All 26 entries tagged Poetics
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May 21, 2008
epic to epigram
a lost love narrowed from epic to epigram (4.XXXIV.i).
Perhaps a reference to the Great Plains and the Native Americans who populated them. The mid-nineteenth century acceleration of American expansion has effectively destroyed the epic landscape and Native American way of life – all that is left is a verse on a tombstone. Ironically, an epigram is typically witty, and is therefore an unsuitable legacy of the genocide of the Native American race.
July 09, 2007
hyphen stitched
her hyphen stitched its seam (7.LXIII.iii).
An idea common in epic texts, for example Penelope stitching her tapestry (The Odyssey) and Helen weaving her web (The Iliad). The creation of art by the characters parallels the creation of the text by Walcott. Here, the stitcher is the sea-swift, crossing the seas; the bird is presented as a 'hyphen' linking the continents, one of a variety of metaphorical references linking natural images with the practicalities of language, writing and typesetting used by Walcott (cf. e.g. 'asterisks of rain', 7.LXIV.i, and 'freshly written in sheets of exploding surf', 1.59.i).
not Rome but home
like another Aeneas,/founding not Rome but home (7.LX.i).
Compare Aeneas' flight from Troy and journey in Aeneid 1. Aeneas flees with a symbol of the past (Anchises), the future (Ascanius) and his culture (figurines of the gods). Likewise, Achille attempts to flee with his own culture (his fishing boat), and a strong symbol of his past (Philoctete, and his freshly healed wound).
the sea was life
the sea had to live,//because it was life (7.LX.i).
Walcott uses the sea as a metaphor for life itself, and the permanence of life; note the last line of the poem.
click of a Cyclops
the scream of a warrior losing his only soul/to the click of a Cyclops, the eye of its globing lens (1.59.iii).
The single lens of the camera is likened to the single eye of the Cyclops (Polyphemos) from Odyssey 9 (cf. 'taking/his soul with their cameras', 1.I.i).
sough
sough (1.59.i).
The word can mean 'A rushing or murmuring sound' and 'A small gutter for draining off water' (Bib:OED), so it is, perhaps, a pun.
epic erased written
It was an epic where every line was erased//yet freshly written (7.LIX.i).
A comment on the oral epic tradition? Myths/stories would be slightly altered through each oral transmission as they were passed on.
hotel
hotel (7.LVII.i).
St Lucia itself is represented as a hotel, as tourism has appropriated the coastline.
July 06, 2007
no Homeric shadow
no Homeric shadow (6.LIV.ii).
Here particularly, although it occurs elsewhere in the text, the image of the shadow represents for the Narrator both the influence of classical epic on the text and its effect on his life.
mother sea
Mer was both mother and sea (6.XLV.iii).
In French mer denotes 'sea' and is phonologically similar to mère denoting 'mother'. Here Walcott is linguistically associating natural imagery with the impact of colonialisation as he personifies the French tongue as standing for 'both mother and sea'. Thus the island has been bound by the tongue of the possessors. This pairing of sea and mother also parallels Thetis in the Iliad, who is both a sea-nymph and Achilleus' mother.
Amanda Hopkins
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