULU一起跑去了COMPTON VERNEY,也就是LEAMINGTON旁边一个鸟不生蛋的地方,走去最近的车站要半个小时,等公车回尘嚣中又要二小时,那是他选来拍THE DRAUGHTSMAN'S CONTRACT的大房子那里. 其实也满疯狂的. 若是做为GREENAWAY的影迷不该如此,总觉得他怪诞之余是非常冷酷理智的,那些电影即是解构现代电影也是有符号有根据一条一条来的.上次看关于英国电影的一个记录片的时候看见他的尊容,就是那样,一个冷酷的学者的样子,和敬爱的THEODOR ADORNO是相象的.但哪又有一般的电影人或落寞或倜傥的那些让人狂热的特质.
    下个星期是我们的PETER GREENAWAY WEEK, 有兴趣的话可以一起来探讨啊. 说得很正式,其实不过是我和LULU两个人的节日罢了.
    说起PILLOW BOOK, 我长沙家里还有原氏物语的中文版.总是翻翻就不想再看了, 故事再是奇特,但冗长的日式中文就教人厌恶,再说章回体爱情小说再好也不会过红楼梦了,不看也罢

    01 Dec 2004, 21:12

  2. i am very glad that u r interested in peter greenaway's film. actually, i have been to the his gallery too. our professor took us there at the begining of this term. but i ddn't actually appreciate that gallery at that time since we hadn't begin to study his film yet. now we r studying the pillow book, which is very difficult to approach. how do think of that film? i mean how do think of the theme of text and body?

    i will be glad to hear from u

    01 Dec 2004, 23:17

  3. 刚给你写了个REPLY, 但我好象不能写很长的FEEDBACK, 就干脆写个FOLLOW-UP在自己的BLOG上算了,你看看吧

    10 Dec 2004, 22:21


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