Everyone was very proactive and got involved with each element, and i made a concerted effort to try and keep updated with everyone's progressand checking to see who needed a hand with anything..
However, it would be fair to say that my main achievements and efforts in the group were:
The opening introduction featuring Ed Greig describing the play's themes in layman's terms (and with a male bias)
This made a good opening to the piece because:
-it set up an instant divide between men and women
-told those not familiar with the piece a bit about it
-immediately set up a bridge between the classical and modern as Edward talked about the Tragedy using modern terms and opinions "she was a bit of a psycho"
-it also created a nice dramatic opening because it was eerie and slow burning and allowed the audience to come to terms with the surroundings and have a clear start to the piece despite it not being a traditional performance. The nature of the clip was that it was fairly engaging and weird so it kept them interested and also on the backfoot and curious as to how the piece was going to unravel…..
The ten minute sound clip that brought in issues of feminism and equality
Though me and Ian originally thought this might be used in full from speakers throughout this soon became obviously unworkable. I was quite happy with the way it was used in the performance….coming from booths occupied my examples of female and male (zoe and myself)...was effective as it drew the audience towards these booths (it was our intention to get the audience moving and investigating things for themselves).
It meant that the audience only heard little bits which was our intention (to create a different experience for each spectator) and also made them think about issues outside of the specifics of Medea Vs Jason (using, as it did, clips of Margaret Thatcher, faminist authors, Germian Greer, abortion clinics, US senators etc)
These two pieces of work were conducted with Mr Ian Carter
and you can hear our masterful work thanks to the wonders of twenty-first century technology (ignore the part where it says 'Ian Carter's work!!!!! Top two are us too, bottom two are Ian and FleeceRhyyyyyyyyyyyyyssssssssssssssssss
The second half of my 'personal journey' was working closely alongside BingBongTheRothelite (jamesrothwell to you) in opposition (and amicable collective working) with Zoe, Sophie and SarahDeeks.
We created a contemporary performance piece that was an argument between men and women exposing the preconceptions andf typical complaints from both sexes. They went from humourous and silly to more serious truths that caused universal rifts between the sexes.
Me and Rothelite's list has been split into sections to denote the seriousness of each point, and the progression we thought the argument should take
When we were done carefully considering the most effective points we worked with 'The Girls' to match up similar complaints and work out a coherent arguement structure using their list
I believe the arguements are good because they are familiar, universal complaints and also bring the themes of Medea into the contemporary arena…with our complaints (like The Girls levelling against Boys that we are insensitive) mirroring Medea's arguments against Jason in the text.