All 9 entries tagged Whit Friday

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May 22, 2008

Online Videos and Photos of Us at Whit Friday

Whilst trawling round the internet, I stumbled across some videos and photos of us at Whit Friday. See the links below.

Videos

Photos

(All from Facebook)


May 19, 2008

Whit Friday Results 2008

Writing about web page http://www.whitfriday.brassbands.saddleworth.org/Ranking_2008.php

So, the full results are in…

Here’s how we did (with comparison to Leeds Uni)

Lees

Warwick: 34 (Look for “Boris Johnson Appreciation Society” (Don’t ask!))
Leeds: Did Not Compete (DNC)
Total Bands: 45

Grotton

Warwick: 36
Leeds: 39
Total Bands: 43

Lydgate

Warwick: 41
Leeds: 29
Total Bands: 53

Dobcross

Warwick: 41
Leeds: DNC
Total Bands: 55

Delph

Warwick: 74
Leeds: 58
Total Bands: 78

Other Villages Leeds Uni Did

Denshaw: 35/52
Friezland: 10/48 (NB: 3rd Section and below only play here)
Greenfield: 44/66
Uppermill: 41/58

Other Prizes Won

None

So basically, they thrashed us this year!


June 05, 2007

Whit Friday Results

Writing about web page http://www.whitfriday.brassbands.saddleworth.org/winrs.htm

Well, the full results are in…

Univeristy of Warwick

Lees (50 Total)
48

Grotton (50 Total)
47

Lydgate (66 Total)
66

Dobcross (61 Total)
47

Delph (84 total)
72

And the comparisons with other Uni’s…

Delph (84 total)
Leeds 59
Warwick 72
Durham 77

Dobcross (61 Total)
Warwick 47
Leeds 57
Durham Did not play

Lydgate (66 Total)
Leeds 54
Durham 65
Warwick 66

Other Results:

Leeds Uni
Denshaw 49/57
Friezland 34/50 (Correction, the bands were listed in playing order rather than results order.)

Durham Uni
Greenfield 67/67


March 22, 2007

Whit Friday

Writing about web page http://www2.warwick.ac.uk/services/academicoffice/documents/summer_07_draft_tt.xls

Whit Friday: June 1st 2007

The provisional exam timetable is now out. Who can make it?

I have an afternoon exam on the 1st and a morning exam on the 2nd (which I can’t afford to drop) so I reckon that pretty much rules me out unless they change the dates on the real timetable :-( first missed Whit Friday in 7 years!
-Bruce


October 08, 2006

Whit Friday video

Ladies, Gentlemen and Wee-man,

Yes it’s me again… only a quick one this time, because it’s way past my bedtime here and I’m flying tomorrow. I’ve just uploaded the video of us performing at Lydgate on Whit Friday to YouTube. According to the marks it wasn’t one of our better ones, but it doesn’t sound that awful apart from the beginning of the trio (listen out at about 1min50sec… you’ll see what I mean.)

Make of it what you will.


June 20, 2006

Whit Friday Adjudications

Here are some of the adjudicators comments, as far as I can tell through the illegible scrawl that is adjudicators' handwriting:

Dobcross:–
Loose to open in ensemble semiquavers! Solo cornet also loose on semiquavers! Tuning good in lower band. Cornets as a section not well in tune! Dynamics very good. Sop plays well. 2nd time. Why rush the simple quavers of bar 4! Basic control! Good to close – but again, rush on the simple parts
(all exclamation marks are as Mr Kevin Wadsworth wrote it)

Grotton:–
Good opening with good sounds, nice cornet, misses in nervous sections and playing at times is untidy. Dynamics are rather safe, bass solo good sounds, but short note values, upper band well done.
Trio, nice euphs, some neat playing from cornets, final section not always secure, missed notes and intonation suffers in upper band. DC, better generally this time, but (squiggle) misses in (p) section (ff) section tempo is pushy, bass solo gets untidy but a precise finale. Thank you

Lees:–
Tuning worries and ensemble not as tight as it could be. Soloist b i'm afraid – you sound happiest at H. Bass solo rushing? Nice middle band tune at trio and background work is good. Soprano enjoys last strain – listen to the rest of the band" it all sounds a touch panic stricken – more time is needed to play with a bit more consideration! Thank you!

Uppermill:–
A rather nervous start. A pity about the glitches that were heard. Tempo tended to fluctuate. Basses could be stronger in trio– nice euphonium here. Balance could be better especially before DC. A sensible choice of march for this band.
(That was from Uncle Goff btw)

Lydgate went with a more standardised system and we got marked :–
Performance – Fair
Sections: Cornets – attention required
Horns – fair
Bari/Euph – fair
Troms – fair
Basses – fair
Use of dynamics/musicianship – fair/attention required
Intonation – fair/attention required
Start was together but intonation was not good. As you progress the cornets sound laboured in semiquaver sections. Bass solo passage quite good.

I'll put them up on the board in the MC foyer, and also post any more up here.


June 11, 2006

Whit Friday Results 2006

Writing about web page http://www.whitfriday.brassbands.saddleworth.org/winrs.htm

Lees 48/51
Grotton 25/48
Lydgate 51/57
Uppermill 28/57
Dobcross 36/57
Delph 40/75

Don't have the time at the moment to do analysis I'm afraid. If someone else wants to, you can find the previous years stats at http://www.davidsait.co.uk/wf2005.htm

N.B. Leeds appeared to only play in 3 contests. Like us, they were at Delph. They came 54th.

If you have photographs from the day, please leave a comment telling us where they are. I know both Bruce and Ben have them on their Facebook profiles.


September 28, 2005

Delph CD Order

Writing about an entry you don't have permission to view

I received an email a while ago saying that I may be able to buy Delph Whit Friday CDs direct from Delph at the bargainous price of £10 + p&p. This compares to about £13 + p&p from World of Brass or 4BR. Is anyone interested in buying a CD? We could put a band order in and haggle the price. I've already bought the CD and it is pretty good, with the (amazing) Dyke playing my favourite march, Knight Templar, and other bands…

September 16, 2005

Whit Friday Marches 2005

Writing about web page http://www.worldofbrass.com/acatalog/24616.html

Today the CD featuring highlights from the village of Delph from this years Whit Friday March Contests has been released by World of Brass.

The CD features such world-famous bands as Black Dyke, Besses, Fodens and YBS, and also, yes, The University of Warwick Brass Band!

Recorded on Friday 20th May 2005, live outside the Delph Band Club, at about 11pm, the performance was at the last of the 5 villages we'd visited that evening. Our chosen contest march for the day was 'The Spirit of Victory' by Andrea Crossley, and the 25 players inside the contest ring gave an excellent performance, chosen by the contest organisers to feature on this CD.

Buy your copy now from World Of Brass


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4barsrest.com Go to '4barsrest.com | eMagazine '

Advert: Ray Farr Signature Raw Brass Flugel Horn
Ray Farr flugel horn

Black Dyke's Zoe Hancock recently tested the new Ray Farr Signature Raw Brass flugel - and was suitably impressed.

Black Dyke's Zoe Hancock recently put the Ray Farr Signature Raw Brass flugel through its paces in a review for Brass Band World magazine.

This is what she thought:

"It’s always exciting when a new flugel horn comes on the market.

I first heard about the Ray Farr Signature Raw Brass Flugel when I was in America doing some guest soloist work in October last year.

Unfortunately, I couldn’t answer any questions about the instrument because, at the time, I hadn’t seen or played it.

I’ve had the instrument for three weeks now and have thoroughly enjoyed having a blow on this unique redesigned flugel."

Intonation:

"Flugel horns are probably the hardest instruments to get in tune, but I was very impressed by the intonation of this instrument, right from the bottom to the top of the register."

Ease of Blowing/Tone:

"In a brass band the flugel horn is part of the horn section and either doubles up with the solo horn, or is heard as the highest voice. Therefore, the tone of the flugel should be mellow and rich to match with the middle of the band.

The Ray Farr Signature Raw Brass Flugel does have a good tone, especially in the lower and middle registers. Also, you can hear all the clarity coming through when double and triple tonguing or playing technical passages, unlike other flugels where sometimes it can get lost.

It is remarkably free blowing in the middle and lower registers, although for me personally, it wasn’t quite as easy in the upper register, especially in the quieter dynamics.

Trying to play a quiet and controlled high A or over at pianissimo proved tricky. All players are different, but for me though the higher register wasn’t as free blowing as my own instrument." (Vincent Bach Stradivarius)

Design:

"The designer, Chris Waters of County Instruments has totally changed the design of the instrument.

The valve case is now the same side of the bell as a Bb cornet, which for most flugel players will probably take some time to get used to due to the different hand position.

The size of the bell is a lot larger than most flugel horns, which is great for amplifying the sound, and the valves are great too—really slick and fast.

The instrument is also Bell Stayless—a strong tapered ferrule enabling both ends of the main bow and bell to butt totally, proving the strongest of joints that enables forceful mute twisting insertion and withdrawal, as well as (say the manufacturer) providing ‘smooth sine wave air-flow throughout the conical bell, being free from nodal point wave distortions and damaging interruptions, giving the truest of sounds.’"

Overall:

"A very good instrument and a design that I think flugel players will take time to get used to, if they do decide to by.

The intonation is the best I have ever played, which I feel the other leading flugels haven’t mastered yet."

More information:
http:/­/­www.rawbrass.co.uk/

Read the full review and buy Brass Band World Magazine
http:/­/­brassbandworld.com/

Advert: John Packer Ltd
Rath Bass Trombone

Garrath Beckwith is over the moon after playing the fantastic new JP233 Rath Bass Trombone.

Garrath Beckwith, the highly respected bass trombonist of the Grimethrope Colliery Band, recently tried out the new JP233 Rath Bass Trombone, the latest JP/Michael Rath collaboration.

Tested

Having tested out the instrument in a variety of both professional and informal settings, he had the following to say about the quality of the new JP233 Rath:

"Craftsmanship is something that we come to expect of the JP instrument range and the JP233RATH does not disappoint!

I have bought a variety of instruments from the highly successful collaborations between top British instrument manufacturers and John Packer, and my first job was to check all the joints that hold the bell section together as this is sometimes an area for improvement."

Impressed

He added: "I was massively impressed, as they were all neatly finished with excellent high quality (80:20) lacquer work.

The quality of the slide is what we come to expect from a Michael Rath designed product—a smooth action with a quality response. The slide width is perfect for both amateur and professional players—with great ergonomics that give a comfortable feel when holding the instrument.

The weight of the trombone is well balanced - aided by a removable counterweight. The instrument is entirely made of dark yellow brass and the finish is immaculate.

Overall, you have to say that many student/mid-level bass trombones feel light and flimsy, but the JP233RATH goes against this stigma with a real feel of quality. I consider the build quality of the JP233RATH to be simply fantastic."

Fantastic value

In summary of his experience with the JP233 Rath, Garrath added: "This bass trombone offers fantastic value for money and is an excellent addition to the market for a mid-level/single valve bass trombone.

The JP233RATH is a serious alternative for the higher level performer who requires a lighter sounding or a single valve instrument for chamber music. If I had received one of these instruments as my first ever serious bass trombone I would have been over the moon!

I heartily recommend JP233RATH and applaud John Packer and Michael Rath for providing trombonists with yet another excellent trombone in the JP/Rath range. Roll on the next one!"

Read more:

To read Garrath’s whole review, visit the John Packer Blog at www.johnpacker.co.uk/­blog

The JP233 Rath is available now from £954.

More info:

For further information contact Steve Herbert, Brass Manager at .

Why not keep up to date with John Packer news, events, competitions and more. You can like them on Facebook at facebook.com/johnpackerltd, follow them on Twitter at twitter.com/johnpackerltd or visit their blog at johnpacker.co.uk/blog

NABBC Yorkshire Masterclass details announced
NABBC logo

Details of the NABBC Masterclass with Richard Evans on Sunday 7th July have been revealed.

The National Association of Brass Band Conductors has confirmed details of its forthcoming masterclass event in West Yorkshire on Sunday 7th July.

Respected leads

To be held at Bertie's Banqueting Rooms in Elland, it will be led by Richard Evans, supported by highly respected trumpeter Murray Greig, Mike Kilroy and Mareika Gray, Musical Director of 2013 Grand Shield winners Milnrow.

Excellent

NABBC Chairman Andrew White told 4BR: "Responses from players to perform with Milnrow at the event, and from existing and new conductors to direct the massed band has been excellent so far.

It’s expected that the confirmation of respected conductors will further popularise the event, extend networking and make the seminars even more enjoyable.

The conductors will also be supported by numerous experienced directors and adjudicators from the NABBC who will be on hand to offer advice and assistance."

Opportunities

Registration is at 9.30am and participants will need to note that the entire day will be based on practical interactions and experiences, including an opportunity to learn and perform a new item by composer Paul Lovatt-Copper.

The event will conclude at 4.00pm.

More information:

The full programme is now advertised on the NABBC website together with the bibliographies of each of the directors.

Go to: http:/­/­www.nabbc.org.uk/

Secure your place

To secure your place at this Arts Council sponsored event please at Bertie's Banqueting Rooms, Elland, West Yorkshire, HX5 9AW on Sunday 7th July, contact:

NABBC Secretary or National Chairman

Alternatively call 07973 727881

Lanner enjoys Cornish success
Lanner at Bugle

The Lanner & District organisation certainly enjoyed their trip to Bugle on the weekend.

Lanner & District Silver Band enjoyed a thoroughly successful time of it in the heart of Cornwall on the weekend as both their Senior and Academy bands enjoyed contesting success.

Outstanding

Under the baton of Stuart Chappell, the seniors took home the First Section title thanks to outstanding performances of the set work, ‘Kingdom of Dragons’ and the march, ‘Flying Eagle’, with euphonium star Matthew Rowe claiming the ‘Best Player’ Award.

The birthday boy certainly enjoyed himself and later told 4BR: "I had a great day. I came off stage feeling really good and was pleased with how I played and felt very proud to be part of the performances we gave."

Off to Wales

It was Matthew’s penultimate performance with the band, as after his final appearance at the National Finals in Cheltenham, he will take up his place at the Royal Welsh College of Music and Drama in Cardiff.

MD Stuart Chappell added: "I set the band a challenge of preparing in just six rehearsals, and each and every player came up trumps. We’re especially proud of Matthew Rowe and for him to secure a place at the Royal Welsh College proves just how far he’s developed as a player with us."

Not outdone

Not to be outdone, the Lanner Academy Band under Phil Matthews took the Training Band Section honours, with percussionist Daniel Matthews also claiming the ‘Best Player’ Award.

Academy Director (and proud father), Phil Matthews told 4BR: "This was only the third contest the Academy has competed in. All our players have been trained from scratch by us and I’m so proud of them all.

At Lanner, we have a well structured programme which welcomes anyone into the organisation where they can play in the Academy Band and hopefully go on to play in the senior band."

Sweeter

A proud Band Chairman Lee Rouse rounded added: "What made the day even sweeter was that we were able to perform the road march version we recently commissioned of ‘The Lanner Falcon’ written for the band in 1995 by Goff Richards.

Since the news item about the piece was published on 4BR, so much interest was shown that we are now looking to publish the concert version and I’m sure more details of that will follow in due course."

Brasscast Go to 'Brass Band Podcast'

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