All 94 entries tagged Characters

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June 08, 2008

His cripple

His cripple (2.XX.ii).

Possibly a reference to Caliban, Prospero's slave in Shakespeare's The Tempest. Minkler (1993) discusses other allusions to the play in Omeros (see Critical Bibliography).


June 07, 2008

minnow

minnow (2.XXXII.iii).

A minnow is a small freshwater fish (Bib:CALD), suggesting here the size of the plane in the distance and specifically in a term familiar to a fisherman, like Achille, whose viewpoint is given here.


I felt transported

I felt transported,/… to a place I had lost/…//It was another country (2.XXXII.ii).

This refers to the theme of 'uprootedness', a reminder that nobody on the island is an original inhabitant; everyone is displaced and not at home. The verb 'transported' also echoes the noun 'transport', the term used for Hector's vehicle, the Comet, which symbolises his exchange of the traditional St Lucian values for a modern Westernised lifestyle.


my mother

my mother (3.XXXII.i).

Walcott's mother, Alix, is never named in the text, although his father, Warwick, is named three times: in 1.XII.i, where the Narrator converses with his father's ghost, first in Warwick’s his own words and later in words that might be Warwick's or the Narrator's, and again in 3.XXXII.i, in his mother's words.


she fought her memory

she fought her//memory (3.XXXII.i).

Memory is a key element of classical epic, since the poems are intended as commemorations of past figures and events. In Omeros, characters, such as Achille and Dennis Plunkett, have a longing for communion with the past. Memory brings in the theme of nostalgia and the journey that the characters take in order to find their identity and feeling of home. Memory is also important in the Odyssey, and the loss of it threatens Odysseus from returning home.


June 06, 2008

Charing Cross

Charing Cross (1.XXXVIII.i).

Charing Cross is an interesting choice of underground station. For one, it is close to both Trafalgar Square (a symbol of England's old empire and its nationalism) and the National Gallery (which houses many great works of art from the history of the Western world), which the narrator goes on to visit. The underground system itself fits with the feeling of the chapter that London, whilst having a gorgeous, historical exterior, has a dirtier, polluted underbelly. Also, it means that the narrator must emerge into the light from underground which has many symbolic possibilities.


June 05, 2008

black dog heel

The black dog did dog-dances//around him, yapping, crouching, entangling his heel (3.XXXI.ii).

One of several references to Achille’s heel. In the classical tradition, Achilles’ heel was often cited as the most vulnerable area of his body, and it was sometimes said that he died when it was wounded. The legend goes that Achilles’ goddess mother Thetis, afraid of losing her child to mortal death, dipped him in the River Styx when he was just a child. This rendered his body totally invulnerable, except a spot on his heel where Thetis had held him (Bib:23).


pomme–Arac

pomme-Arac (3.XXXI.ii).

Explained below (3.XXXI.ii) by Seven Seas: 'Aruac mean the race//that burning there like the leaves and pomme is the word/in patois for "apple". This used to be their place.'


naturally contraceptives

naturally, by//a Church that damned them to hell for contraceptives (1.XI.i).

This displays an opposition between the fact that the Plunketts cannot children and the irony Dennis employs when he refers to the principles of the Church.


white sea white noise

She could feel the white sea//losing its white noise (2.XI.ii).

Dennis is losing his colonizer culture to turn into a real inhabitant of St Lucia. It also represents the Empire losing its voice, as Dennis becomes integrated in the local culture.


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