Menander in Performance
Read this brief article by Richard Williams, ""Masks for Menander: Imaging and Imagining Greek Comedy"":http://didaskalia.open.ac.uk/issues/vol5no1/williams.html and view the video clips of Chris Vervain demonstrating the use of a reconstructed ancient mask.
Also have a look at Marianne McDonald's review of a production of Menander's Woman of Samos at the J.Paul Getty Museum in 1994.
What do these two different kinds of article, and the multimedia elements, contribute to your knowledge and understanding of ancient drama and/or places of performance?
The video clips of the masks, from the generalities of how it was made, the genre of performance it was used for, and just having a look at the mask in relation to a real human being was very useful. It gave a definite image of what it would be like to actually handle a mask like that, it's weight, dimensions, colour, texture. Previously we'd been looking at vase paintings and frescos, and while that's all well and good for historical research, nothing beats having the actual mask in your hands.
What was particularly effective was the video description of how even a slight tilting of the mask can convey different 'personalities' or emotions.
When Chris put on the mask, and basically did a very simple mime of gestures that were not put into any context, it was effective and powerful, because the actor managed to convey the emotive context without the use of words or facial expression. Through concentrating their energy on the smallest of gestures, a clenched fist, a tilt of the head, the direction of the gaze – different gradients of emotion could be conveyed.
The articles themselves are rather lengthy, and as I am not familiar with the plays, the characters and plot were alien to me. However, they did give an idea as to the types of characters that were prominent in Old and New Comedy, suggesting the types and variations of masks that were used in production.
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