Some extracts used in Gill Frith's classes this week:
"We come then to the conclusion that the present form of marriage - exactly in proportion to its conformity with orthodox ideas - is a vexatious failure. If certain people have made it a success by ignoring those orthodox ideas, such instances afford no argument in favour of the institution as it stands. We are also led to conclude that 'modern Respectability' draws its life-blood from the degradation of womanhood in marriage and in prostitution. But what is to be done to remedy these manifold evils? How is marriage to be rescued from a mercenary society, torn from the arms of 'Respectability' and established on a footing which will make it no longer an insult to human dignity?... The ideal marriage, then, despite all dangers and difficulties, should be free. So long as love and trust and friendship remain, no bonds are necessary to bind two people together; life apart will be empty and colourless; but whenever these cease the tie becomes false and iniquitous, and no one ought to have power to enforce it."
(Mona Caird, "Marriage" 1888; in The Fin de Siecle: A Reader in Cultural History, ed. Ledger and Luckhurst)
"Jude is such a truly radical novel precisely because it takes reality apart; that is, it doesn't merely reproduce reality, even as a 'series of seemings,' but exposes its flaws and mystifications. You cannot come to terms with the novel either as a moral fable or as an exhibition of social reality because it is the very terms of those structures, their ideological base, that it interrogates."
(John Goode, "Sue Bridehead and the New Woman" in Women Writing and Writing about Women, ed. Mary Jacobus, p. 100)