All 11 entries tagged Maud Plunkett

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June 05, 2008

white sea white noise

She could feel the white sea//losing its white noise (2.XI.ii).

Dennis is losing his colonizer culture to turn into a real inhabitant of St Lucia. It also represents the Empire losing its voice, as Dennis becomes integrated in the local culture.


tea untouched

the tea was untouched (1.XI.ii).

The tea, a symbol of the British, is drunk only by Maud, who is not as implicated in the culture of the island as her husband.


aisle crossed swords

we slow-marched down the aisle/under crossed swords (1.XI.iii).

Maud thinks of their wedding and remembers the military side more than love.


Dennis's honour

Dennis’s honour (1.XI.iii).

Although Maud is different from Denis, there is no criticism, but rather respect.


Plunkett place history

So Plunkett decided that what the place needed/was its true place in history (1.XI.i).

Plunkett here is quite ambivalent because he wants to give Helen (the island) a real place in History, without giving her his wife’s role and place (the colonizers’ role),  where the maid turns into the mistress and destroys her own possibilities. The following section continues to reflect Plunkett's ambivalence: he is building a fleet and he is proud of the midshipman who had his name in the Eighteenth Century, but he also criticises the Empire as being dirty (cf. Empires were swinish, 1.XI.i). Where does he stand? No clear answer.


pale lemon frock

pale lemon frock (1.XI.i).

The yellow dress, which belonged to the colonizer (Maud), is being transmitted to the colonized (Helen). The dress may symbolize the influence of the colonizers on the place they now live, but, as Maud is jealous that Helen now has it, it may also represent the jealousy of the colonizer regarding the colonized, who manage to make everything theirs, and always feel at home, whereas the colonizers, like Maud, will always know they are strangers.


History was Circe

History was Circe (1.XI.i).

Circe is for Penelope what is History for Maud: they detain their husbands from them, either in reality or in the mind.


She had never felt more alone

She had never felt more alone (1.XI.i–iii).

Here Maud is very similar to Penelope: she is sewing, and above all she passes her time waiting for her husband to get back to her, to the real world in current history. Her husband is leaving the Great Wanderings in his imagination (cf 'wandering heart', 1.XI.iii, last line).


June 28, 2007

Plunketts towel

Plunkett's towel (2.XXII.i).

Helen unashamedly steals personal objects from her employers, the Plunketts. Dennis Plunkett recalls how he caught her trying on Maud's jewellery (2.XVIII.i), and Maud claims that the yellow dress Helen frequently wears was stolen ('She looks better in it […] she stole', 1.V.iii), although Helen insists it was a gift from Maud. Here, there is erotic suggestion in the use of the towel around 'her nakedness', particularly as Plunkett is attracted to Helen and often fantasises about her (e.g., 'the V of a velvet back in a yellow dress', 2.XIX.iii).


June 23, 2007

Maud Plunkett


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