All 26 entries tagged Odyssey
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June 08, 2008
two parties
two parties, one Greek and the other Trojan,/both fighting for Helen (2.XX.ii).
One of the frequent allusions to the Trojan War, with 'Helen' here both evoking Helen of Troy and referring to St Lucia.
June 07, 2008
she fought her memory
she fought her//memory (3.XXXII.i).
Memory is a key element of classical epic, since the poems are intended as commemorations of past figures and events. In Omeros, characters, such as Achille and Dennis Plunkett, have a longing for communion with the past. Memory brings in the theme of nostalgia and the journey that the characters take in order to find their identity and feeling of home. Memory is also important in the Odyssey, and the loss of it threatens Odysseus from returning home.
June 06, 2008
Charing Cross
Charing Cross (1.XXXVIII.i).
Charing Cross is an interesting choice of underground station. For one, it is close to both Trafalgar Square (a symbol of England's old empire and its nationalism) and the National Gallery (which houses many great works of art from the history of the Western world), which the narrator goes on to visit. The underground system itself fits with the feeling of the chapter that London, whilst having a gorgeous, historical exterior, has a dirtier, polluted underbelly. Also, it means that the narrator must emerge into the light from underground which has many symbolic possibilities.
June 05, 2008
History was Circe
History was Circe (1.XI.i).
Circe is for Penelope what is History for Maud: they detain their husbands from them, either in reality or in the mind.
She had never felt more alone
She had never felt more alone (1.XI.i–iii).
Here Maud is very similar to Penelope: she is sewing, and above all she passes her time waiting for her husband to get back to her, to the real world in current history. Her husband is leaving the Great Wanderings in his imagination (cf 'wandering heart', 1.XI.iii, last line).
July 09, 2007
hyphen stitched
her hyphen stitched its seam (7.LXIII.iii).
An idea common in epic texts, for example Penelope stitching her tapestry (The Odyssey) and Helen weaving her web (The Iliad). The creation of art by the characters parallels the creation of the text by Walcott. Here, the stitcher is the sea-swift, crossing the seas; the bird is presented as a 'hyphen' linking the continents, one of a variety of metaphorical references linking natural images with the practicalities of language, writing and typesetting used by Walcott (cf. e.g. 'asterisks of rain', 7.LXIV.i, and 'freshly written in sheets of exploding surf', 1.59.i).
khaki dog stretched
the khaki dog stretched at his feet (7.LXIII.i).
This evokes Odysseus' old and faithful dog Argos (Odyssey 17:290-327); the khaki dog is a guide of sorts for the blind Seven Seas.
click of a Cyclops
the scream of a warrior losing his only soul/to the click of a Cyclops, the eye of its globing lens (1.59.iii).
The single lens of the camera is likened to the single eye of the Cyclops (Polyphemos) from Odyssey 9 (cf. 'taking/his soul with their cameras', 1.I.i).
Menelaus
Menelaus (7.LVII.iii).
Menelaos in Homer's Iliad and Odyssey, an Achaian warrior and the husband of Helen of Troy, whose bid to reclaim her from Paris starts the Trojan War. He is portrayed as a wise leader and brave fighter, particularly in his recovery of the body of Patroklos.
Amanda Hopkins
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