Reviewing Shakespeare – Special Journal Issue
Writing about web page http://www.informaworld.com/smpp/title~db=all~content=g926136875
Volume Six of Shakespeare has just been published in hard-form. This volume includes 6.3, the special issue on "Reviewing Shakespearean Theatre: The State of the Art", to which I contributed an essay. It's not an outstanding piece, just a position paper on the use of tense in reviewing, but I'm happy with it, and I'm in prestigious company among scholars whose work I love: Michael Billington, Eleanor Collins, Peter Holland, Elinor Parsons, Stephen Purcell, Stanley Wells and a host of others. The essays are uniformly great, and there are several format-pushing experiments, including a "collective review" of a production and a selection of different approaches to the processes of gathering audience response.
It's also great, after years of relentless blogging, to finally have an academic context for "The Bardathon". Without wishing to be self-aggrandising, I was genuinely touched to have the blog mentioned by a couple of the other papers, and to be a part of the extremely important debate over the role of multiple viewpoints and new media in the future of Shakespearean reviewing. I'm not quite sure what the next steps are in this discussion, but I'm very much hoping to return to the question of performance criticism once I've put the Apocrypha to bed.
Many thanks to Pete Smith, Paul Prescott and Paul Edmondson for a wonderful conference, and for organising a very fun launch dinner last night for the authors!