All 5 entries tagged Walcott The Narrator
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June 07, 2008
my mother
my mother (3.XXXII.i).
Walcott's mother, Alix, is never named in the text, although his father, Warwick, is named three times: in 1.XII.i, where the Narrator converses with his father's ghost, first in Warwick’s his own words and later in words that might be Warwick's or the Narrator's, and again in 3.XXXII.i, in his mother's words.
Marian Home
Marian Home (3.XXXII.i).
The name of the retirement home where Walcott-the-Narrator’s mother lives.
June 06, 2008
pharos
pharos (5.XXXVIII.i).
The Pharos of Alexandria is the lighthouse in Alexandria, Egypt. For a long time it was one of the largest man-made structures in the world and it was declared by Antipater of Sidion to be one of the Seven Wonders of the World. Its links with the themes of empires and slavery are clear. Its construction began under the rule of Alexander the Great but finished under Ptolemy's rule. Its designer, Sostrates of Knidos, was forbidden to put his name on it and instead was told to inscribe Ptolemy's name. However, he put the king's name on a layer of plaster, underneath which he inscribed his own name, so that over time the plaster was eroded revealing the designer's self-identifying inscription (Bib:26). The legend surrounding the lighthouse, that its beams could set fire to enemy ships before they got anywhere near the shore, emphasises the Narrator’s role as a defender of his island.
Charing Cross
Charing Cross (1.XXXVIII.i).
Charing Cross is an interesting choice of underground station. For one, it is close to both Trafalgar Square (a symbol of England's old empire and its nationalism) and the National Gallery (which houses many great works of art from the history of the Western world), which the narrator goes on to visit. The underground system itself fits with the feeling of the chapter that London, whilst having a gorgeous, historical exterior, has a dirtier, polluted underbelly. Also, it means that the narrator must emerge into the light from underground which has many symbolic possibilities.
July 06, 2007
no Homeric shadow
no Homeric shadow (6.LIV.ii).
Here particularly, although it occurs elsewhere in the text, the image of the shadow represents for the Narrator both the influence of classical epic on the text and its effect on his life.
Amanda Hopkins
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