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January 04, 2008

Kinoeye Reference Hub

Kinoeye Reference Hub Page

Introduction


As the Kinoeye film and media blog develops a range of reference pages are being made available. You may wish to bookmark this page to be able to quickly refer to what is currently available at any time.  


Reference pages will include: bibliographies glossaries, chronologies, convenient list of directors, actors etc.  



Reference Pages 

Bibliographies

British Cinema Bibliography

French Cinema Bibliography 

Italian Cinema Bibliography and Webliography

Repetition or Revelation: Film Genre and Society. 2003 (Bibliography)

Weimar and Nazi  Cinema Bibliography


Chronologies 

A Chronology of Important European Films  1918 - 2003


Directors

Directors in Contemporary British Cinema

Directors in Italian Cinema

Weimar Directors Hub Page  


National Cinema Hub Pages

British Cinema


European Film Institutions


Glossaries

Glossary of Documentary Film Terms

European Cinema and Media Glossary A-E

European Cinema and Media Glossary  Ed-Mo

Media and Film Studies Glossary N-Z

Glossary of New Media Technologies (A-N)

Glossary of New Media Technologies (O-Z)


In depth individual explanations of terms 


Globalisation  




April 02, 2007

Genre Bibliography, Filmography and Webliography

Repetition or Revelation: Film Genre and Society. 2003

Bibliography, Filmography  & Webliography

Bibliography 

Adorno, Theodor. 1994. The Stars Down to Earth. London: Routledge

Altman, Rick. 1997 ‘Cinema and Genre’. In Nowell - Smith, Geoffrey. Ed : Oxford History of World Cinema. Oxford : Oxford University Press

Ang, Ien. 1991. Desperately Seeking The Audience. London: Routledge

Austen, Guy. 1996. Contemporary French Cinema. Manchester: Manchester University Press

Bordwell, David. Staiger, Janet and Thompson, Kristin. (1985 ) The Classical Hollywood Cinema. London: Routledge

Branston, Gill. 2000. Cinema and Cultural Modernity. Milton Keynes : Open University Press

Brown, Geoff. 2000. ‘Something for Everyone: British film Culture in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Bukatman, Scott. 1994. Terminal Identity. Durham North Carolina: Duke University Press

Cowie, Elizabeth. 1993 . ‘Film Noir and Women’. In Copjec Joan Ed : 1993 : Shades of Noir . London: Verso

Cook, Pam Ed. 1985 (First edition). The Cinema Book . London: British Film Institute

Corrigan, Timothy.1991. A Cinema Without Walls: Movies and Culture after Vietnam . New Brunswick NJ: Rutgers University Press

Christie, Ian. 2003. Interview with Martin Scorsese. Sight and Sound. January. p22

Elsaesser, Thomas. 1997. ‘Germany the Wiemar Years’ in Nowell-Smith, Geoffrey. Ed: Oxford History of World Cinema. Oxford : Oxford University Press

Felski, Rita. 1999-2000. ‘ The Invention of Everyday Life’. New Formations, No 39, pp. 15-31

Hake , Sabine. 2002. German National Cinema. London : Routledge

Hanson, Stuart. 2000. ‘ Spoilt for Choice? Multiplexes in the1990s. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Higson, Andrew and Maltby, Richard. 1999. ‘Film Europe’ and ‘Film America’ : An Introduction’. In Higson, Andrew and Maltby Richard. ‘Film Europe’ and ‘Film America’. Exeter: Exeter University Press

<!--[if !supportLists]-->Hofman, Katja. 2002. ‘Does my gun look big in this?’ Sight and Sound March

Katz, Ephraim. 2001 4th Ed . Macmillan International Film Encyclopedia. Basingstoke : Macmillan

<!--[if !supportLists]--> <!--[endif]-->Mark Le Fanu. 2003. ‘The dream life of architects’.  <!--[endif]-->Sight and Sound March

Luckett, Moya. 2000. ‘Image and Nation in 1990s British Cinema’. In Murphy, Robert. British Cinema in the 90s. London: British Film Institute

<!--[if !supportLists]--> <!--[endif]-->McNab, Geoffrey. 2002. Review of Charlotte Gray. Sight and Sound . March. p 41.

Moretti, Franco. 2001. ‘Planet Hollywood’. New Left Review, Volume 2 No 9 May / June. pp 90-101

Neale, Steve. 2000. Genre and Hollywood. London: Routledge

Neale, Steve and Krutnik Frank : 1990 : Popular Film and Television Comedy: Routledge : London

Nichols, Bill . 1976. ‘Introduction’. In Nichols Bill Ed: Movies and Methods . California University Press : Berkley

Nichols, Bill. 1985. ‘Introduction’. In Nichols Bill Ed : Movies and Methods: Volume Two . California University Press : Berkley

Nowell - Smith, Geoffrey. Ed: 1997 : Oxford History of World Cinema. Oxford : Oxford University Press

Pendakur, Manjunath and Subramanyam, Radha. 2002. ‘Indian Cinema Beyond National Borders’. In Jordan, Tim and Pile, Steve eds. 2002. Social Change. Oxford: Blackwell

Prawer, S.S. 2002. The Blue Angel. London: BFI

<!--[if !supportLists]-->Silverstone, R. 1994. Television and Everyday Life. London: Routledge

Smith, Murray. 2002. Trainspotting. London. British Film Institute.

Sobchack, Vivian. 1997. ‘The Fantastic’. In Nowell - Smith, Geoffrey. Ed : Oxford History of World Cinema. Oxford : Oxford University Press

Street, Sarah. 1997. British National Cinema. London : Routledge

Sturken, Marita. 2000. Thelma and Louise. London: British Film Institute

Tasker, Yvonne. ‘Authorship and contemporary film culture’. Tasker, Yvonne. Fifty Contemporary Filmmakers . Routledge : London

Todd, Peter. 2000. ‘The British Film Industry in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Tudor, Andrew. 1976. ‘Genre and Critical Methodology’. Nichols Bill Ed: Movies and Methods : California University Press : Berkley

Williams, Alan. 1992. Republic of Images: A History of French Film-making. Cambridge Mass: Harvard



Bibliographical Links to books not used but clearly important for Genre Theory

For teachers / FE Lecturers. The BFI Education and Resources on Genre:

BFI Key Concepts Genres

Link to the Wallflower Press' useful 'Short Cuts' Series Number   33 | FILM GENRE From Iconography to IdeologyBarry Keith Grant

Genre

Refiguring American Genres:

http://www.ucpress.edu/books/pages/6928.html

International Journal of Communication 1 2007. Online review of Daniel Biltereyst & Philippe Meers, (eds.), Film/TV/Genre, Ghent Academia Press, 2004, 209 pp, €22,00
(paperback). 

http://ijoc.org/ojs/index.php/ijoc/article/viewFile/31/4

Link to

Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition

http://www.oup.com/uk/catalogue/?ci=9780198159834



Filmography

Films mentioned in the text by title and year of release.

About a Boy (2002)

American Beauty (2001)

Billy Elliot (2000)

Bladerunner (1982)

Black Widow (1987)

Blazing Saddles (1971)

Body Heat (1981)

Bonnie & Clyde (1967)

Brassed Off (1996)

Brief Encounter (1945)

Butch Cassidy and the Sundance Kid (1969)

Calamity Jane (1953)

Charlotte Gray (2002)

Crouching Tiger, Hidden Dragon (2000)

Dancer in the Dark (2000)

Dirty Pretty Things (2002

Double Indemnity (1944)

East is East (1999)

Easy Rider (1969)

Elizabeth (1998)

Fatal Attraction (1987)

Four Weddings and a Funeral (1994)

1492 (1992)

Gangs of New York (2003)

Gone with the Wind (1939)

Gosford Park (2002)

It Happened One Night (1934)

La Reine Margot (1994)

Last of the Mohicans (1992)

Life is Beautiful (1998)

M*A*S*H (1970)

Metropolis (1925)

Michael Collins (1996)

Minority Report (2002)

Modern Times (1936)

Monty Python’s Life of Brian (1978)

Monty Python and the Holy Grail (1975)

Mulholland Drive ( 2001)

Muriel’s Wedding (1994)

Night at the Opera (1935)

North by North West (1959)

Oklahoma (1955)

Police Academy

Phantom Engine (1935)

Private Life of Henry VIII (1933)

Psycho (1960)

Saving Private Ryan (1998)

Saviour ( 1997)

Secrets and Lies (1996)

Seven Brides for Seven Brothers (1954)

Shakespeare in Love (1998)

Shallow Grave (1995)

Silverado (1985)

Soldier Blue (1970)

Some Like it Hot (1959)

Stagecoach (1939)

Sunset Boulevard (1950)

Terminator the Last Judgement (1991)

The Blue Angel (1929-1930)

The Full Monty (1997)

The Pelican Brief (1993)

The Producers (1968)

The Return of Martin Guerre (1983)

The Searchers (1956)

The Thin Red Line (1998)

The Wild Bunch (1969)

Thelma and Louise (1991)

Titanic (1997)

Trainspotting (1995)

Webliography


Preface: At time of writing I didn't use the web for research purposes however this section will be developed as it is now a crucial part of everyday research with JISC backed organisations such as Intute organising along the lines of genre. 


Link to Intute 

http://www.intute.ac.uk/artsandhumanities/cgi-bin/browse.pl?id=artifact666

Links to New Left Review Article by Franco Moretti who as a literary professor considers the role of genre in literature. This article is a later one than the one on NLR Series 2 Volume 5 'Markets of the Mind.

http://newleftreview.org/?page=article&view=2440

'Markets of the Mind' link http://newleftreview.org/?page=article&view=2273

Another link to a Moretti article this time considering cultural geography and film genres. (Very interesting to me anyway :-) )

http://newleftreview.org/?page=article&view=2324

Link to Article by Tom O'Regan on the Crocodile Dundee phenomenon

http://wwwmcc.murdoch.edu.au/ReadingRoom/film/Croc.html

Link to Carol Laseur's honours dissertation Chapter 1 of The Field of Genre & Australian filmic Texts. several other chapters are also available online making an excellent open access resource!

http://wwwmcc.murdoch.edu.au/ReadingRoom/film/laseur/chap1.html

Link to: Favorite Films and Film Genres As A Function of
Race, Age, and Gender
from the Journal of Media Psychology:

http://www.calstatela.edu/faculty/sfischo/media3.html

An Introduction to Genre Theory by Daniel Cahndler from Aberystwyth University: 

http://www.aber.ac.uk/media/Documents/intgenre/intgenre.html

Link to the Goethe Institute on documentary films:

http://www.goethe.de/kue/flm/thm/flg/en964789.htm


December 10, 2006

Open Studies in European Cinema. Italian Cinema: Bibliography & Webliography

Bacon, Henry. 1998. Visconti: Explorations of Beauty and Decay. Cambridge: Cambridge University Press

Ben-Ghiat, Ruth. ‘The Facist War Trilogy’. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey.Eds. Roberto Rossellini: Magician of the Real . London: BFI

Bernadi, Sandro. 2000. ‘Rosselini’s Landscapes: Nature, Myth,History’. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey.Eds. Roberto Rossellini: Magician of the Real . London: BFI

Bertellini, Giorgio Ed. 2004. The Cinema of Italy. London: Wallflower Press

Bondanella, Peter. 2002. The Films of Federico Fellini. Cambridge: Cambridge University Press. ISBN 0-521-57573-7

Bondanella, Peter. 3rd edition. 2002. Italian Cinema: From Neorealism to the Present. New York and London: Continuum

Bondanella, Peter. ‘La Strada’. Bertellini, Giorgio. 2004. The Cinema of Italy. London: Wallflower Press

Brunette, Peter. ‘Deserto Rosso / Red Desert’. Bertellini, Giorgio. 2004. The Cinema of Italy. London: Wallflower Press

Celli, Carlo. 2001(a). The Divine Comic: The Cinema of Roberto Begnini. Lanham: Scarecrow Press

Celli , Carlo. ‘Ladri di Biciclette / The Bicycle Thieves’. Bertellini, Giorgio Ed. 2004. The Cinema of Italy. London: Wallflower Press

Carlo Celli and Marga Cottino-Jones. 2007. A New Guide to Italian Cinema. Palgrave Macmillan

Clark, Martin. 1984. Modern Italy 1871-1982. London: Longman

Curle, H & Snyder eds. (2000). Vittorio De Sica: Contemporary Perspectives

Forgacs, David. 2000. ‘Introduction: Rossellini and the Critics’. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey.Eds. Roberto Rossellini: Magician of the Real . London: BFI

Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey.Eds. 2000. Roberto Rossellini: Magician of the Real. London: BFI

Gallhaer, Tag. 1998. The Adventures of Roberto Rossellini. New York: Da Capo Press

Hipkins Danielle. 'Francesca's Salvation or Damnation? Resisting recognition of the prostitute in Rossellini's Paisà (1946)', Studies in European Cinema, 3.2 (2006), 153-69.

Hipkins Danielle. "I don't want to die": Prostitution and Narrative Disruption in Visconti's Rocco and His Brothers', in Women in Italy 1946-1960, ed. by Penny Morris (Basingstoke: Palgrave Macmillan, 2006), pp. 193-210

Hudson, Anne. ‘Rocco E I Suoi Fratelli / Rocco and His Brothers. Bertellini, Giorgio. 2004. The Cinema of Italy. London: Wallflower Press

Indiana, Gary. 2000. Salo or The 120 Days of Sodom. London, BFI

Kemp, Philip. 2002. ‘The Son’s Room’. Sight and Sound. Vol 12 No 3 March p56

Kline, Jefferson T. ‘Il Conformista / The Conformist’. Bertellini, Giorgio Ed. 2004. The Cinema of Italy. London: Wallflower Press

Landy, Marcia. 2000. Italian Film. Cambridge: Cambridge University Press

Mancini, Elaine. 1985 Struggles of the Italian Film Industry during Fascism 1930-1935 Ann Arbor: UMI Press

Marcus, Millicent. 2002. After Fellini: National Cinema in the Postmodern Age. Baltimore: John Hopkins University Press

Marcus, Millicent. 1993. Filmaking by the Book. Baltimore: John Hopkins University Press

Marcus, Millicent. 1986. Italian Film in the Light of Neorealism. Princeton: Princeton University Press

Mazierska, Ewa & Rascaroli, Laura. 2004. The Cinema of Nanni Moretti. London: Wallflower Press

Morandini, Morando. 1997. ‘ Vittorio de Sica’ . Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.

Morandini, Morando. 1997. ‘Italy from Fascism to Neo-Realism’. Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.

Muscio, Giuliana. ‘Paisa / Paisan’. Bertellini, Giorgio Ed. 2004. The Cinema of Italy. London: Wallflower Press

Nowell-Smith, Geoffrey. 2003 3rd edition. Luchino Visconti. London: British Film Institute

Nowell-Smith, Geoffrey. 2000. ‘North and South, East and West’: Rossellini and Politics. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey.Eds. Roberto Rossellini: Magician of the Real . London: BFI

Nowell-Smith, Geoffrey. ‘Salvatore Giuliano’. Bertellini, Giorgio Ed. 2004. The Cinema of Italy. London: Wallflower Press

Rascaroli, Laura. ‘Dear Diary’. Bertellini, Giorgio Ed. 2004. The Cinema of Italy. London: Wallflower Press

Reich, Jaqueline. ‘Otto e Mezzo / 8 ½ ‘. Bertellini, Giorgio Ed. 2004. The Cinema of Italy. London: Wallflower Press

Reich, Jaqueline.2002. Re-viewing Fascism: Italian Cinema, 1922-1943. Bloomington: Indiana University Press  

Restivo, A. 2002. The Cinema of Economic Miracles: Visuality and Modernisation in the Italian Art Film. Durham and London: Duke University Press

Rhodes, John David Cinema Italia: Classic Italian Film Posters (review) Modernism/modernity - Volume 11, Number 2, April 2004, pp. 365-367

Rohdie, Sam. 1990. Antonioni. London: British Film Institute

Rohdie, Sam. 2002. Fellini Lexicon. London: BFI

Rohdie, Sam. 2000. ‘India’ Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey.Eds. Roberto Rossellini: Magician of the Real. London: BFI

Rohdie, Sam. Rocco and his Brothers. London: BFI

Rossellini, Roberto. The War Trilogy. Open City. Paisan. Germany-Year Zero. Edited and with an Introduction By Stefano Roncoroni. Translated from the Italian By Judith Green. NY: Grossman, 1973.

Sitney, P. Adams. 1995. Vital Crises in Italian Cinema. Austin: University of Texas Press. ISBN 0-292-77688-8

Shiel, Mark. 2006. Italian Neo Realism: Rebuilding the Cinematic City. London: Wallflower Press 

Sorlin, Pierre. 1996. Italian National Cinema. London: Routledge

Testa, C. 2002. Italian Cinema and Modern European Literatures, 1945-2000. Westport: Praeger

Testa. C. 2002. Master of Two Arts: Re-creation of European Literatures in Italian Cinema. Toronto: University of Toronto Press

Usai, Poalo, Cherchi. 1997. ‘ Italy: Spectacle and Melodrama’. Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.

Vitti, A. 1996. Giusseppe De Santis and Postwar Italian Cinema. Toronto: University of Toronto Press

Wagstaff, Christopher. 2000. ‘Rossellini and Neo-Realism’. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey.Eds. Roberto Rossellini: Magician of the Real . London: BFI

Wood, Mary. 2002. ‘ Bernado Bertolucci in context’: Tasker Yvonne: Fifty Contemporary Filmmakers . London : Routledge

Wood, Mary. 2006. ‘From Bust to Boom: Women and Representations of Prosperity in Italian Popular Cinema, 1946-1960’ in Penny Morris (ed): Women in Italy 1946-1960, (Palgrave, 2006)

Wood, Mary. 2004. ‘Pink Neorealism’ and the Rehearsal of Gender Roles in Italy, 1946-1955’ in Phil Powrie, Ann Davies & Bruce Babington (eds): The Trouble with Men: Masculinities in European and Hollywood Cinema, (Wallflower Press 2004).

Wood, Mary. 2007.  ‘Rosi’s Il caso Mattei: Making the Case for Conspiracy’ in Stephen Gundle & Lucia Rinaldi (eds): Assassination and Murder in Twentieth-Century Italy (Palgrave, 2007).

Wood, Mary. 2007. The Dark Side of the Mediterranean: Italian Noir’ in Andrew Spicer (ed): European Film Noir (Manchester University Press), 2007. 

Wood, Mary. 2000. ‘Woman of Rome: Anna Magnani’ in Ulrike Sieglohr (ed): Heroines Without Heroes: Female Identities in Post-War European Cinema 1945-1951, (Cassell, 2000)

Wood, Michael. 2003. ‘Death becomes Visconti’. Sight and Sound , May 2003 Volume 13 Issue 5 , pp 24-27

Wyke, M. 1997. Projecting the Past: Ancient Rome, Cinema and History. New York: Routledge

Webliography

A Journey through Italian Cinema by Alberto Pezotta on Senses of Cinema site.

Italian Studies Cinema section from the Western European Studies University of Illinois

A site on Roberto Rossellini from University of Pennsylvania by Karen Arnone. There is a bibliography however the entries don't appear to fully referenced. Nonetheless it seems useful with the proviso of being careful about its full academic credentials

A very fine bibliography and resources held by the University of California  at Berkley

A useful bibliography of Italian Cinema at Toronto University  

Michelangelo Antonioni Online Archive

Traumatic Encounters in Italian Film:Locating the Cinematic Unconscious by Fabio Vighi. A review by Luana Ciavola from Senses of Cinema site.

Interview with Marco Bellocchio

Twitch article on Bellocchio's Fists in the Pocket

Walkthrough to Italian Cinema. you will need flashplayer for this series of extracts from the University of Toronto 

A useful review of Landy, Marcia. 2000. Italian Film. Cambridge: Cambridge University Press by John Foot

UK Film courses on Italian Cinema 

University of Warwick: Italian with Film Studies

University of Leicester "Postwar Italian Cinema

University of Sussex. Cinema and Nation: Italian Cinema 


Open Studies in European Cinema. Genre: Bibliography

Introduction

This bibliography comes from my short book Repetition or Revelation: Film, Genre and Society – A Critical Introduction. The book’s target audience is A2 Media Studies and Film Studies, Open Studies students and first year undergraduates. Several sections of the book are being edited for this blog.

Bibliography

Adorno, Theodor. 1994. The Stars Down to Earth. London: Routledge

Altman, Rick. 1997 ‘Cinema and Genre’. In Nowell – Smith, Geoffrey. Ed : Oxford History of World Cinema. Oxford : Oxford University Press

Ang, Ien. 1991. Desperately Seeking The Audience. London: Routledge

Austen, Guy. 1996. Contemporary French Cinema. Manchester: Manchester University Press

Bordwell, David. Staiger, Janet and Thompson, Kristin. (1985 ) The Classical Hollywood Cinema. London: Routledge

Branston, Gill. 2000. Cinema and Cultural Modernity. Milton Keynes : Open University Press

Brown, Geoff. 2000. ‘Something for Everyone: British film Culture in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Bukatman, Scott. 1994. Terminal Identity. Durham North Carolina: Duke University Press

Cowie, Elizabeth. 1993 . ‘Film Noir and Women’. In Copjec Joan Ed : 1993 : Shades of Noir . London: Verso

Cook, Pam Ed. 1985 (First edition). The Cinema Book . London: British Film Institute

Corrigan, Timothy.1991. A Cinema Without Walls: Movies and Culture after Vietnam. New Brunswick NJ: Rutgers University Press

Christie, Ian. 2003. Interview with Martin Scorsese. Sight and Sound. January. p22

Elsaesser, Thomas. 1997. ‘Germany the Weimar Years’ in Nowell-Smith, Geoffrey. Ed: Oxford History of World Cinema. Oxford : Oxford University Press

Felski, Rita. 1999-2000. ‘ The Invention of Everyday Life’. New Formations, No 39, pp. 15-31

Hake , Sabine. 2002. German National Cinema. London : Routledge

Hanson, Stuart. 2000. ‘ Spoilt for Choice? Multiplexes in the1990s. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Higson, Andrew and Maltby, Richard. 1999. ‘Film Europe’ and ‘Film America’ : An Introduction’. In Higson, Andrew and Maltby Richard.‘Film Europe’ and ‘Film America’. Exeter: Exeter University Press

Hofman, Katja. 2002. Does my gun look big in this? Sight and Sound March

Katz, Ephraim. 2001 4th Ed . Macmillan International Film Encyclopedia. Basingstoke : Macmillan

Mark Le Fanu. 2003. The dream life of architects. Sight and Sound March

Luckett, Moya. 2000. ‘Image and Nation in 1990s British Cinema’. In Murphy, Robert. British Cinema in the 90s. London: British Film Institute

McNab, Geoffrey. 2002. Review of Charlotte Gray. Sight and Sound . March. p 41.

Moretti, Franco. 2001. Planet Hollywood. New Left Review, Volume 2 No 9 May / June. pp 90-101

Neale, Steve. 2000. Genre and Hollywood. London: Routledge

Neale, Steve and Krutnik Frank : 1990 : Popular Film and Television Comedy: Routledge : London

Nichols, Bill . 1976. ‘Introduction’. In Nichols Bill Ed: Movies and Methods . California University Press : Berkley

Nichols, Bill. 1985. ‘Introduction’. In Nichols Bill Ed : Movies and Methods: Volume Two . California University Press : Berkley

Nowell – Smith, Geoffrey. Ed: 1997 : Oxford History of World Cinema. Oxford : Oxford University Press

Pendakur, Manjunath and Subramanyam, Radha. 2002. ‘Indian Cinema Beyond National Borders’. In Jordan, Tim and Pile, Steve eds. 2002. Social Change. Oxford: Blackwell

Prawer, S.S. 2002. The Blue Angel. London: BFI

Silverstone, R. 1994. Television and Everyday Life. London: Routledge

Smith, Murray. 2002. Trainspotting. London. British Film Institute.

Sobchack, Vivian. 1997. ‘The Fantastic’. In Nowell – Smith, Geoffrey. Ed : Oxford History of World Cinema. Oxford : Oxford University Press

Street, Sarah. 1997. British National Cinema. London : Routledge

Sturken, Marita. 2000. Thelma and Louise. London: British Film Institute

Tasker, Yvonne. ‘Authorship and contemporary film culture’. Tasker, Yvonne. Fifty Contemporary Filmmakers . Routledge : London

Todd, Peter. 2000. ‘The British Film Industry in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Tudor, Andrew. 1976. ‘Genre and Critical Methodology’. Nichols Bill Ed: Movies and Methods . California University Press : Berkley

Williams, Alan. 1992. Republic of Images: A History of French Film-making. Cambridge Mass: Harvard


December 09, 2006

British Cinema: Bibliography

Introduction
Here is a useful range of books and articles originally used on my British Cinema open studies courses. It isn’t meant to be comprehensive neither is it currently categorised by levels of knowledge. This will be further developed in the coming weeks.

British Cinema Bibliography

Aldgate, Anthony. 1983. Britain Can Take It: British Cinema in the Second World War. Oxford: Blackwell

Aldgate, Anthony & Richards Jeffrey 2007 New Edition. Britain Can Take It: British Cinema in the Second World War. London: I.B.Tauris

Aldgate, Anthony and Richards Jeffrey. 2002. Best of British: Cinema and Society from 1930 to the Present. London: I.B. Taurus

Aldgate, Anthony and Richards Jeffrey 2nd Edition. 1994. Britain Can Take it: British Cinema in the Second World War. Edinburgh: Edinburgh University Press

Babington, Bruce. Ed. 2001. British Stars and Stardom. Manchester: Manchester University Press

Barnett, Corelli. 1993. The Lost Victory. London: Macmillan

Barr, Charles. Ed. 1986. All Our Yesterdays: 90 Years of British Cinema. London. London: British Film Institute

Brown, Geoff. 2000. ‘ Something for Everyone: British film Culture in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Brunsdon, Charlotte. 2000. ‘ Not Having It All: Women and Film in the 1990s. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Burton Alan, O’Sullivan Tim, Wells Paul. Eds. 2000. The Family Way: The Boulting Brothers and British Film Culture. Trowbridge: Flicks Books. ISBN 0 948911 59X

Chibnall, Steve and Murphy, Robert eds.1999. British Crime Cinema. London: Routledge

Cieko, Anne: “ Sally Potter : The making of a British woman filmmaker” Tasker Yvonne. Ed.Fifty Contemporary Filmmakers London: Routledge ISBN 0-415-18974-8

Cook, Pam. 1996. Fashioning the Nation: Costume and Identity in British Cinema. London BFI
Cook, Pam. 2002. I Know Where I’m Going! London. London : BFI

Cox, Alex. ‘Britain is Big Enough’. Sight and Sound Volume 13 Issue 1, pp 6-7

Christie, Ian. 2000. ‘ As Others See Us: British Film-making and Europe in the 90s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Curran, James and Porter, Vincent. eds. 1983. British Cinema History .London: Weidenfeld and Nicholson

Dave, Paul. 2006. Visions of England. London: Berg

Dickinson, Margaret and Street, Sarah. 1985. Cinema and the State: The Film industry and the British Government, 1927-84. London: BFI

Drazin, Charles. 2007. The Finest Hours: British Cinema of the 1940s. London: I.B. Tauris

Durgnat, Raymond. 1970. A Mirror for England: British Movies from Austerity to Affluence. London: Faber

Dyer, Richard. Brief Encounter. London: BFI

Farley, Fidelma. 2002 . ‘Neil Jordan’. Evonne Tasker Ed. Fifty Contemporary Filmakers. London : Routledge

Friedman, Lester. Ed. 1992. British Cinema and Thatcherism. London: UCL Press

Geraghty, Christine. 2000. British Cinema in the Fifties: Gender Genre and the New Look. London Routledge

Gibson, Pamela Church. 2000. ‘Fewer Weddings and More Funerals: Changes in the Heritage Film. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Gilbey, Ryan . 2002. ‘Reasons to be Cheerful’ Sight and Sound. Volume 12, Issue 9, p 38

Gilbey, Ryan . 2003. ‘ Written on the Body’. Sight and Sound. Volume 13, Issue 9, pp 16-18

Gillett, Philip. 2003. The British Working Class in Postwar Film. Manchester: Manchester University Press

Hanson, Stuart. 2000. ‘ Spoilt for Choice? Multiplexes in the1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Harper, Sue. 2000. Women in British Cinema: Mad Bad and Dangerous to Know. London: Continuum

Hawkridge, John. 1997. ‘British Cinema from Hepworth to Hitchcock’. Nowell-Smith Geoffrey. Ed. Oxford History of World Cinema. Oxford : Oxford University Press.

Hennessy, Peter. 1992. _Never Again: Britain 1945-1951. London: Johnathan Cape

Higson, Andrew. 2003. English Heritage, English Cinema. Oxford: Oxford University Press.

Higson, Andrew. 1993.’Re-presenting the national past: nostalgia and pastiche in the heritage film.’ Friedman. L ed. British Cinema and Thatcherism: Fires Were Started. London: UCL Press.

Higson, Andrew. 1995. _Waving the Flag: Constructing a National Cinema in Britain-. Oxford: Oxford University Press

Hill, John. 1996. ‘British Film Policy’ . In Moran Albert. Film Policy. London : Routledge : ISBN 0-415-09791-6

Hill, John. 2000. ‘ Failure and Utopianism: Representations of the working Class in British Cinema of the 1990s.’ Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Hill, John. 1986. Sex, Class and Realism. London: BFI

Hofman, Kaja. ‘Does my gun look big in this?’ Sight and Sound Volume 12 Issue 3, pp 10-11

Houston, Penelope. Went the Day Well? London: BFI

Jackel, Anne. 1996. ‘ European Co-production Strategies: the Case of France and Britain’. Moran, Albert Ed. Film Policy. London: Routledge

James, Nick. 2002. ‘Nul Britannia’. Sight and Sound Volume 12 Issue 10, pp 14-17

Kennedy, A.L. The Life and Death of Colonel Blimp. London: BFI

Landy, Marcia.1991. British Genres: Cinema and Society, 1930-1960. Princeton: Princeton University Press

Lant, Antonia. 1997. ‘Britain at the End of Empire’. Nowell-Smith Geoffrey Ed. Oxford History of World Cinema. Oxford : Oxford University Press.

Lay, Samantha. 2002. British Social Realism. London: Wallflower

Leigh, Jacob. ?. The Cinema of Ken Loach: art in the service of the people. London: Wallflower Press

Low, Rachel. 1985. Film Making in 1930s Britain. London : George, Allen and Unwin

Luckett, Moya. 2000. ‘Image and Nation in 1990s British Cinema’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Lury, Karen. 2000. ‘ Here and Then: Space, Place and Nostalgia in British Youth Cinema of the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

McFarlane, Brian. The Encyclopedia of British Film. London: Methuen. ISBN 0-413-77301-9

McNab, Geoffrey. 2003.’Eager Beaver’. Sight and Sound. September, Volume 13 Issue 9, pp 20-25

McNab, Geoffrey. 2002. ‘ That Sinking Feeling’. Sight and Sound Volume 12 Issue 10, pp 18-20

Miller, Toby. 2000. ‘The Film Industry and the Government: ‘Endless Mr Beans and Mr Bonds’?’

Monk, Claire and Sargeant, Amy. 2002. British Historical Cinema. London Routledge

Monk, Claire. 2002: ‘The Heritage Film Revisited’. Monk, Claire and Sargeant, Amy eds. British Historical Film. London: Routledge

Moor, Andrew. 2001.’Dangerous limelight: Anton Walbrook and the Seduction of the English’. Babington, Bruce. Ed.British Stars and Stardom. Manchester: Manchester University Press

Moor, Andrew. 2001. ‘No Place Like Home: Powell, Pressburger Utopia.

Moor, Andrew. 2005. Powell and Pressburger: A Cinema of Magic Spaces. London: I. B. Tauris

Murphy, Robert.Ed. British Cinema Book 2nd Edition. London: BFI

Murphy, Robert. 2000. British Cinema and the Second World War.

Murphy, Robert.Ed. 2001. British Cinema Book 2nd Edition. London: BFI

Murphy, Robert. Ed. 2000. British Cinema of the 90s. London: BFI

Murphy, Robert. Ed. Sixties British Cinema. London: BFI

Newman, Kim. 2002. ‘Endurance’. Sight and Sound Volume 12 Issue 10, pp 26-28

Petrie, Duncan. 1997. ‘British Cinema: The Search for Identity’. Nowell-Smith Geoffrey Ed. Oxford History of World Cinema. Oxford : Oxford University Press.

Pidduck, Julianne. 1997. ‘Travels with Sally Potter’s Orlando: gender, narrative, movement’. Screen 38.2, Summer 1997 pp 172-189

Rollyson, Carl. 2005. To Be a Woman: The Life of Jill Craigie. London: Aurum

Russell, Patrick. 2007. 100 British Documentaries. London: BFI

Ryall, Tom. ?. Blackmail. London: BFI

Sargeant, Amy. 2005. British Cinema: A Critical History. London: BFI

Smith, Murray. 2002. Trainspotting. London: BFI

Street, Sarah. 1997. British National Cinema. London : Routledge.

Street, Sarah. 2000. ‘Trainspotting’. In Forbes, Jill and Street, Sarah. European Cinema: an Introduction. London: Palgrave

Shaw, Tony. 2001. British Cinema and the Cold War. London:I.B. Tauris

Todd, Peter. 2000.’ The British Film Industry in the 1990s’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Watson, Garry. ? . The Cinema of Mike Leigh: A Sense of the Real. London: Wallflower Press

Watson, Neil. 2000. ‘ Hollywood UK’. Murphy, Robert. Ed. British Cinema of the 90s. London: BFI

Williams, Linda Ruth. 2002.’Escape Artist’. Sight and Sound Volume 12 Issue 10, pp 23-25


Open Studies in European Cinema: French Cinema Bibliography

Introduction

This bibliography is not meant to be a comprehensive one. It emanates from the two French Cinema Open Studies Courses that I run as part of the European Cinema Series. Many of the Manchester University Press Director series have no dates as many were unavailable after I had written the bibliography. As the course has run and different ones are in the cycle I haven’t had the time to check it up. They may now be back in print and you can check their website here.

A future development will be to provide readers with some guidance on the levels of knowledge and familiarity with film and cultural theory needed to understand the books. Some are introductory and more general whilst some a very complex.

French Cinema Bibliography

Armes, Roy. 1985. French Cinema. London: Secker and Warburg
Aumont, Jaques. 2000 2nd ed. ‘The Fall of the Gods: Jean-Luc Godard’s Le Mepris (1963)’. Hayward, Susan and Vincendeau, Ginette.eds. French Film: Texts and Contexts. London: Routledge
Austen, Guy. ? . Claude Chabrol. Manchester: Manchester University Press
Austen, Guy. 1996. Contemporary French Cinema. Manchester: Manchester University Press
Beugnet, Martine. ?. Claire Denis. Manchester: Manchester University Press
Boston, Richard. Boudu Saved From Drowning. London: BFI
Burch, Noel and Sellier, Genevieve. 2000. ‘Evil Women in the Post-war French Cinema’. Sieglohr, Ulrike.ed. Heroines Without Heroes. London: Cassell
Condron, Anne Marie. 1997. ‘’Cinema’ . Perry, Sheila.Ed. Aspects of Contemporary France. London : Routledge
Darke, Chris. 2005.Alphaville. London: I. B. Tauris. ISBN 1-85043-986-9
Douchet, Jean. 1999. French New Wave. New York: Distributed Art Publishers
Dowd, Garin & Dalel, Fergus. ? . Leos Carax. Manchester: Manchester University Press
Downing, Lisa. ? . Patrice Leconte. Manchester: Manchester University Press
Ezra, Elizabeth. ? . Georges Melies
Flitterman-Lewis, Sandy. 1996. To Desire Differently: Feminism and the French Cinema. New York: Columbia University Press
Forbes, Jill. 2000. ‘La Haine’. In Forbes, Jill and Street, Sarah. European Cinema: An Introduction. London: Palgrave
Forbes, Jill. Les Enfants du Paradise. London: BFI
Forbes , Jill. 1992 . The Cinema in France After the New Wave. Basingstoke : Macmillan
Gillain, Anne. 2000 2nd ed. ‘The Script of Delinquency: Francois Truffaut’s Les 400 coups (1959). Hayward, Susan and Vincendeau, Ginette.eds. French Film: Texts and Contexts. London: Routledge
Graham , Peter. 1997. ‘ New directions in French Cinema’. Nowell – Smith Geoffrey Ed :Oxford History of World Cinema :Oxford: Oxford University Press
Greene, Naomi.2007. The French New Wave: A New Look. London: Wallflower Press
Greene, Naomi. Landscapes of Loss: The National Past in Postwar French Cinema. Princeton: Princeton University Press
Grey, Hugo. ? . Louis Malle. Manchester: Manchester University Press
Harris, Sue. ? . Blier Bertrand. Manchester: Manchester University Press
Hayes, Graeme. 1999. ‘Representation, Masculinity, Nation: The Crises of Les Amant du Pont-Neuf (Carax 1991).’ Powrie, Phil. Ed. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
Hayward, Susan. 2000 2nd ed. ‘Beyond the Gaze and into femme filmcriture: Agnes Varda’s Sans toit ni loit’. Hayward, Susan and Vincendeau, Ginette.eds.French Film: Texts and Contexts. London: Routledge
Hayward, Susan. 1993. French National Cinema. London: Routledge
Hayward, Susan. 2006. Les Diaboliques. London: I. B. Tauris. ISBN 1-84511-102-8
Hayward, Susan. ? .Luc Besson. Manchester: Manchester University Press
Hayward, Susan. 2002. ‘Luc Besson’. Tasker, Yvonne. ed. Fifty Contemporary Filmmakers : Routledge: London
Hayward, Susan. 2000 2nd ed. ‘Recycled woman and the postmodern aesthetic: Luc Besson’s Nikita (1990). Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
Hayward, Susan and Vincendeau, Ginette.eds. 2000 2nd ed. French Film: Texts and Contexts. London: Routledge
Holmes, Diana & Ingram, Robert. ? . Francois Truffaut. Manchester: Manchester University Press
Hughes, Alex and Williams James S. Eds. 2001. Gender and French Cinema. Oxford: Berg
Hughes, Alex and Williams, James S. 2001. ‘ Introduction’. Hughes, Alex and Williams, James S. Eds. Gender and French Cinema. Oxford: Berg
Ince, Kate. ? .George Franju. Manchester: Manchester University Press
Jackel, Anne. 1996. ‘ European Co-production Strategies: the Case of France and Britain’. Moran, Albert Ed. Film Policy. London: Routledge
Jackson, Julian. 2001. France the Dark Years. Oxford: Oxford University Press
Jeancolas, Jean-Pierre. 2000 2nd ed. ‘Beneath the despair, the show goes on: Marcel Carne’s Les Enfants du paradis (1943-45). Hayward, Susan and Vincendeau, Ginette.eds. French Film: Texts and Contexts. London: Routledge
Kaplan, Nelly. Napoleon. London: BFI
Kedward, H. R. 2000.’The Anti-Carnival of Collaboration’. Hayward, Susan and Vincendeau, Ginette.eds. French Film: Texts and Contexts. London: Routledge
Konstantarakos, Myrto. 1999.’Which Mapping of the City? La Haine (Kassovitz, 1995) and the cinema de banlieue.’ Powrie, Phil. Ed. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
Tarr, Carrie. ? . Kurys, Diane. Manchester: Manchester University Press
Lanzoni, Remi. 2002. French Cinema: From Its Beginnings to the Present. London: Continuum
Leahy Sarah and Hayward Susan. 2000. ‘The Tainted Woman: Simone Signoret, Site of Pathology or Agent of Retribution?’ Sieglohr, Ulrike.ed. Heroines Without Heroes. London: Cassell
Liebman, Stuart, Ed.2007. _Claude Lanzman’s Shoah: Key Essays. Oxford: Oxford University Press
MacCabe Colin. 2004. Godard: A portrait of the artist at 70. London: Bloomsbury. ISBN 0-7475-7794-3
Marie, Michel. 2003. (Trans Neupert) The French New Wave, an Artistic School. Oxford: Blackwell
Marie, Michel. 2000 2nd ed. ‘”It really does make you sick!’: Jean-Luc Godard’s A bout de souffle (1959)”. Hayward, Susan and Vincendeau, Ginette.eds. French Film: Texts and Contexts. London: Routledge
Morrey, Douglas. 2005. Jean-Luc Godard. Manchester: Manchester University Press
Neupert, Richard.2002. A History of the French New Wave Cinema. Madison: University of Wisconsin Press
O’ Shaunessy, Martin. ? . Jean Renoir. Manchester: Manchester University Press
Perry, Sheila.Ed.1997. Aspects of Contemporary France. London : Routledge
Powrie, Phil. Ed. 1999.French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
Powrie, Phil. 1999. ‘Heritage, History, and ‘New Realism’: French Cinema in the 1990s’. Powrie, Phil. Ed.French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
Powrie, Phil. ? . Jean-Jaques Beneix. Manchester: Manchester University Press
Powrie, Phil. 2002. ‘Jean-Jaques Beneix’. Tasker, Yvonne. Ed. Fifty Contemporary Filmakers. London: Routledge
Predal, R. 1991. Le Cinema Francais depuis 1945. Paris Nathan
Reader, Keith. ? . Robert Bresson.
Reader, Keith. 2002. ‘Laisser-passer’. Sight and Sound Volume 12 Issue 11, pp 49-50
Rollet, Brigitte. ? .Coline Serreau. Manchester: Manchester University Press
Sellier, Genevieve. 2001. ‘Gender, Modernism and Mass Culture in the New Wave.’ Hughes, Alex and Williams, James S. Eds. Gender and French Cinema. Oxford: Berg
Smith, Alison. ? .Agnes Varda. Manchester: Manchester University Press
Sorlin, Pierre. 2000 2nd ed. ‘A breath of sea air: Jacques Tati’s Les Vacances de Monsieur Hulot (1952). Hayward, Susan and Vincendeau, Ginette.eds. French Film: Texts and Contexts. London: Routledge
Tarr, Carrie. 1999. ‘Ethnicity and Identity in the cinema de banlieue’. Powrie, Phil. Ed. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
Thompson, David. 2003. ‘Lust for Life’. Sight and Sound. August Vol 13 / Issue 8, pp 30-33
Van der Knaap, Ewout, Ed. 2006. Uncovering the Holocaust: The International Reception of *Night and Fog*. London: Wallflower Press
Vincendeau, Ginette. 2003. ‘Ageing Cool’. Sight and Sound. September, Vol 13 Issue 9 pp 26-28
Vincendeau, Ginette. 2000 2nd ed. ‘Designs on the banlieu: Mathieu Kassovitz’s La Haine (1995). Hayward, Susan and Vincendeau, Ginette.eds. French Film: Texts and Contexts. London: Routledge
Vincendeau, Ginette. 2003. Jean-Pierre Melville. London: BFI
Vincendeau, Ginette. 1998. Pepe le Moko. London: BFI
Vincendeau, Ginette. 1997. ‘The Popular Art of French Cinema’. Nowell – Smith Geoffrey Ed :Oxford History of World Cinema . Oxford: Oxford University Press
Vincendeau, Ginette. 2000. Stars and Stardom in French Cinema. London: Continuum
Vincendeau, Ginette. ‘White Collar Blues’. Sight and Sound Volume 12 Issue 4, pp 30-32. ( on Laurent Cantet)
Warner, Mary. 1993. L’Atalante. London. London : BFI
Williams, Alan. 1992. Republic of Images: A History of French Filmaking. Cambridge Mass. : Harvard


November 16, 2006

Open Studies in European Cinema. Weimar and Nazi Cinema: Bibliography

Bibliography

Introduction

This will take the form of a conventional bibliography dealing with not just the cinema of the Weimar and Nazi periods but providing some titles for general history and cultural history of the Weimar and Nazi Period. Where relevant good quality articles are discovered on the web they will be hyperlinked for your convenience. These hyperlinked articles are categorised in a separate section with standard bibliography being place d below this. Please suggest any hyperlinks or additions in the comments box.Thanks.

Web-linked bibliography

Baackmann Susanne: Review of Carter et al. German Cinema Book. In Seminar journal of Germanic Studies July 2006

Baranowsky, Shelley.2004. Strength Through Joy Cambridge: CUP

Bruns, Jana. Review of Anja Aschied Hitler’s Heroines: Stardom and Womanhood in Nazi Cinema H-German October 2003.

Conboy, Martin. The Discourse of Location: Realigning the Popular in German Cinema. European Journal of Communications. Sage. 1999 vol 14.3

Dassanowsky, Robert von. Review of: Hake, Sabina German National Cinema. London and New York: Routledge, 2002. 232pp. ISBN 0-41508-902-6

Horak Jan-Christopher. Review of Guerin, Francis. A Culture of Light. Cinema and technology in 1920s Germany. Minneapolis, University of Minnesota Press, 2005. ISBN: 0 8166 4286 9. In Screening the Past March 2006

Horak Jan-Christopher Film history and film preservation: reconstructing the text of The Joyless Street (1925)

Lee, Jennifer.Selling the Nazi Dream: Advertisement of the Musical Comedy Film in the Third Reich MA Candidate University of Victoria. Supervisor, Dr. Thomas Saunders

Malone Paul M. Negotiating Modernity in Weimar Film Theory. Film Philosophy, Volume 3 Number 37, September 1999ISSN 1466-4615

Author: Mennel, Barbara. Publication Date: 22-MAR-04 The New Paradigms of German Film Studies Review)

“Nowell-Smith, Geoffrey. “Re-imagining German Film History. Film-Philosophy Journal | Salon | Portal (ISSN 1466-4615) Vol. 5 No. 43, December 2001

Reading, Anna. “Scarlet Lips in Belsen:culture gender an ethnicity in the policies of the Holocaust”. Media Culture and Society 21.4. Sage.

Rosenthal, Alan. Review of Reeves Nicholas. 1999 The Power of Film Propaganda: Myth or Reality. London: Cassell. ‘Film Quarterly’, Vol. 55, No. 2 (Winter, 2001-2002), pp. 67-69

Seçil Deren: “Cinema and Film Industry in Weimar Republic, 1918-1933” from The Cradle of Modernity: Politics and Art in Weimar Republic (1918-1933), unpublished MSc thesis submitted to the Graduate School of Social Sciences of the Middle East Technical University, Ankara, 1997, pp. 129-163.

Spector, Scott. “Was the Third Reich Movie-Made?
Interdisciplinarity and the Reframing of “Ideology” ” American Historical Review. Vol 106 No 2. April 2001.

Tegel, Susan.The politics of censorship: Britain’s ‘Jew Suss’ in London, New York and Vienna -1934. Historical Journal of Film Radio and Television 1995

von Papen, Manuela. Opportunities and Limitations: New Woman in Third Reich Cinema. Women’s History Review Vol 8 No 4 1999.

Paris, Michael. Review of Carter Erica.2004. Dietrich’s Ghosts:The Sublime and the Beautiful in Third Reich Film London: BFI. Scope No 6, October 2006.

When Biology Became Destiny. This is a PDF download of a discussion with authors of this groundbreaking book 25 years on.

This is a useful internet ‘Gateway’ link to the search term European Cinema. It includes several useful sites on German cinema.

Another useful gateway into German cinema is the Wilhelm-Murnau-Stiftung

Standard Bibliography

A fine recent list of resources and bibliography including websites is contained in Bergfelder Tim, Carter Erica and Goturk Deniz. Eds. 2002. The German Cinema Book. London. British Film Institute. This is a first port of call for those interested in a serious follow up to the course.

Bergfelder Tim, Carter Erica and Goturk Deniz. 2002. ‘Introduction’. Bergfelder Tim, Carter Erica and Goturk Deniz. 2002. The German Cinema Book. London. British Film Institute

Bergfelder Tim, Carter Erica and Goturk Deniz. Eds. 2002. The German Cinema Book. London. British Film Institute

Burleigh, Michael. 2000. The Third Reich a New History. London: Macmillan

Cook Pam Ed. 1985. The Cinema Book. British Film Institute : London : ISBN 0-85170-144-2

Downing, Taylor.Olympia. London: BFI

Eisner, Lotte H. 1969. The Haunted Screen. London: Thames and Hudson

Elsaesser Thomas: 1996.Germany : The Weimar Years : Nowell-Smith Geoffrey Ed : Oxford History of World Cinema : OUP : Oxford. ISBN 0-19-874242-8

Elsaesser, Thomas. _ Metropolis_. London: BFI

Elsaesser, Thomas. 2000. Weimar Cinema and After. London: Routledge

Evans, Richard. 2003.The Coming of the Third Reich. Harmondsworth: Viking / Penguin

Faletti Heidi. 2000. “Reflections of Weimar Cinema in the Nazi Propaganda films SA-Mann Brand, Hitlerjunge Quex, and Hans Westmar” in Reimer, Robert C. 2000. Cultural History Through a National Socialist Lens. New York: Camden House

Gunning, Tom. 2000. The Films of Fritz Lang. London: BFI

Hake , Sabine. 2002. German National Cinema. London : Routledge

Hake, Sabine. 2001. Popular Cinema of the Third Reich. Austin: University of Texas Press

Hake, Sabine. 1997. ‘The melodramatic imagination of Detlef Sierck: Final Chord and its reonances’. Screen 38.2 Summer 1997 pp 129-148

Horak, Jan Christopher. 2002. ‘German Film Comedy’. Bergfelder Tim, Carter Erica and Goturk Deniz eds. The German Cinema Book. London: British Film Institute

Jung Uli and Schatzberg Walter.1999. _Beyond Caligari: The Films of Robert Wiene _ . Oxford : Berghan Books. ISBN 1-57181-196-6

Kaes. Anton. 2000. M . London : BFI

Kaes Anton: 1996 : The New German Cinema : Nowell-Smith Geoffrey Ed : Oxford History of World Cinema : OUP : Oxford : ISBN 0-19-874242-8

Kaes, Anton. 2004. Weimar Cinema: The Predicament of Modernity. In Ezra, Elizabeth. Ed . European Cinema. Oxford: Oxford University Press

Kershaw, Ian. 1993 (3rd Ed).The Nazi Dictatorship: Problems and Perspectives of Interpretation. London: Edward Arnold

Kracauer, Siegfried. 2004 re. From Caligari to Hitler. Princeton: Princeton University Press

Leiser Erwin : 1974. Nazi Cinema . Secker and Warburg : London

McGilligan Patrick: 1997 : Fritz Lang : Faber : London: ISBN 0-571-19175-4

Moltke von, Johannes. 2002 ‘Evergreens: The Heimat Genre.’ Bergfelder Tim, Carter Erica and Goturk Deniz eds. The German Cinema Book. London: British Film Institute

Murray, Bruce. Film and the German Left . Austin Texas: University of Texas Press , 1990

O’Brien, Mary-Elizabeth. Nazi Cinema as Enchantment. New York: Camden House

Petley, Julien. Capital and Culture: German Cinema 1933-45. London. BFI, 1979

Petley, Julian. ‘Film Policy in the Third Reich’. Bergfelder Tim, Carter Erica and Goturk Deniz eds. 2002. The German Cinema Book. London: British Film Institute

Prawer, S.S. 2002. The Blue Angel. London: BFI

Reimer, Robert C. 2000. Cultural History Through a National Socialist Lens. New York: Camden House

Reimer, Robert C, Zachau Reinhard. 2005. German Culture Through Film. Newburyport MA: Focus

Rentschler, Eric. 1996. ‘Germany : Nazism and After’. Nowell-Smith Geoffrey Ed. Oxford History of World Cinema. Oxford: OUP

Rentschler, Eric. 1996. The Ministry of Illusion. Cambridge Mass: Harvard

Rosenbaum, Jonathan. Greed. London, BFI

Rother, Rainer. 2002. Leni Riefenstahl: the Seduction of Genius. London: Continuum

Saunders, Thomas. J.1994. From Berlin to Hollywood: American Cinema and Weimar Germany. Berkeley: University of California Press

Saunders, Thomas. J. 1999. ‘Germany and Film Europe’. In Higson, Andrew and Maltby Richard. eds. 1999. Film Europe and Film America. Exeter: Exeter University Press

Taylor, Richard. (1998 Re). Film Propaganda. London: I. B. Tauris

Welch, David. 2002 (2nd ed). The Third Reich Politics and Propaganda .London: Routledge


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