March 21, 2008

Guerilla Cinema: The 'Other' of Contemporary British Cinema

Cannes in a Van 2

This was an entirely refreshing find for a Good Friday Morning when I didn't have to get up early. Check this site out and send them some sponsorship money this is such a great idea!!!! Architecturally ands in terms of urbanism this has to be a good 'parafunctional space'.


Guerilla Cinema: The 'Other' of Contemporary British Cinema

Cannes in Van Van




Introduction


I have entitled this posting 'guerilla' cinema because it is there to signify that ongoing tension or little war between mainstream cinema which is primarily about creating an ongoing business which feeds the creation of a cycle of stars, festival goings, critics and articles and slots in TV wotz'on this weekend on Friday nights. The more "artsy" it is the later it is broadcast. Film festivals by themselves or as a part of larger festivals are increasingly a part of the shift towards a "cultural industries" agenda which seeks to 'colonise the lifeworld' as the social theorist Habermas might describe it. For those of us who attend these things you are doubtless overburdened with evaluation  forms given out to gain audience feedback on the event space etc. Of course these are done as much as anything to cover the bums of the events organisers as anything else. They can be used to justify the event and to argue for "quality improvements" next time around. Of course this kind of surveillance of culture can kill any poetry in an event stone dead. 

The idea for the posting came from reading an article in the latest Sight and Sound about the difficulties of distribution and exhibition for British independent filmmakers when even the "Arthouse" cinemas are increasingly showing the same fare, in a sort of mainstream for the middle-classes. Some of these issues of control are already covered elswhere in the blog. combining this perception with flicking through an issue of Architectural Design entitled Poetics in Architecture reminded me of how staid, sterile and boring everything which smacks of the 'New Labour' is or has become. This whole blog started out as an aid to Open Studies Learning which has emerged as "Lifelong Learning" in the New Labour lexicon of control terms. Whilst under the aegis of extra-mural studies this form of learning wasn't controlled in terms of having to make the students perform some work. The space of learning was poetic in as much as an enthusiast delivered a course and a group of people interested came and interacted with the content and in that specific learning space in a dynamic and performative way which wasn't subject to measurement and control. If people were disatisfied then they would move on. Many of the attendees had good qualifications in other areas but simply wanted to extend their ideas and knowledge base into different areas at a more informal level without writing essay etc. Now this form of education has become instrumentalised. Humans on the whole are inquisitive if they are not browbeaten into accepting false limitations. 

The increasing commercialistion of spaces of alternative cinema at the same time create a residue 'a surplus' in which expressive and creative acts and desires find no menas of expression. The exponential explosion onto the web of YouTube and similar sites bears witness to this surplus of creativity which is largely outside of the commercial. Yet this is still unsatisfactory for cinema in its origins was a social space of F2F interactions amongst the audience. Here cinema intersects with architecture. This posting is the beginnings of an investigation into the possibilities of creating spaces of exhibition for an ever expanding multi-media consciousness which like many popular music forms seeks recognition but is also part of an unfolding cultural dynamic in which a search for 'poetry' which is defined here as a resistance to the rationalisation and control of all aspects of social life. It is a search for performative cinematic space which is 'parafunctional' in the words of Nikos Papastergiadis


Parafunctional Spaces

The term parafunctional space: 

Refers to zones in which creative, informal and unintended uses overtake the oficially designated functions. In parafunctional spaces social life is not simply abandoned or wasted; rather it continues in ambiguous and unconventional ways. 


Now Papastergiadis was thinking of older industrial cities where areas are becoming rundown or corners where people resist the instrumentalism of everyday life under New Labour by glue sniffing -See This is England. But as he points out this fits in with Bachelardian notions of poetics of space because it is dreaming and an attempt to break free of colonisation. 

Everythihng 4 Everyone

The Campaign over the Dalston Cinema is a good example of a parafunctional space.  


7 Inch Cinema as Parafunctional Space

What they say about themselves:

Two things helped give birth to 7 Inch Cinema: masses of good films out there, particularly shorts, that never get near our cinemas or TV screens; and more and more people choosing to watch film online or on beefy home entertainment systems. We are firm believers in the old-fashioned communal film experience. Our job is to sift through festivals, archives, DVD submissions and the web for interesting work and then to screen it in a relaxed setting for people to enjoy, perhaps alongside a discussion, a bit of music or a quiz. The setting could be a pub, an art gallery, a church, a warehouse, a military decontamination tent. It could even be a cinema. The main thing is to create a sense of occasion, and to show people something they wouldn’t have seen otherwise.


Flatpack Festival Birmingham

Good news for Flatpack
Monday 16th Jun 08
The UK Film Council have selected Flatpack Festival as one of the seven recipients of their national Festival Fund. Whoop! If you don't believe us you can get it straight from the horse's mouth, and there's also some info on the 7inch blog.

Flatpack Film Festival




Webliography 

Here are some interesting links when I used the search term "Guerilla Cinema".

Camcorder Guerillas


Chorlton Film Institute: guerilla cinema

Centre for Contemporary Arts Glasgow 


Cannes in a Van (Seems togive a nice sense of the general ethos)


BBC Film Network John Wojowski


Document 2: Documentary Film Festival  


Machinima 1

Guardian on the rise of Machinima


It's not British Cinema but its a great Idea. Check out this Parasite site for a metro projection system in Berlin


Well my search turned up Moviola which is a small charitable organisation which provides screenings in villages across several South Western Counties.  OK it's not exactly the normal concept of Guerrilla but it is provinging alternatives and developing film culture.

Well I found the above link on Mad Cornish Projectionist who seems to be well linked.


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